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    Theater Review

    Dallas Theater Center takes a closer look at Texas in The Trials of Sam Houston

    Alex Bentley
    May 1, 2018 | 3:23 pm

    Thanks to the phenomenon that is Hamilton: An American Musical, learning about history while at the theater has never been more in vogue. Dallas Theater Center is giving a Texas spin to a theatrical civics lesson with its latest production, the world premiere play The Trials of Sam Houston, written by Aaron Loeb and directed by Kevin Moriarty.

    Most Texans, if they think of him at all, know Sam Houston as the former governor of Texas and the namesake of the state’s largest city. In this play, his titular trials are both literal and metaphorical. Faced with the choice of staying true to Texas or to the United States on the eve of the state’s secession in 1861, Houston relates to his slave office clerk, Jeff Hamilton, of the time when he stood trial in Congress for attacking a Congressman.

    The framing device for the play is an elderly Hamilton (Night Court’s Charlie Robinson) talking about his time with Houston to a female historian, Patricia Caras (Kate Wetherhead). But Robinson actually spends more of his time onstage playing Old Sam Houston, talking to the younger Hamilton (Ace Anderson), while Steven Michael Walters plays the younger Sam Houston during the time of his Congressional trial.

    Confused yet? The play requires the utmost attention from its audience, as not only does it jump between the three time periods but it also features actors switching roles. Everyone except Walters plays more than one part, with five out of the eight actors tackling three different roles. Along with Houston, familiar historical names who make appearances include James K. Polk, John Quincy Adams, Andrew Jackson, and Francis Scott Key.

    Moriarty keeps the proceedings intelligible with different costumes and, more importantly, abrupt lighting changes to signify moving to a different part of the story. After an early adjustment period to figure out who is playing what part, the story moves quickly and with a clarity that belies its complicated nature.

    However, keeping track of the different settings and characters is only part of the job in watching the show. It is also heavy with speechifying as various people impart their thoughts on politics, proper decorum, and the ideals of the nation. While much of it is interesting, not everything connects, especially a long trial scene at the end of the first act.

    Fortunately, the production is filled with familiar talented actors who know how to make the most of their roles. Five out of the eight members of DTC’s Brierley Resident Acting Company play prominent parts, including Anderson, Walters, Liz Mikel, Kieran Connolly, and Alex Organ. They’re matched by Robinson, Wetherhead, and DTC regular David Coffee.

    The Trials of Sam Houston does a fine job illuminating a period of time that may not be familiar to many people. With outsized characters and actors who know how to play them, it’s much more entertaining than any history lesson you had in school.

    ---

    Dallas Theater Center's production of The Trials of Sam Houston runs through May 13 at the Kalita Humphreys Theater.

    Charlie Robinson and Ace Anderson as Young and Old Jeff Hamilton.

    Charlie Robinson and Ace Anderson in The Trials of Sam Houston
    Photo by Karen Almond
    Charlie Robinson and Ace Anderson as Young and Old Jeff Hamilton.
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    All Eyes on Them

    Dallas alt hip-hop group wins prestigious Tiny Desk Contest by NPR

    Brianna Caleri
    May 13, 2026 | 3:00 pm
    Cure for Paranoia
    Cure for Paranoia/Facebook
    As winners of the Tiny Desk Contest, Cure for Paranoia will record their own Tiny Desk concert and go on tour.

    Few live recording studios or musical web series have the cultural sway of NPR's Tiny Desk, and a Dallas band is poised to make an impactful debut: Cure For Paranoia, an alternative hip-hop project by rapper Cameron McCloud and producers Tomahawk Jonez and Jay Analo, has won the high-stakes annual Tiny Desk Contest for 2026.

    They'll record their official Tiny Desk show "soon," the announcement by NPR says.

    Winning the concert also means Cure for Paranoia is going on tour. The only Texas stop will be at Emo's Austin on June 24.

    Tiny Desk is known for platforming both niche and majorly successful artists — NPR posted a new Foo Fighters set on YouTube on May 13 — for stripped-down sets that are literally played behind former All Things Considered director Bob Boilen's old desk. (Fun fact for Texans: Tiny Desk was created because folk artist Laura Gibson was disappointed with the sound at her South by Southwest show in Austin in 2008, and she wanted a redo.)

    Most artists who appear on Tiny Desk more than 15 years later are already well-known, at least in their specific circles. But the Tiny Desk Contest, which launched in 2015, helps a growing group of newer, unsigned artists get their foot in the door. Contestants record one video of them performing a single song behind a desk, and a jury of radio staff and musicians chooses their favorite.

    In their audition video, Cure for Paranoia gathered 11 musicians around a truly tiny desk and in front of downtown Dallas' iconic gigantic eyeball sculpture. They played the song "No Brainer," a frenetic track that starts with clever boasts and becomes a criticism of racism in the United States.

    McCloud, a pre-school teacher, is known independently of Cure for Paranoia for rapping to his social media following about politics and current events. Some of those lyrics made it into "No Brainer." He says he started the group because he found that music was more helpful than medication for coping with bipolar depression and paranoid schizophrenia.

    Alex Marrero, host of the Austin-based KUTX show Horizontes, was one of the judges this year. He was impressed with the visuals in Cure for Paranoia's audition.

    “When this popped up, I immediately felt something different," he wrote in a blurb for the announcement. "It just jumped out. The visuals were super cool and creative, BUT I could still totally envision them bringing the heat behind the Desk.”

    Madison McFerrin, jazz vocalist and daughter of the famous singer Bobby McFerrin, was one of the musical judges.

    "Cure For Paranoia’s energy is infectious, fresh and distinctly theirs — exactly what you want in a Contest winner!" she wrote.

    McCloud's post on Instagram announcing the group's win has only been up for three hours at the time of this article's publication, and it already has more than 8,000 likes. The YouTube audition has garnered 74,000 views.

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