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    Season Announcement

    Teatro Dallas connects with community for its 2018-19 season

    Lindsey Wilson
    Aug 6, 2018 | 12:15 pm
    "Fur" at Venus Theatre in Washington DC
    A scene from Fur at Venus Theatre in Washington, D.C.
    Photo by Lisa Helfert

    Teatro Dallas is spreading out across Dallas for its 2018-19 season, taking up residence in the Latino Cultural Center for three of its mainstage productions. The fourth continues the group's partnership with Oak Cliff bookshop/bar/meeting space The Wild Detectives.

    First up is a new work by Teatro Dallas co-founder Cora Cardona. Presented in English, 1968 shows how 50 years ago a young man is rocked by events which continue to resonate in our contemporary climate. Cardona co-directs with Sorany Gutierrez, and it runs October 18-November 10, 2018. There is a special Day of the Dead reception on November 2, that includes admission plus traditional food and drink.

    Gutierrez helms the next piece as well, which is an evening that includes a staged reading of Indigenous poetry, a special Yaqui dance, La Danza del Venado ("the dance of the deer"), and "Maria Sabina" cocktails. Noche Cosmica is a one-night only event with free admission on December 6, 2018, at The Wild Detectives, and is recommended for those 16 and older.

    Migdalia Cruz's Fur is next, also directed by Gutierrez. First developed at INTAR's Playwrights Laboratory and Latino Chicago Theater Company, where it was first produced in 1995, it is the story of Citrona, a hirsute young woman who is purchased at a sideshow to become the bride of a young man with a fetish for animals. Set in post-apocalyptic Los Angeles, this tragi-comic, triangular love story reimagines a beauty and a beast, but with uncompromising results. It runs March 8-30, 2019.

    Bongo Talks by Omar Padilla closes out the season, and is presented in English and Spanish. The interactive touring show kicks off on June 8, 2019, with an afternoon of activities, and features music, marionettes, and clowning techniques that reveal the power of intuition and the senses that help children adapt to challenges.

    For tickets and more information, call 214-689-6492 or visit Teatro Dallas' website.

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    Artist sues FIFA for $25 million over painted-over Dallas whale mural

    Associated Press
    Jun 3, 2026 | 11:54 am
    Wyland Whaling Wall
    Facebook/Wyland
    Artist Wyland's Whaling Wall mural being painted over for a FIFA World Cup-related mural in Dallas.

    The artist who painted a giant mural on a building in downtown Dallas of life-sized swimming whales has filed a $25 million lawsuit against soccer's international governing body and others, saying they illegally painted over his work to promote the city's upcoming World Cup matches.

    The artist Wyland says he hand-painted the sprawling mural that covered roughly 17,000 square feet (1,580 square meters) across two of the building's walls.

    The mural stood for nearly three decades before workers began painting over it last month, causing an uproar among residents who admired the mural's grand scale and message of ocean conservation.

    The area’s World Cup organizing committee said in a statement that, in place of Wyland's mural, new artwork is planned "that captures this current historical moment and reflects the energy, unity, and global spirit surrounding the World Cup 2026.” It said a portion of Wyland's mural would be preserved.

    Wyland filed suit Monday, June 1 in U.S District Court in Dallas saying that World Cup organizers, along with the building's owner and management company, painted over his mural without his consent or even notifying him. He says their actions violated a 1990 federal law passed to protect visual artists from destruction of publicly displayed works.

    Wyland is seeking at least $25 million in damages. His lawsuit says world soccer's governing body, FIFA, and other defendants “hastily and irrevocably destroyed a civic landmark” to promote the World Cup.

    “Though FIFA claims they were working to develop art for the host city, in truth, they defaced an historic fixture of the host city,” the artist's lawsuit says.

    A FIFA spokesperson said Tuesday the federation “has no involvement in this whatsoever” and referred a reporter to the tournament's local organizing committee.

    A spokesperson for the North Texas FWC Organizing Committee declined to comment. The committee isn't named as a defendant in the lawsuit.

    A spokesperson for Slate Asset Management, which manages the building where the mural was painted over, said in a statement that local World Cup organizers asked Slate in March to donate the mural space for “a new public art installation.”

    “Slate is not being compensated in any way for the use of the wall space and was told by the local groups that Mr. Wyland had been notified,” the management company's spokesperson said in an email.

    Dallas is hosting more World Cup matches than any of the other sites in the event co-hosted by the U.S., Canada and Mexico, with nine matches set to be played at AT&T Stadium in suburban Arlington, home of the Dallas Cowboys.

    Wyland's Dallas mural, titled “Whaling Wall 82,” was finished in 1999 and is among more than 100 similar murals known as Whaling Walls the artist painted around the world to promote the conservation of ocean life.

    An online petition protesting the mural's destruction and calling for protecting of public artwork in Dallas has received more than 2,600 signatures.

    Wyland's lawsuit alleges violations of the Visual Artists Rights Act, a 1990 federal law that protects artwork of “recognized stature” even if someone else owns the physical artwork.

    A judge cited that law in 2018 when he ordered a property owner to pay a group of New York graffiti artists $6.7 million for whitewashing dozens of their spray-painted murals on buildings that once housed a factory in Queens. The ruling was upheld on appeal.

    fifa world cupfifa world cup 2026lawsuitwylandwhaling muralmuralsdowntown dallas
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