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    Season Announcement

    Dallas' Lyric Stage is 29 and feeling fine with 2022-23 season of pop-rock hits

    Lindsey Wilson
    Jun 30, 2022 | 12:46 pm
    Mamma Mia! movie
    Mamma mia, here we go again.
    Photo courtesy of Universal

    The theme of Lyric Stage's 29th season might as well be titled "Crowd Pleasers," so packed it is with big, familiar names.

    The 2022-23 season marks the company's fifth at the historic Majestic Theatre in downtown Dallas, with producer Catherine Carpenter Cox and artistic director Christopher J. Deaton at the helm.

    There's also a new announcement this year: choreographer Kelly McCain, music director Vonda K. Bowling, music supervisor Bruce Greer, lighting designer Scott Guenther, sound designer and engineer Jorge Guerra, and costumer Megan Liles will serve as Lyric Stage’s resident artists and designers for the season.

    "When looking at our 2022-23 season, we knew we wanted to celebrate our 29th year by featuring titles that would be fun, exciting, and perhaps a bit unexpected," says Deaton. "Though the theme of the season expands our repertoire to include all well-known pop/rock composers, we remain committed to great, powerful storytelling and beautiful music, all performed by our talented, diverse, local artists."

    The ABBA juggernaut Mamma Mia! kicks it all off August 24-28, 2022.

    The jukebox musical tells the story of Sophie, a young woman in search of her birth father on the eve of her wedding. Though this sunny and funny tale unfolds on a Greek island paradise, Sophie’s quest to discover the identity of her father brings chaos, love, laughter — plus a little singing and dancing — to the island, as well as the unexpected, but ultimately joyous, 20 year reunion of three men from her mother’s past.

    Deaton directs, with choreography by Kelly McCain, music direction by Vonda K. Bowling, and music supervision by Bruce Greer.

    Just in time for Halloween is The Rocky Horror Show, October 26-30, 2022.

    This rock concert-style show is a ridiculously wonderful tribute to the science fiction and horror B movies of the '30s through the '60s, and tells the story of the newly engaged Brad and Janet, who get caught in a storm and find themselves seeking shelter at the eerie mansion of mad scientist, Dr. Frank-N-Furter, where they meet a houseful of wild characters, including a rocking biker, a creepy butler, and a Frankenstein-style muscle man named Rocky.

    Elton John and Tim Rice's Aida welcomes the New Year and celebrates Black History Month, February 15-19, 2023.

    Based on the Verdi opera of the same name, this epic tale of love, loyalty and betrayal, chronicles the story of an enslaved Nubian princess, Aida, who finds her heart entangled with Radames, an Egyptian soldier who is betrothed to the Pharaoh's daughter, Amneris.

    As their forbidden love blossoms, Aida is forced to weigh her heart against the responsibility that she faces as the leader of her people, but her and Radames' love for one another become a shining example of true devotion that ultimately transcends the vast cultural differences between their warring nations, heralding a time of unprecedented peace and prosperity.

    Tarzan swings into the Majestic, May 17-21, 2023.

    Adapted from the 1999 Walt Disney Animation Studios film of the same name, Tarzan follows the journey of an infant who is raised by gorillas in the jungles of West Africa. Apart from striving for acceptance from his ape father, Tarzan's life is mostly monkey business, until a human expedition treks into his tribe's territory and he encounters creatures like himself for the first time, including Jane, a young English naturalist.

    As Tarzan develops feelings for Jane, he discovers that his animal upbringing clashes with his human instincts, causing him to struggle with not only his love for Jane but how to protect his family.

    Based on Edgar Rice Burrough’s 1912 novel Tarzan of the Apes, it has heart-pumping music and lyrics by rock legend Phil Collins and a book by Tony Award-winning playwright David Henry Hwang.

    Xanadu closes out the season, June 14-18, 2023.

    Based on the 1980 Universal Pictures cult-classic movie of the same title, which starred Olivia Newton-John and Gene Kelly, Xanadu follows the journey of a magical and beautiful Greek muse, Kira, who descends from the heavens of Mount Olympus to Venice Beach, California, in 1980.

    On her quest to inspire struggling artist Sonny Malone to achieve the greatest artistic creation of all time (the first roller disco — hey, it's 1980!), Kira falls into forbidden love with the mortal Sonny and her jealous sisters take advantage of the situation. Though chaos, hilarity, and roller skating abound, Kira and Sonny ultimately learn to follow their dreams and hearts, despite the limitations set upon them by others, including the all-mighty Zeus.

    Music and lyrics are by pop-rock legends Jeff Lynne (co-founder of the rock band Electric Light Orchestra) and John Farrar (acclaimed producer and songwriter for Olivia Newton-John), with a book by Douglas Carter Beane.

    Tickets will be available at TicketDFW.com or by calling 214-871-5000. For more information, visit lyricstage.org.

    theater
    news/arts

    Dance Off

    Texas ballet company turns Timothée Chalamet dig into genius promotion

    Brianna Caleri
    Mar 13, 2026 | 1:12 pm
    Timothée Chalamet
    Courtesy
    undefined

    It was a shot fired from Austin that rang out around the art world: In a recent CNN/Variety Town Hall featuring actors Timothée Chalamet and Matthew McConaughey, Chalamet offered an assessment of ballet and opera that immediately went viral.

    During the onstage conversation at the University of Texas at Austin, Chalamet said, "I don't want to be working in ballet or opera, or you know, things where it's like, 'hey, keep this thing alive, even though like no one cares about this anymore.' All respect to the ballet and opera people out there. I just lost 14 cents in viewership."

    Chalamet immediately seemed to experience a twinge of regret, awkwardly adding, "But um...damn, I just took shots for no reason." He also sang a note and hid his face behind the cards he was holding.

    Stars of the art forms, from Andrea Bocelli to Misty Copeland, immediately began to leap (jeté, if you will) to the the defense of opera and ballet.

    In a genius marketing move, Austin's hometown ballet company is taking the unique opportunity to turn a hot topic into a promotion for its next production: Ballet Austin is inviting anyone named Timothée, Timothee, or Timothy to claim a free ticket to its upcoming world premiere of Marie Antoinette: Vampire Queen of Versailles, running March 27-29 at the Long Center for the Performing Arts.

    "Timothée… you were in Austin? We were literally down the street," a Ballet Austin post says. "Austin has brisket. Austin has music. Austin also has ballet."

    All Timothées and folks with similar names will have to do to claim a ticket is send a message to Ballet Austin on social media and show identification. Everyone else who wants to see the supernatural show where "the line between victim and villain blurs" will have to purchase a ticket ($25-$125) at balletaustin.org.

    Ballet Austin Marie Antoinette: Vampire Queen of Versailles Ballet Austin isn't afraid to add some edge to classic stories. Photo courtesy of Ballet Austin

    Even if Chalamet's words were dismissive, he's obviously not wrong about the relative distribution of public interest between the classical arts and major films like Marty Supreme, the late 2025 film he stars in and is busy promoting. The film's commercially successful release set a record for A24, an already renowned studio.

    Chalamet brought up ballet and opera in service of a larger point about pacing in movies. He said he exists in a middle ground as a consumer between wanting to be drawn in early and being more patient as a film progresses. Ultimately, he juxtaposed Barbie and Oppenheimer with the classical arts, pointing out that if the masses want to go see a film, they will "be loud and proud about it" organically, without needing performers to advocate for the seriousness of the art form.

    Coincidentally, there couldn't be a better counterpoint to this argument than Marie Antoinette: Vampire Queen of Versailles.

    As the title suggests, the story follows historical figure Marie Antoinette as she chooses to become a vampire, seeking "power, immortality, and vengeance," according to a press release. It takes a somewhat silly premise and gives it dramatic gravitas, with an original score by Austin composer Graham Reynolds, who is known outside of classical circles and sometimes composes for movie soundtracks.

    "For Ballet Austin, the moment is an opportunity to remind audiences that ballet isn’t fading away," says a release about the new promotion. "It’s evolving, drawing new audiences and continuing to thrive in creative cities like Austin."

    If Chalamet really does fall in the middle of instant and delayed artistic gratification, this sounds like the perfect production to draw him in.

    And perhaps Ballet Austin should add people named Matthew to their promotion, since McConaughey threw the younger star a bone after his momentary walk-back, saying, "That's not a shot — I hear what you're saying."

    ---

    Stephanie Allmon Merry contributed to this story.

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