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Theater Review

Dallas' Uptown Players get down and dirty with this campy musical

Lindsey Wilson
Sep 7, 2016 | 4:08 pm

In the grand tradition of Spider-Man, the Flash, and the Hulk, scrawny Melvin Ferd the Third becomes a superhero through uncomfortable and slightly ooky circumstances. The New Jersey nerd is dunked in a vat of glowing toxic waste by a pair of bullies, and he emerges as a ripped and slimy mutant who's dead-set on saving his polluted town.

But you won't find the Toxic Avenger — or Toxie, as he's affectionately called — in any major Marvel or DC flick. Instead, he's singing and dancing in a goofy, politically incorrect musical written by a Broadway team (it was a non-singing, horror-comedy cult film first). If you're willing to laugh at campy characters and blind-girl jokes, this show's for you.

Especially this production from Uptown Players. Using a lean, five-person cast and costumes and set rented from the original Off-Broadway mounting, director Jeremy Dumont has crafted a swift two hours of gross humor and eye-popping visuals. What makes this one so great to watch are the lightning-fast quick changes three of the actors consistently undertake.

Walter Lee and Clint Gilbert do most of the changing, impressively going from small-town toughs to giggly Jersey girls to a Frankenstein-like mob with nary a breath in between. Sara Shelby-Martin, as both Tromaville's corrupt mayor and Toxie's concerned mother, brings more than enough brassy bravado for both characters. And during her big act one finale, it's even at the same time.

Uptown newcomer Katie Porterfield is a joy as the klutzy town librarian, mixing dumb sweetness with kooky enthusiasm. She's not put off by Toxie's scabby appearance because — luckily for him — she's blind, and he won't allow her to feel his face. She just feels his muscles and assumes his name means he's French.

New York-based Dallas native John Campione is fresh off the Bridges of Madison County tour and clomping around the Kalita in sky-high platforms. Despite the challenges of his costume he looks like he's having a blast, and that even shines through all the Latex.

The score, by Memphis duo Joe DiPietro and Bon Jovi keyboardist David Bryan, isn't especially memorable, though it is more than capably performed by music director Adam C. Wright and his small onstage band. What sticks in this show are the performances. Well, that and probably Toxie's touch.

Clint Gilbert, Katie Porterfield, and Walter Lee in The Toxic Avenger.

The Toxic Avenger at Uptown Players
Photo by Mike Morgan
Clint Gilbert, Katie Porterfield, and Walter Lee in The Toxic Avenger.
theater reviews
news/arts

Music and Fashion

Miranda Lambert's 'Velvet Rodeo' wardrobe stars in new DFW exhibition

Alex Bentley
Oct 14, 2026 | 9:21 am
“Miranda Lambert: Velvet Rodeo” at National Cowgirl Museum & Hall of Fame
Photo by Tyler Conrad
“Miranda Lambert: Velvet Rodeo” will open on November 7 at the National Cowgirl Museum & Hall of Fame.

Country star Miranda Lambert is bringing a bit of Las Vegas glamour and bling to North Texas. Her one-of-a-kind wardrobe from her "Velvet Rodeo" residency will go on display at the National Cowgirl Museum & Hall of Fame in Fort Worth when its new Icons Gallery opens November 7.

According to a release, the exhibition, called "Miranda Lambert: Velvet Rodeo," was created in collaboration with Lambert, and will feature costumes from the singer's Las Vegas residency, which ran from September 2022 to April 2024.

Lambert said her inspiration came from an earlier visit to the Fort Worth museum, where she spotted historic Western pieces that she photographed and sent to her stylist, Tiffany Gifford. They combined those influences with the glitz of Elvis Presley's heyday to create the "Velvet Rodeo" wardrobe.

“Seeing these pieces now have a life beyond the stage as part of the Museum’s new Icons Gallery feels really full circle and special,” Lambert said in a statement.

Visitors will now have the opportunity to study garments usually seen in motion and under stage lights, appreciating the details that help transform clothing into an essential part of a performance.

The Icons Gallery is part of the Museum’s 16,000-square-foot expansion, which introduces new galleries and experiences that explore the accomplishments and influence of women of the West. The $19 million expansion features a new entrance facing Dickies Arena, new galleries including a photography gallery, an event space accommodating up to 250, and the new Cowgirl Carousel.

Cowgirl Hall of Fame Inductions, Miranda Lambert Miranda Lambert, right, with rodeo queens onstage at the 45th Cowgirl Hall of Fame Induction Luncheon at Dickies Arena. Photo by Ashley Gongora

Lambert, who was inducted into the National Cowgirl Hall of Fame in 2021, is an active mounted shooting competitor and horsewoman, giving her a connection to the West that reaches beyond her music. "Velvet Rodeo" brings together Lambert's identity as a cowgirl and her creative expression as a performer.

“Miranda’s confidence, determination and independence make her a wonderful representative of the women we honor,” says Pat Riley, executive director of the National Cowgirl Museum & Hall of Fame, in the release. “Opening our Icons Gallery with this collaboration celebrates her accomplishments while giving visitors a new way to connect with a cowgirl they know and admire.”

According to a museum spokesperson, the temporary exhibition will remain on display for at least one year; no specific end date was given.

In preparation for the expansion grand opening, the Cowgirl will be closed to the public beginning October 19 and will reopen November 7, with a members-only preview at 10 am and a public opening at noon.

celebrities country music exhibitions-visual-arts fashion miranda lambert museums music national cowgirl museum temporary exhibition
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