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    The Mort News

    Dallas City Council readies Meyerson Symphony Center handoff to DSO

    Micah Moore
    May 21, 2019 | 1:37 pm
    Morton H. Meyerson Symphony Center
    The Mort will get a new boss.
    VisitDallas

    The city of Dallas is preparing to turn over management and operations of the Morton H. Meyerson Symphony Center to the Dallas Symphony Association in a deal that is hoped to bring millions to be used for critical maintenance needs.

    The Dallas Symphony Association is the administrative arm of the Dallas Symphony Orchestra.

    This follows similar recent moves to delegate city facilities to private management, including the Kay Bailey Hutchison Convention Center and the Kalita Humphreys Theater.

    The deal still requires approval by the Dallas City Council, which will vote at its meeting on May 22. The lease has been hashed out since January in several meetings and a public hearing that included arts organizations that perform there.

    The agreement has received support from Arts and Cultural Affairs Advisory Commission and the council's Quality of Life, Arts and Culture Committee, as well as the arts community.

    It will direct the Office of Cultural Affairs to lease the Meyerson to the DSA for $1 a year for 99 years. DSA will raise $5 million for capital improvements required by 2025.

    Under the current agreement, the DSA has been the Meyerson's primary user, leaving the city responsible for operation and management. But the city has long deferred maintenance. Designed by I.M. Pei and constructed in 1989, the building will require up to $11.9 million in critical repairs.

    “The Meyerson needs a lot of love from everyone involved,” says DSA VP of facilities Debi Peña.

    Peña recently led a group that included Arts and Commission member Cannon Flowers and Preservation Dallas Board Joanna Hampton on a tour to show problem areas, some in non-public spaces such as the rehearsal rooms and the reverb chamber located directly behind the Lay Family Concert Organ on stage.

    One big problem has been water. It leaks into the building through the glass pavilion rooftop encasing the lobby and collects in pools across the floor. According to Peña, whenever it rains, staff must scatter buckets and tubs across the mezzanine loge to prevent flooding.

    Walls in the lobby and backstage are stained with rainwater that flows heavily in through dozens of leaks throughout the concert hall.

    The famed Kelly Ellsworth panels, worth millions of dollars in the public art collection, now have discreet gutters redirecting stormwater seeping in from above. Granite is marred with water stains.

    There are also accessibility issues. There is only one ADA-compliant bathroom in the building. And elevators have a tendency to get stuck. On several occasions, patrons have been unpredictably trapped inside elevators for hours after a show waiting for the fire department to come to the rescue.

    Sometimes when a pipe bursts, maintenance crews simply cut the water off, which means an upper level backstage bathroom is closed. Sinks in the conductor's Green Room, which hosts donors and special guests, haven't worked in months.

    Inside the McDermott Concert Hall, lighting and sound system upgrades need a $1.2 million retrofit. The original carpet needs to be replaced, as do 26 of the 77 reverb doors.

    The last improvement was in 2014 when new heat and air conditioning systems were installed as part of a citywide facility efficiency upgrade.

    Another big change will be scheduling of the venue. Up until now, scheduling was handled by the city and done in advance, with priority given to DSA events. Under the new deal, the DSA will oversee all booking, including performances and private venue rentals.

    There are 10 legacy organizations including the Dallas Winds, Dallas Bach Society, and the Black Academy of Arts and Letters, that are grandfathered with rental and other fees locked in for 10 years.

    The new agreement will also affect 37 city employees, including ushers, sound technicians, and stage technicians. They'll be offered positions with the DSA or reassigned in the city for those wanting to hold onto their pension and other benefits.

    After approval May 22, the Symphony would take over management and operations July 1. Renovations will begin after that with a bulk of improvements slated for summer 2020.

    The city will pony up its share for improvements, with an added $3.85 million in 2017 bonds. Cultural Affairs will continue funding operations at the Meyerson for five years, winding down its annual investment each year. By year four of the five-year wind-down, it is hoped that the city will begin saving money.

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    Theater news

    Dallas' Theatre Three asks public for urgent help to keep lights on

    Stephanie Allmon Merry
    May 13, 2025 | 5:13 pm
    Natasha, Pierre, and the Great Comet of 1812 Off Broadway.
    Photo by Chad Batka
    "Natasha, Pierre, and the Great Comet of 1812" ran Off Broadway.

    A longtime Dallas theater company is asking for urgent help. Theatre Three (T3) has made a plea to the community for $200,000 in donations to stay in business.

    In a Facebook post on May 13, they say, "Without immediate and substantial help from our community, we will be forced to close our doors."

    They say they've suffered several years' worth of financial hardships, including effects of the COVID-19 pandemic, and more recently, cuts in arts funding.

    The post says, in part:

    "For 64 years, Theatre Three has been a cornerstone of Dallas’ creative spirit — bringing bold, innovative productions to life and showcasing the extraordinary talent of our local artists, designers, and creatives. We have been an intimate stage for everyone. But now, we face the greatest challenge in our history.

    "After mourning the loss of our beloved Jac Alder, and then, under the leadership of the incredible Jeffrey Schmidt, surviving the immense toll of the COVID-19 pandemic, we find ourselves once again at a significant crossroads. The ongoing erosion of support for the arts has dealt a devastating blow to our funding ...

    Our goal is $200,000. This is not the news we want to share, but it is news that we believe you all would want to know."

    The post is signed by board members Jessica Turner Waugh, Suzanne Burkhead, Rosa Medina-Cristobal, Scott T. Williams, Robert McCollum, Harrison Herndon, David G. Luther, Mia Glogau, and Jon Collins.

    Donations, they say, will help support local artists, staff and creatives to produce their next show, Xanadu; counter the rising costs of rent, insurance, and production; and allow them to retain staff.

    "We know times are tough. But we also know what this theater and its people mean to our city and to the generations who have found meaning, joy, and belonging within its walls," they say. "And that is why we are making this urgent plea. Help us preserve this Dallas institution."

    They end the post with a link to their donation page: https://www.theatre3dallas.com/support/.

    T3's black-box theater Theatre Too's final show of the season is The Mystery of Irma Vep, a fast-paced and campy parody that is on stage now through May 18.

    Theatre Three will close out its current season with Xanadu, a high-energy, roller-skating extravaganza that brings the 1980 cult film to life. Douglas Carter Beane is behind the hilarious book, and music and lyrics are by John Farrar and Electric Light Orchestra (ELO) founding member Jeff Lynne. It is set to run June 5-July 6, 2025.

    In addition to a full season of mainstage productions, Theatre Three offers additional programs for the community throughout the year.

    Monday Night Playwright features unique and affordable opportunities for local writers to showcase their works. Fight Night provides the community and artists alike with movement and other physical skills through monthly stage combat classes.

    The Norma Young Advanced Acting Lab, a collaboration with Booker T. Washington High School for the Performing and Visual Arts, is in its fifth year. Students have access to masterclasses hosted by industry professionals and exclusive insight on the professional production process at Theatre Three, then the course concludes with a professionally produced showcase.

    Theatre Three is located at 2688 Laclede St. in the Quadrangle in Uptown Dallas. For more information in productions and programs, visit their website.

    ---

    Lindsey Wilson contributed to this story.

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