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    Theater Review

    Dallas' Uptown Players goes whole hog with breezy musical revue

    Lindsey Wilson
    Jul 13, 2021 | 3:05 pm
    When Pigs Fly at Uptown Players
    The cast of When Pigs Fly: Michael Russell, Micah Green, Jacob Hemsath, Duke Anderson, Lee Walter.
    Photo by Mike Morgan

    During wartime, people craved entertainment as escapism. The same could be said for pandemic times, when we've all been cooped up inside our homes for the past 16 months while COVID-19, social injustice, and general fear and worry swirled around us.

    Now theaters are reopening, and a healthy dose of frothy frivolity might be just what the public wants. Uptown Players is giving it to them in the form of a silly sketch musical called When Pigs Fly that combines hammy laughs with gaudy costumes — no heavy thinking required.

    Howard Crabtree and and Mark Waldrop's Off-Broadway revue (with music by Dick Gallagher) was actually Uptown Players' very first show in 2001. Back then it was presented right after 9/11, another time when the nation was seeking an uplifting escape.

    The premise is simple: The idealistic young Howard (energetically and adorably played by Jacob Hemsath) is told by his guidance counselor that theater isn't a viable career. He should consider something more traditional, like plumbing or watch repair, but Howard isn't deterred. He rounds up his equally dramatic friends and puts on a show named in tribute to the counselor's jeering admonishment.

    What follows is two hours of loosely connected musical numbers that rely on broad punchlines and even broader costumes, a la the Ziegfield Follies. And since this is Uptown Players, most of the performances are in drag.

    Leading the ensemble is beloved Dallas drag performer Lee Walter (you might know their alter ego, Jada Pinkett Fox) and Micah Green, with Michael Russell and Duke Anderson (sometimes) taking on the more butch characters.

    Director B.J. Cleveland keeps the gags coming at a brisk pace, from a porn-inspired number to one celebrating the inner freak in all of us. A particularly rousing act one finale shows how colorless America's patriotism would be without rainbow stripes to fill out the flag.

    Walter also gets a running joke crooning torch songs about politically inappropriate crushes that transitions smoothly into a heartfelt ballad about humor's place in serious situations. If you've seen Bo Burnham's Netflix special Inside, it might remind you of his song "Comedy."

    Kevin Gunter leads a bouncy, four-piece onstage band and frequently interacts with the cast, furthering the "let's put on a show!" feeling. Exaggerated "backstage" set pieces courtesy of Dennis Canright are both a nod to Howard's DIY aesthetic and a surprisingly emotional reminder that we are finally back inside a real theater.

    But the costumes might be what you remember most of all. Uptown has rented the 2017 Off-Broadway revival threads from the TDF Costume Collection in New York, and they are truly showstoppers. Bruce Coleman constructed the finale looks with a bit of engineering flair, with Suzi Cranford designing additional togs here and there. Coy Covington works his usual "more is more" magic with the hair, wigs, and makeup.

    I won't spoil what the finale costumes are, but their sheer absurdity is all part of the charm. Though the real world might be waiting outside the lobby, it's nice to be up in the clouds for a while.

    ---

    Uptown Players' When Pigs Fly runs through July 25 at the Kalita Humphreys Theater.

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    Mural News

    Netflix House will debut in Dallas with murals from acclaimed artist

    Desiree Gutierrez
    Dec 8, 2025 | 12:51 pm
    ​Jeremy Biggers at Netflix House
    Netflix House
    Jeremy Biggers at Netflix House

    A long-awaited immersive venue is opening in Dallas, and it will debut with local art on its walls: Netflix House, a year-round exhibit revolving around Netflix shows and movies, will open at Galleria Dallas on December 11, with two murals from award-winning Dallas multi-medium artist Jeremy Biggers.

    Netflix House is an immersive dive complete with merchandise store, film house, arcade, and restaurant-bar. When it opens, Dallas will be the second location in the U.S., following Philadelphia, where it debuted in November 2025, also with murals from a local artist.

    A graduate of Booker T. Washington High School for Performing and Visual Arts, Biggers is a renowned artist whose murals can be found spashed on walls across Dallas. Many, such as the Selena portrait on the wall outside Top Ten Records at 306 S. Bishop Ave., have become local landmarks.

    He's a logical choice, having worked with a number of corporations including Nike, Adidas, the Dallas Mavericks, and IBM, for whom he created the "THINK" mural in their Dallas corporate office. His works have also been exhibited nationally, including a 2024 solo exhibition "be safe out there bro" at Band of Vices, a gallery in Los Angeles.

    "Being chosen to be the artist to paint this mural, it would have been a disservice to myself, as well as the art scene in the city, not to try to infuse myself into it," he says.

    \u200bJeremy Biggers at Netflix House Jeremy Biggers at Netflix HouseNetflix House

    Biggers did two murals featuring his interpretation of Netflix figures including the Squid Game Young-hee doll, characters from KPop Demon Hunters and megahit series Stranger Things, plus Pandy and DJ Catnip, the best friends in the interactive series Gabby’s Dollhouse.

    Both murals are intensely colored works that incorporate Biggers' signature motif: a grid of polka dots spread across the image.

    • One is on the exterior of Netflix House, at the parking entrance, a colorful collage of characters, measuring 38 feet x 50 feet — the tallest mural Biggers has tackled. He painted it with aerosol; it took him two months to complete.
    • The other is on the interior, on the mall side entrance of Netflix House, measuring 57 feet x 12 feet — a study in moody blacks and blues, with accents of neon-red that give it a 3D effect.

    “I'm trying to tell the story of Netflix, and the story of where Netflix has been historically, where Netflix is headed in the future, and then also infusing my own narrative and my own language visually into that story,” he says.

    “They could have opened this anywhere, so for Dallas to be one of the very first locations — that’s a testament to us as a market, as consumers of arts and consumers in general," he says.

    Jeremy Biggers at Netflix House Jeremy Biggers at Netflix HouseNetflix House

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