An Exhibit 2,000 Years in the Making
On the Silk Road at the Crow Collection of Asian Art explores history of globaltrade
Although the Trammell & Margaret Crow Collection of Asian Art opened almost 14 years ago, it still remains a bit of a hidden treasure within the Dallas Arts District. For anyone who works downtown, this little museum on the first floor of the Trammell Crow Building can be a respite from a hectic workday. One of only a few museums in the United States to focus solely on Asian art, it not only houses the extensive collection of the Crow family, but it hosts numerous exhibits from other museums and collections.
Its latest exhibit, On the Silk Road and the High Seas: Chinese Ceramics, Culture and Commerce — showing now through January 27, 2013 — is on loan from the Norton Museum of Art in West Palm Beach, Florida. Through the 60 or so objects on display, On the Silk Road examines why Chinese ceramics were such prized commodities in trade, dating as far back as 2,000 years. Stimulated by foreign trade and changing domestic markets, Chinese potters continually reinvented their craft through shape and technique.
Most of the exhibit, which fills part of two floors, focuses on ceramics; some horseheads on display date back to Biblical times, while the majority of the pieces come from the 1700s and 1800s. If some of the pieces seem out of place from your expected Chinese art, that's because influences ran in both directions along the so-called Silk Road. A peacock blue fish vase created in China was adorned with an ornate bronze mount by its new owners in France. A ceramic hound has features not usually befitting a dog, because the artist made it based on oral descriptions from Europeans, not from a firsthand visual reference.
On the Silk Road is the latest example of how the Crow Collection searches far and wide to expose Dallas to the best in Asian art. Unlike other Crow exhibitions, its stay in Dallas is relatively short — making it a bit of a prized commodity too.