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    Theater Review

    Dallas theater company does debauchery well in Trainspotting

    Lindsey Wilson
    Aug 12, 2016 | 4:23 pm

    Irvine Welsh's Trainspotting has never been for the faint of heart. The raw look at addiction and ennui in 1980s Edinburgh was first a book, then a play, then a cult film by Danny Boyle that starred Ewan McGregor and Jonny Lee Miller. Large portions of each incarnation are hard to stomach.

    But L.I.P. Service doesn't have time for your squeamishness. Inside the ICT rehearsal studio in Irving, the air is thick with haze and smoke. Lasers flash, cans of cheap beer are cracked open by surly bartenders, and nubile forms writhe in dark corners, groping, fighting, dancing, and sometimes even snorting white powder from tiny packets.

    A particularly steamy make-out session begins in front of the mismatched tables and chairs where the small audience is clustered. Clothes are rapidly shed, and the show officially begins.

    Director Ryan Matthieu Smith makes it clear early on that the only concession his production makes is that it keeps its audience voyeurs. As close as they come, and as many (fake and real) bodily fluids fly, the actors never truly invade your personal space. That's important to remember, because this production is so relentless that it's easy to forget most of the time it's only a play.

    Carrying the brunt of the 95-minute show is Dustin Simington as Mark Renton, a deceptively charming narrator who's driven by finding his next hit. He and his friends spend their time cooking up and hooking up, drifting — violently, at times — through life. Unlike the film, the play doesn't have much of a plot other than Mark's Sisyphusian task to get clean, so it falls to the actors to make each of their stories interesting.

    Connor Wedgeworth brings the heart as sweet Tommy, who only turns to heroin when his girlfriend (Jad Brennan Saxton in one of several roles) dumps him. Caleb Pieterse is a right arse as the sadistic Begbie, while Jason Villarreal is sass and serenity combined as the DJ known as Mother Superior.

    In a brilliant bit of casting Lauren Mishoe plays Sick Boy, projecting masculinity without falling into the realm of male impersonator. An angelic Erika Larsen looks entirely too clean as Alison, especially compared to the rest of the greasy-haired, raccoon-eyed cast, which is filled out by several ensemble members scattered throughout the studio.

    Before even entering you're ominously cautioned by a handwritten sign spelling out the debauchery that waits inside. It's just the start, and don't say they didn't warn you.

    ---

    L.I.P. Service Productions' Trainspotting plays through August 20 at Rudy Seppy Studio in Irving.

    Stephanie Campbell and Dustin Simington in Trainspotting.

    Dustin Simington in Trainspotting
    Photo courtesy of L.I.P. Service Productions
    Stephanie Campbell and Dustin Simington in Trainspotting.
    theaterreviews
    news/arts

    Lawsuit news

    Artist sues FIFA for $25 million over painted-over Dallas whale mural

    Associated Press
    Jun 3, 2026 | 11:54 am
    Wyland Whaling Wall
    Facebook/Wyland
    Artist Wyland's Whaling Wall mural being painted over for a FIFA World Cup-related mural in Dallas.

    The artist who painted a giant mural on a building in downtown Dallas of life-sized swimming whales has filed a $25 million lawsuit against soccer's international governing body and others, saying they illegally painted over his work to promote the city's upcoming World Cup matches.

    The artist Wyland says he hand-painted the sprawling mural that covered roughly 17,000 square feet (1,580 square meters) across two of the building's walls.

    The mural stood for nearly three decades before workers began painting over it last month, causing an uproar among residents who admired the mural's grand scale and message of ocean conservation.

    The area’s World Cup organizing committee said in a statement that, in place of Wyland's mural, new artwork is planned "that captures this current historical moment and reflects the energy, unity, and global spirit surrounding the World Cup 2026.” It said a portion of Wyland's mural would be preserved.

    Wyland filed suit Monday, June 1 in U.S District Court in Dallas saying that World Cup organizers, along with the building's owner and management company, painted over his mural without his consent or even notifying him. He says their actions violated a 1990 federal law passed to protect visual artists from destruction of publicly displayed works.

    Wyland is seeking at least $25 million in damages. His lawsuit says world soccer's governing body, FIFA, and other defendants “hastily and irrevocably destroyed a civic landmark” to promote the World Cup.

    “Though FIFA claims they were working to develop art for the host city, in truth, they defaced an historic fixture of the host city,” the artist's lawsuit says.

    A FIFA spokesperson said Tuesday the federation “has no involvement in this whatsoever” and referred a reporter to the tournament's local organizing committee.

    A spokesperson for the North Texas FWC Organizing Committee declined to comment. The committee isn't named as a defendant in the lawsuit.

    A spokesperson for Slate Asset Management, which manages the building where the mural was painted over, said in a statement that local World Cup organizers asked Slate in March to donate the mural space for “a new public art installation.”

    “Slate is not being compensated in any way for the use of the wall space and was told by the local groups that Mr. Wyland had been notified,” the management company's spokesperson said in an email.

    Dallas is hosting more World Cup matches than any of the other sites in the event co-hosted by the U.S., Canada and Mexico, with nine matches set to be played at AT&T Stadium in suburban Arlington, home of the Dallas Cowboys.

    Wyland's Dallas mural, titled “Whaling Wall 82,” was finished in 1999 and is among more than 100 similar murals known as Whaling Walls the artist painted around the world to promote the conservation of ocean life.

    An online petition protesting the mural's destruction and calling for protecting of public artwork in Dallas has received more than 2,600 signatures.

    Wyland's lawsuit alleges violations of the Visual Artists Rights Act, a 1990 federal law that protects artwork of “recognized stature” even if someone else owns the physical artwork.

    A judge cited that law in 2018 when he ordered a property owner to pay a group of New York graffiti artists $6.7 million for whitewashing dozens of their spray-painted murals on buildings that once housed a factory in Queens. The ruling was upheld on appeal.

    fifa world cupfifa world cup 2026lawsuitwylandwhaling muralmuralsdowntown dallas
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