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    The Mort News

    Dallas City Council readies Meyerson Symphony Center handoff to DSO

    Micah Moore
    May 21, 2019 | 1:37 pm
    Morton H. Meyerson Symphony Center
    The Mort will get a new boss.
    VisitDallas

    The city of Dallas is preparing to turn over management and operations of the Morton H. Meyerson Symphony Center to the Dallas Symphony Association in a deal that is hoped to bring millions to be used for critical maintenance needs.

    The Dallas Symphony Association is the administrative arm of the Dallas Symphony Orchestra.

    This follows similar recent moves to delegate city facilities to private management, including the Kay Bailey Hutchison Convention Center and the Kalita Humphreys Theater.

    The deal still requires approval by the Dallas City Council, which will vote at its meeting on May 22. The lease has been hashed out since January in several meetings and a public hearing that included arts organizations that perform there.

    The agreement has received support from Arts and Cultural Affairs Advisory Commission and the council's Quality of Life, Arts and Culture Committee, as well as the arts community.

    It will direct the Office of Cultural Affairs to lease the Meyerson to the DSA for $1 a year for 99 years. DSA will raise $5 million for capital improvements required by 2025.

    Under the current agreement, the DSA has been the Meyerson's primary user, leaving the city responsible for operation and management. But the city has long deferred maintenance. Designed by I.M. Pei and constructed in 1989, the building will require up to $11.9 million in critical repairs.

    “The Meyerson needs a lot of love from everyone involved,” says DSA VP of facilities Debi Peña.

    Peña recently led a group that included Arts and Commission member Cannon Flowers and Preservation Dallas Board Joanna Hampton on a tour to show problem areas, some in non-public spaces such as the rehearsal rooms and the reverb chamber located directly behind the Lay Family Concert Organ on stage.

    One big problem has been water. It leaks into the building through the glass pavilion rooftop encasing the lobby and collects in pools across the floor. According to Peña, whenever it rains, staff must scatter buckets and tubs across the mezzanine loge to prevent flooding.

    Walls in the lobby and backstage are stained with rainwater that flows heavily in through dozens of leaks throughout the concert hall.

    The famed Kelly Ellsworth panels, worth millions of dollars in the public art collection, now have discreet gutters redirecting stormwater seeping in from above. Granite is marred with water stains.

    There are also accessibility issues. There is only one ADA-compliant bathroom in the building. And elevators have a tendency to get stuck. On several occasions, patrons have been unpredictably trapped inside elevators for hours after a show waiting for the fire department to come to the rescue.

    Sometimes when a pipe bursts, maintenance crews simply cut the water off, which means an upper level backstage bathroom is closed. Sinks in the conductor's Green Room, which hosts donors and special guests, haven't worked in months.

    Inside the McDermott Concert Hall, lighting and sound system upgrades need a $1.2 million retrofit. The original carpet needs to be replaced, as do 26 of the 77 reverb doors.

    The last improvement was in 2014 when new heat and air conditioning systems were installed as part of a citywide facility efficiency upgrade.

    Another big change will be scheduling of the venue. Up until now, scheduling was handled by the city and done in advance, with priority given to DSA events. Under the new deal, the DSA will oversee all booking, including performances and private venue rentals.

    There are 10 legacy organizations including the Dallas Winds, Dallas Bach Society, and the Black Academy of Arts and Letters, that are grandfathered with rental and other fees locked in for 10 years.

    The new agreement will also affect 37 city employees, including ushers, sound technicians, and stage technicians. They'll be offered positions with the DSA or reassigned in the city for those wanting to hold onto their pension and other benefits.

    After approval May 22, the Symphony would take over management and operations July 1. Renovations will begin after that with a bulk of improvements slated for summer 2020.

    The city will pony up its share for improvements, with an added $3.85 million in 2017 bonds. Cultural Affairs will continue funding operations at the Meyerson for five years, winding down its annual investment each year. By year four of the five-year wind-down, it is hoped that the city will begin saving money.

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    A Familiar Face

    Dallas Theater Center names Jaime Castañeda as new artistic director

    Lindsey Wilson
    Dec 17, 2025 | 12:30 pm
    Jaime Castañeda
    Photo courtesy of Dallas Theater Center
    Jaime Castañeda is the Tony-winning theater's new artistic director.

    The Tony Award-winning Dallas Theater Center has found its next artistic director: Jaime Castañeda, who has a long history with both DTC and North Texas, will become the regional theater's sixth artistic director beginning July 2026. The 2026-27 season will be the first chosen by him.

    Jonathan Norton, DTC’s resident playwright, is currently serving as interim artistic director and will continue to lead the remainder of the 2025-26 season, which culminates in the world premiere of his play Malcolm X and Redd Foxx Washing Dishes at Jimmy’s Chicken Shack in Harlem in May.

    “DTC is committed to artistic excellence and community engagement, and we believe Jaime’s experience, creativity, bold vision, and proven leadership, coupled with his dedication to innovation, will guide DTC into an exciting new chapter in the life of the theater," says board chair Lynn Pride Richardson in a release.

    In 2012, Castañeda directed DTC’s production of The Elaborate Entrance of Chad Deity by Kristoffer Diaz. But he began his career more than 20 years ago in Dallas-Fort Worth by founding Firestarter Productions while still attending Texas Christian University. In addition to directing at DTC, other local theater credits include Kitchen Dog Theater, Amphibian Stage, and Circle Theatre. Castañeda is a recipient of the Princess Grace Award, the Drama League Directing Fellowship, and holds a BFA from Texas Christian University and an MFA in Directing from University of Texas at Austin.

    Most recently, Castañeda directed at such leading theaters across the country as American Conservatory Theater, South Coast Repertory, Huntington Theatre Company, and La Jolla Playhouse, where he previously served as associate artistic director from 2014-2018. He was also artistic associate at Off-Broadway's Atlantic Theater Company from 2009-2014.

    "Jaime brings a bold, visceral artistic vision, a deep commitment to new voices, and a collaborative leadership style that inspires artists and audiences alike,” says DTC executive director Kevin Moriarty. “With his Texas roots and national experience, I am thrilled to welcome him home as DTC’s new Enloe/Rose artistic director. I have known and admired his work since 2007, when he was already one of the most exciting emerging directors in North Texas, and I later saw him create unforgettable work for DTC on the Wyly stage and at leading theaters nationwide.”

    As artistic director, Castañeda will lead the theater’s artistic vision, direct and produce plays and musicals, oversee DTC’s Diane and Hal Brierley Resident Acting Company, and partner with Moriarty, the staff, and the board of trustees to advance DTC’s mission, vision, and values.

    Castañeda joins a distinguished line of artistic leadership at Dallas Theater Center, including founding artistic director Paul Baker, Adrian Hall, Ken Bryant, Richard Hamburger, and Moriarty, who served as artistic director from 2007-2022.

    “We are extremely pleased with a successful national search that brings Jaime to Dallas Theater Center,” says DTC board member Chris Luna. “His energy is contagious and he understands Texas and Dallas. We look forward to collaborating with Jaime as he continues his innovative approach to regional theater.”

    Castañeda was selected for the role following a national search led by Management Consultants for the Arts. The search committee was co-chaired by Luna and Richardson, and included Moriarty, Norton, Jennifer Altabef, Diane Brierley, Lauren Embrey, Sam Holland (Dean, SMU Meadows School of the Arts), Sharron Hunt, Randy Kender, Julie Kosnik, Deborah McMurray, Sam Megally, Liz Mikel (DTC Brierley Resident Acting Company member), Andy Smith, Lily Weiss (executive director, Dallas Arts District) and Donna Wilhelm.

    “Growing up in Texas, Dallas Theater Center was one of the first places where I saw what professional theater and excellence looked like,” Castañeda says. “I’m thrilled to come back and build on the history of artists and leaders who have been a part of this organization. I’m eager to join Kevin, the board, and our staff to create lasting theatrical experiences for our audiences.”

    Dallas Theater Center's current production of A Christmas Carol runs through December 27 at the Wyly Theatre.

    dallas theater centerjaime castañedakevin moriartytheater
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