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    Theater Review

    Dallas Theater Center takes a closer look at Texas in The Trials of Sam Houston

    Alex Bentley
    May 1, 2018 | 3:23 pm

    Thanks to the phenomenon that is Hamilton: An American Musical, learning about history while at the theater has never been more in vogue. Dallas Theater Center is giving a Texas spin to a theatrical civics lesson with its latest production, the world premiere play The Trials of Sam Houston, written by Aaron Loeb and directed by Kevin Moriarty.

    Most Texans, if they think of him at all, know Sam Houston as the former governor of Texas and the namesake of the state’s largest city. In this play, his titular trials are both literal and metaphorical. Faced with the choice of staying true to Texas or to the United States on the eve of the state’s secession in 1861, Houston relates to his slave office clerk, Jeff Hamilton, of the time when he stood trial in Congress for attacking a Congressman.

    The framing device for the play is an elderly Hamilton (Night Court’s Charlie Robinson) talking about his time with Houston to a female historian, Patricia Caras (Kate Wetherhead). But Robinson actually spends more of his time onstage playing Old Sam Houston, talking to the younger Hamilton (Ace Anderson), while Steven Michael Walters plays the younger Sam Houston during the time of his Congressional trial.

    Confused yet? The play requires the utmost attention from its audience, as not only does it jump between the three time periods but it also features actors switching roles. Everyone except Walters plays more than one part, with five out of the eight actors tackling three different roles. Along with Houston, familiar historical names who make appearances include James K. Polk, John Quincy Adams, Andrew Jackson, and Francis Scott Key.

    Moriarty keeps the proceedings intelligible with different costumes and, more importantly, abrupt lighting changes to signify moving to a different part of the story. After an early adjustment period to figure out who is playing what part, the story moves quickly and with a clarity that belies its complicated nature.

    However, keeping track of the different settings and characters is only part of the job in watching the show. It is also heavy with speechifying as various people impart their thoughts on politics, proper decorum, and the ideals of the nation. While much of it is interesting, not everything connects, especially a long trial scene at the end of the first act.

    Fortunately, the production is filled with familiar talented actors who know how to make the most of their roles. Five out of the eight members of DTC’s Brierley Resident Acting Company play prominent parts, including Anderson, Walters, Liz Mikel, Kieran Connolly, and Alex Organ. They’re matched by Robinson, Wetherhead, and DTC regular David Coffee.

    The Trials of Sam Houston does a fine job illuminating a period of time that may not be familiar to many people. With outsized characters and actors who know how to play them, it’s much more entertaining than any history lesson you had in school.

    ---

    Dallas Theater Center's production of The Trials of Sam Houston runs through May 13 at the Kalita Humphreys Theater.

    Charlie Robinson and Ace Anderson as Young and Old Jeff Hamilton.

    Charlie Robinson and Ace Anderson in The Trials of Sam Houston
    Photo by Karen Almond
    Charlie Robinson and Ace Anderson as Young and Old Jeff Hamilton.
    reviewstheater
    news/arts

    Season announcement

    Mystic Pizza's Dallas premiere leads new AT&T PAC Broadway season

    Alex Bentley
    Apr 10, 2026 | 1:28 pm
    Mystic Pizza: A New Musical
    Photo courtesy of Lively McCabe Entertainment
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    The 2026-2027 Broadway at the Center season at Dallas' AT&T Performing Arts Center will feature a mixture of new and returning shows, including several recent Tony Award-nominated productions.

    According to a release, the main season will consist of five musicals: Mystic Pizza: A New Musical, Shucked, Beetlejuice, The Who’s Tommy, and The Wiz. All productions take place at Winspear Opera House in downtown Dallas.

    They will be joined by two previously-announced co-productions with Broadway Dallas - The Notebook and Hadestown - as well as TITAS/Dance Unbound co-production, Dance Me - The Music of Leonard Cohen.

    First up will be Dance Me - The Music of Leonard Cohen, a creation inspired by the work of famed Montreal-based poet, artist, and songwriter Leonard Cohen, performed by Ballet Jazz Montreal.

    The homage to the iconic artist evokes the grand cycles of existence in five seasons, as described in Cohen’s deeply reflective music and poems. There will be performances on September 18 and 19, 2026.

    The first theater production will be Mystic Pizza: A New Musical, making its Dallas premiere. It is based on the 1988 rom-com that tells the story of three working-class girls who navigate the complexities of life, love, and family in a small-town pizza joint.

    The score features megahits of the '80s and '90s, including songs originally recorded by Melissa Etheridge, Cyndi Lauper, John Cougar Mellencamp, and more. It will run November 20-22, 2026.

    After the Broadway Dallas co-production of The Notebook, running January 12-24, 2027, the season picks up again with the return of Shucked, which played at the Music Hall at Fair Park in December 2024.

    In the Tony Award-winning comedy, the corn that protects a small community starts to die. The town needs answers. But who will dare to venture beyond the borders of Cob County?

    The Broadway hit, running March 19-21, 2027 is about an unlikely hero, an unscrupulous con artist, and a battle for the heart and soil of a small town.

    Hadestown will follow shortly thereafter, running March 30-April 4, 2027, before the third Broadway Dallas co-production of the season, Beetlejuice, running April 28-May 2, 2027.

    The musical, which previously came to Dallas in early 2024, is based on Tim Burton’s 1988 film and tells the story of Lydia Deetz, a strange and unusual teenager whose whole life changes when she meets a recently deceased couple and a demon with a thing for stripes.

    June 2027 will bring the final two productions of the season, The Who’s Tommy (running June 3-5) and The Wiz (running June 10-13).

    The Who's 1969 rock opera is about the young Tommy Walker whose innate knack for pinball catapults him from reticent adolescent to celebrity savior. It features the anthems “I’m Free,” “See Me, Feel Me,” “Sensation,” and “Pinball Wizard.”

    The Wiz, which just came to Dallas in September 2025, is a groundbreaking twist on The Wizard of Oz that features soul, gospel, rock, and '70s funk that puts Dorothy’s journey to find her place in a contemporary world.

    “This season is designed to welcome both longtime subscribers and new audiences with a lineup that celebrates the full range of Broadway - from high-energy crowd pleasers and reimagined classics to bold contemporary storytelling,” said Warren Tranquada, CEO and President of the AT&T Performing Arts Center, in a statement.

    For the first time in their partnership with Broadway Dallas, Broadway at the Center subscribers will enjoy early access and full subscriber benefits for Beetlejuice through May 1.

    After May 1, all ticket purchases, customer service questions, and support for Beetlejuice will be handled directly by Broadway Dallas.

    The Center offers a flexible subscription package that allows patrons to choose four or five shows from the season lineup, with the option to add or remove shows by contacting the box office directly.

    Subscription package prices range from $150-$660, and sales begin on Monday, April 13, 2026. Packages may be purchased by phone at 214-880-0202, or online at attpac.org/broadway.

    att performing arts centerbeetlejuicebroadway at the centermusicmystic pizzaperforming-artsthe wiztheaterwinspear opera house
    news/arts
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