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Dallas Symphony Orchestra to begin welcoming audiences to the Meyerson in September

DSO starts its new fall season with a concert showcasing brass, organ, and percussion.

Dallas Symphony Orchestra/Facebook

The Dallas Symphony Orchestra is planning to welcome patrons back to the Meyerson Symphony Center for live concerts as soon as September 4, with a revised lineup in place for the rest of 2020.

The carefully curated programming, titled "Next Stage" by incoming DSO music director Fabio Luisi, places an emphasis on small orchestra and chamber ensembles, and caps audiences at 50-75 people per concert.

"There is no substitute for performances on our stage at the Meyerson with an audience," says DSO president and CEO Kim Noltemy in a release. "We look forward to safely welcoming small audiences back this fall, and though attending concerts will be different than in previous seasons, our musicians will continue to inspire you."

DSO musicians will volunteer for the concerts and receive COVID-19 testing prior to playing. Strict distancing will be enforced in backstage areas, and additional cleaning will be part of musician common areas. For the audience side, there will be no intermissions or valet parking, arrival and departure times will be staggered, patrons will be asked to wear masks, and voluntary temperature checks will be conducted before entering the venue.

"We tested these protocols in June, and I felt safe and confident playing with my colleagues," says principal second violin Angela Fuller Heyde. "We are so grateful that our health and safety are being taken so seriously and that every possible precaution is being taken. I can't wait to be back on stage at the Meyerson!"

Heyde is referencing the more than 40 outdoor chamber music concerts and four programs recorded in the Meyerson that the DSO organized during the COVID-19 pandemic.

Speaking of recordings, a new robotic camera system and video studio is being installed at the Meyerson to capture concerts for on-demand viewing or live streaming. Subscribers will have access to this collection of performances free of charge, while non-subscribers will be able to view for a fee.

Throughout the fall programming, the orchestra will feature works by Black composers including Adolphus Hailstork, Scott Joplin, Quinn Mason, Jessie Montgomery, Jelly Roll Morton, and George Walker. This is a first step in diversifying the selection of works being performed and providing opportunities for composers of color.

"We have much work to do in the area of equity, diversity, and inclusion," says Noltemy, "but it is a priority for the DSO, and very soon we will share our comprehensive plan to ensure that the DSO takes a leadership role in this important work."

One major step is the concert previously announced for November 11 that will honor lives lost to racial violence and injustice. Done in partnership with Dallas Black Dance Theatre and Project Unity, and featuring baritone Reginald Smith, Jr. and musicians from the Young Strings Program, the program will include a newly commissioned work by Dallas-based Quinn Mason.

The full fall lineup is as follows:

September 4-6, 2020
Brass, Organ & Percussion of the Dallas Symphony Orchestra
Sarah Hicks conducts
Bradley Hunter Welch, organ

September 10-13, 2020
Bronfman Plays Beethoven
Fabio Luisi conducts
Yefim Bronfman, piano

September 18-20, 2020
Ragtime & Jazz
Jeff Tyzik conducts
Byron Stripling, trumpet

September 24-27, 2020
Texas Instruments Classical Series
Gemma New conducts
Emily Levin, harp

October 1-4, 2020
Bold and New: Beethoven, Dessner and Kodály
Juraj Valcuha conducts
Jörgen Van Rijen, trombone

October 9-11, 2020
Mahler's Song of the Earth
Fabio Luisi conducts
Tamara Mumford, mezzo-soprano
Stuart Skelton, tenor

October 16-18, 2020
Kelli O'Hara In Concert with the DSO
Rob Fisher conducts
Kelli O’Hara, vocalist

October 22-25, 2020
Abduraimov Plays Beethoven
Jukka-Pekka Saraste conducts
Behzod Abduraimov, piano

October 29-November 1, 2020
Verdi Selections with Fabio
Fabio Luisi conducts
Krassimira Stoyanova, soprano
Jamie Barton, mezzo-soprano
Piero Pretti, tenor
Wenwei Zhang, bass

October 31, 2020
Dia De Los Muertos Concert
Katharina Wincor conducts

November 5- 8, 2020
Female Pioneers: Alsop and Hahn
Marin Alsop conducts
Hilary Hahn, violin

November 11, 2020
Dallas Symphony Orchestra, Dallas Black Dance Theatre and Project Unity Present: Concert to Honor Lives Lost to Racial Violence and Injustice
Reginald Smith, Jr., baritone
Further vocal soloists to be confirmed
Dancers from Dallas Black Dance Theatre
Musicians of the DSO Young Strings Program

November 12, 2020
Erich Bergen's Hollywood Songbook
Jeff Tyzik conducts
Erich Bergen, vocalist

November 13-15, 2020
Queens of Soul
Jeff Tyzik conducts
Shayna Steele, vocalist

November 27- 29, 2020
The Nutcracker
Andrew Grams conducts

Some originally scheduled Pops Series and movie programming has been moved to later dates.

Toy Story Live in Concert has moved to September 2021, and Harry Potter and the Chamber of Secrets has moved to November 2021. The Music of Selena has now been rescheduled to June 2021, and Lush Life: The Music of Duke Ellington and Billy Strayhorn has been postponed to March 2021.

"My husband and I have been sheltering at home, and I had no intention of going further than daily walks," says Cece Smith, Dallas Symphony Association Board of Governors incoming chair. "Then I heard the comments from the musicians and other audience members about how safe they felt in the hall during the concerts performed in June, and we were convinced. It was so well done, and the live music was such a welcome treat, that we went to two more concerts! It is probably the safest place in Dallas."

music concerts

Season Announcement

Dallas choral group Verdigris Ensemble promises multi-sensory new season

Photo by Richard Hill Photography

A scene from SHAMS in April 2023.

A mere month after announcing the hiring of its new executive director, acclaimed choral group Verdigris Ensemble is lifting the curtain on its seventh season.

It centers on the theme of “Regrowth,” with each multi-sensory performance telling a Texas-based story focused on both challenges and opportunities for environmental justice and community renewal.

To actually walk the walk, every ticket purchased this season will support Texas Trees Foundation’s planting efforts in the state to deliver on the promise of regrowth.

The season opens with The Endangered, a synergistic collaboration between Verdigris Ensemble and Dallas Contemporary Museum of Art.

This vocal and orchestral experience combines with movement and projections to look honestly and compassionately at natural preservation. The work is firmly planted in Sarah Kirkland Snider’s Mass for The Endangered, with a libretto by poet/writer Nathaniel Bellows.

Text from five Dallas poets is set to music by five regional composers. It runs October 27-29, 2023, at Dallas Contemporary.

The second performance series, Beautification, continues at the Dallas Contemporary December 1-3, 2023, and celebrates a unique collaboration inspired by site-specific work with visual artist Bianca Bondi.

Commissioning 8-10 composers, this work weaves together a narrative of Ladybird Johnson’s Highway Beautification Act and the native flowers of Texas. The Act was passed in 1965 and created restrictions on highway billboards that detracted from the natural beauty of Texas landscapes, and seeds of native flowers were distributed to bring native beauty to road travelers.

Projections of individual flowers envelop audience members in an experience much like driving a car on a highway. Iconic audio pieces of Ladybird’s speeches make the program a cohesive experience.

Dust Bowl, the season’s third performance, combines a unique medley of bluegrass band, video projection, and choreographed movement. The work shares stories from the period of the Dust Bowl through previously unexplored mediums and confronts questions of what caused this ecological disaster and what was learned from it.

This fan favorite debuted in 2020 and returns to Dallas in 2024 with an original libretto and added musical material.

The Dust Bowl began in 1931 and lasted for almost a decade, displacing entire populations in the Southern Plains region of the United States. Setting texts from newspaper articles, diaries, and oral accounts of survivors, the work pieces together a period of human struggle, hopefulness, and perseverance in the face of constant catastrophe. It runs February 23-25, 2024, at the Wyly Theatre' Potter Rose Performance Hall.

The season finale, Mis-Lead, is composed by Kirsten Soriano and premieres featuring 16 vocalists and basic percussion instruments found in factories that resonate throughout the production.

In 1934, a lead smelter was opened in West Dallas, resulting in toxic byproducts being dumped into nearby landfills and around people's homes. For over four decades, residents suffered consistent symptoms resulting in chronic diseases and death due to higher-than-normal levels of lead in their bodies.

This artistic piece brings attention to these communities, documenting the facts to prevent similar events in our future, while fostering human connection from all sides of the cultural spectrum. It runs April 5-7, 2024, at the Kalita Humphreys Theater.

Founded in 2017, Verdigris Ensemble is a Dallas-based professional choir dedicated to bringing choral music to the modern audience through creative concert programming, unconventional use of space, and collaboration.

Focusing on story-driven musical narratives, Verdigris Ensemble commissions new works, collaborates with interdisciplinary artists, inspires new audiences, and invests in the next generation of musicians.

Tickets may be purchased at www.verdigrismusic.org. Discount pricing is available for students.

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