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    Theater Review

    World-premiere musical Hood steals Dallas hearts with swashbuckling storytelling

    Lindsey Wilson
    Jul 10, 2017 | 3:10 pm

    As proved by the musical Wicked and numerous superhero movies, audiences love a good origin story. Dallas Theater Center is banking on that with its world premiere of Hood: The Robin Hood Musical Adventure, which reveals how a spoiled young nobleman ended up the famous folk hero who steals from the rich to give to the poor.

    Centuries of the Robin Hood myth provide ample material for playwright Douglas Carter Beane, who gets to pepper his tale with satisfying touchstones (so that's why he's called Little John!) while adding modern oomph to a narrative that has already seen scores of interpretations. But that's Beane's storytelling sweet spot: taking something that seems forgettably familiar and pumping it full of new life.

    He did it with the Broadway revival of Rodgers + Hammerstein's Cinderella and the Broadway adaptation of Xanadu, based on a movie musical so horrendous that many considered it irredeemable. But Beane received Tony nominations for each, along with one for Lysistrata Jones, which premiered at Dallas Theater Center in 2010 under the title Give It Up!.

    Hood clearly has Great White Way aspirations, and thanks to the momentum of DTC's recent Tony win, it just might get there. The good-looking musical boasts Broadway names both onstage and off, but also takes special care to integrate local performers much more than previous high-profile productions have. As a credit to our North Texas talent, audiences will have a tough time telling who onstage is a Dallasite and who's just here visiting.

    Take, for example, the traveling troubadour played by local actor/musician Ian Ferguson. He gets to strum and sing much of Lewis Flinn's catchy score, dueting often with Pegasus Theatre regular Beth Lipton as the violin-toting Lady Anne. When the fugitive Robin (Nick Bailey) and his new sidekick, Much (Bille Aken-Tyers), begin figuring out their new life's purpose, DFW actors Luke Longacre, Ricco Fajardo, and Chris Ramirez all arrive to form the band of merry men. The boy-crazy Lady Jane (DTC resident acting company member Tiana Kaye Johnson) is thrilled later on to be surrounded by so much testosterone.

    Having arrived straight from the Jake Gyllenhaal-led Broadway revival of Sunday in the Park With George, Ashley Park is a stately and spunky Marian, who in Beane's welcome rewrite gets to do her share of heroic rescuing. She spends much of the show sparring with the Sheriff of Nottingham, portrayed by Austin Scott as more of a cocky power-monger and less a mustache-twirling villain.

    Though Jacob ben Widmar's Will Scarlett is merely a flamboyant caricature, he happily and hilariously munches each piece of scenery (designed for maximum versatility by John Lee Beatty) that gets tossed his way. Also under-drawn is Meg, the Scottish beggar with a childhood connection to Robin and Marian. Though Broadway belter Alysha Umphress gets several songs to show off her thrilling voice, none of them ever help her become more than a convenient plot point for Robin's journey.

    Still, everyone is on the same whimsical, slightly wacky page as this enchanting interpretation flies through the folklore of Robin Hood. Using the conceit that these are actors who are crafting a story out of whatever's handy — though not committing to it as thoroughly as the recent national tour of Into The Woods — the production utilizes Gregory Gale's rich costumes and plenty of imaginative props.

    Though their obvious craftsmanship further distances the show from its found-object set-up, the puppets created by James Ortiz and Stefano Brancato are a delightful and ingenious way to incorporate more characters into an already bursting lineup. Spoiler alert: The puppets aren't locals.

    ---

    Dallas Theater Center's production of Hood: The Robin Hood Musical Adventure continues through August 6 at the Wyly Theatre.

    The merry men of Hood: The Robin Mood Musical Adventure.

    Hood at Dallas Theater Center
      
    Photo by Karen Almond
    The merry men of Hood: The Robin Mood Musical Adventure.
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    Theater news

    Dallas' Theatre Three asks public for urgent help to keep lights on

    Stephanie Allmon Merry
    May 13, 2025 | 5:13 pm
    Natasha, Pierre, and the Great Comet of 1812 Off Broadway.
    Photo by Chad Batka
    "Natasha, Pierre, and the Great Comet of 1812" ran Off Broadway.

    A longtime Dallas theater company is asking for urgent help. Theatre Three (T3) has made a plea to the community for $200,000 in donations to stay in business.

    In a Facebook post on May 13, they say, "Without immediate and substantial help from our community, we will be forced to close our doors."

    They say they've suffered several years' worth of financial hardships, including effects of the COVID-19 pandemic, and more recently, cuts in arts funding.

    The post says, in part:

    "For 64 years, Theatre Three has been a cornerstone of Dallas’ creative spirit — bringing bold, innovative productions to life and showcasing the extraordinary talent of our local artists, designers, and creatives. We have been an intimate stage for everyone. But now, we face the greatest challenge in our history.

    "After mourning the loss of our beloved Jac Alder, and then, under the leadership of the incredible Jeffrey Schmidt, surviving the immense toll of the COVID-19 pandemic, we find ourselves once again at a significant crossroads. The ongoing erosion of support for the arts has dealt a devastating blow to our funding ...

    Our goal is $200,000. This is not the news we want to share, but it is news that we believe you all would want to know."

    The post is signed by board members Jessica Turner Waugh, Suzanne Burkhead, Rosa Medina-Cristobal, Scott T. Williams, Robert McCollum, Harrison Herndon, David G. Luther, Mia Glogau, and Jon Collins.

    Donations, they say, will help support local artists, staff and creatives to produce their next show, Xanadu; counter the rising costs of rent, insurance, and production; and allow them to retain staff.

    "We know times are tough. But we also know what this theater and its people mean to our city and to the generations who have found meaning, joy, and belonging within its walls," they say. "And that is why we are making this urgent plea. Help us preserve this Dallas institution."

    They end the post with a link to their donation page: https://www.theatre3dallas.com/support/.

    T3's black-box theater Theatre Too's final show of the season is The Mystery of Irma Vep, a fast-paced and campy parody that is on stage now through May 18.

    Theatre Three will close out its current season with Xanadu, a high-energy, roller-skating extravaganza that brings the 1980 cult film to life. Douglas Carter Beane is behind the hilarious book, and music and lyrics are by John Farrar and Electric Light Orchestra (ELO) founding member Jeff Lynne. It is set to run June 5-July 6, 2025.

    In addition to a full season of mainstage productions, Theatre Three offers additional programs for the community throughout the year.

    Monday Night Playwright features unique and affordable opportunities for local writers to showcase their works. Fight Night provides the community and artists alike with movement and other physical skills through monthly stage combat classes.

    The Norma Young Advanced Acting Lab, a collaboration with Booker T. Washington High School for the Performing and Visual Arts, is in its fifth year. Students have access to masterclasses hosted by industry professionals and exclusive insight on the professional production process at Theatre Three, then the course concludes with a professionally produced showcase.

    Theatre Three is located at 2688 Laclede St. in the Quadrangle in Uptown Dallas. For more information in productions and programs, visit their website.

    ---

    Lindsey Wilson contributed to this story.

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