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    Theater Critic Picks

    These are the 8 can't-miss shows in Dallas-Fort Worth theater for June

    Lindsey Wilson
    Jun 1, 2020 | 10:40 am
    The Savage Seconds by DGDG
    The Savage Seconds also has an interactive website.
    Photo by Justin Locklear

    UPDATE: As of June 3, "fine arts performance halls" are allowed to reopen at 50 percent capacity. Jubilee Theatre's live production has since been added to the below list.

    ---

    Those in the performing arts keep innovating. You can still watch a livestreamed production, but now there are also drive-in performances, Zoom audiences, and recordings of works from the archives.

    These Dallas-Fort Worth theater companies have definitely found creative ways to still deliver their programming, and some are even free (though we highly suggest donating the ticket price — or more — if you're in a position to do so).

    Here are eight local shows to watch this month:

    The Savage Seconds
    Undermain Theatre and Danielle Georgiou Dance Group, streaming June 4-12
    Conceived by Danielle Georgiou and Justin Locklear, this experimental opera centers on a young girl — sent home from boarding school during a great plague — whose coming of age is hijacked by her powerful but absent parents, malicious siblings, and the surreal confusion of sexuality. Exploring the genre of tragédie en musique and the concepts inherent in the Greek tragedies of Oedipus and Medea, The Savage Seconds looks at the effects of obsession and celebrity in a world catapulted into disarray by disease and political turmoil. Tickets can be purchased here, and the audience is encouraged to wander wander through the layers of the multi-media website created especially for the show, to deepen their curiosity, and bond with the story — you just might end up in the show.

    22nd Annual New Works Festival
    Kitchen Dog Theater, live on Zoom, June 6-28
    The NWF is going completely digital this year, with KDT offering a series of six virtual readings as well as the 19th year of PUP (Playwrights Under Progress) Fest, in collaboration with Junior Players. Showcasing some of the newest and most exciting voices and visions in contemporary theater, the winning plays are selected from almost 500 annual submissions from around the globe and will feature a strong cadre of DFW's most accomplished actors and directors. Tickets to the NWF can be purchased here, and free reservations to PUP Fest on June 6 can be made here.

    The Immigrant
    Theatre Three, streaming, June 15-28

    Mark Harelik's play is getting an experimental streamed production, with a full cast, set, costumes, lighting and projection — all safely within social distancing guidelines, T3 promises. Streaming is limited to 200 for each of the 10 viewing opportunities, which begin at the published time and must be accessed within 30 minutes of the start time. The most widely produced play in the country in 1991, The Immigrant gently grapples with the thorny questions that plague the U.S.: who deserves to belong here, and what do we owe each other? Streaming access codes are $15 and available to purchase here.

    How I Got Over
    Jubilee Theatre, June 19-July 19

    Premiering on the theater company's 39th birthday, Nate Jacobs' musical celebrates the legendary Queen of Gospel, Mahalia Jackson, and other gospel greats in the style of a revue. Note: Audience sizes will be limited to 50 percent capacity, and temperature screenings and face masks are required for all attendees.

    Everything Will Be Fine
    Prism Movement Theatre, drive-in at the Latino Cultural Center's parking lot, June 26-27 and July 11-12
    Packed into 45 minutes and designed to be enjoyed from your car, Everything Will Be Fine is about a woman learning how to deal with a new world and her well-meaning (if slightly clueless) friends after experiencing an unthinkable loss. Once guests arrive, they will be directed to their assigned parking spots and instructed to tune in to a specific radio station to hear the show's electronic/rock music underscoring. Tickets are $30 per car and can be purchased here.

    The Aftermath
    Junior Players, June 26-28

    This exploratory piece fuses together the concepts and stories from Junior Players' 2019 broadcast journalism project with playwriting, movement, and acting to manifest as a live production. This timely piece interweaves stories about gender identity, family pressures, power, and determination to create a zany series of events, based off challenges and experiences from the day-to-day lives that North Texas teens are currently facing. Pay-what-you-can tickets can be purchased here.

    Take 10
    Stage West, streaming now

    Designed to help cure those corona blues, each installment in this online series features a bite-sized story performed by local artists. Watch all productions for free here.

    Smile, Smile Again
    Ochre House Theatre, streaming now

    Written and directed by artist-in-residence Justin Locklear and performed in 2017, this original work is a thought-provoking tale of man's inhumanity toward his fellow man. There will also be a video-conference discussion with cast and crew to reflect on your experience, and how the show's impact has become relevant considering the current awareness of Black Lives Matter. You can watch for free on Ochre House's YouTube channel.

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    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

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