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    The Luxe Life

    Pop art provocateur Ashley Longshore brings her more-is-more aesthetic to Forty Five Ten

    Kendall Morgan
    kendall Morgan
    Sep 14, 2017 | 3:25 pm
    Ashley Longshore
    Retailing for over $10,000, Longshore’s quirky Veuve Clicquot cork sculptures celebrate the luxe life.
    Photo courtesy of Ashley Longshore

    Luxe, lively, and larger than life, Ashley Longshore’s work has put her in the same pop art pantheon as Andy Warhol. The New Orleans-based artist has harnessed the power of social media (72k followers on Instagram alone) to bypass the gallery system, connecting directly with her clients through her potty-mouthed videos and quirky posts.

    Born in Montgomery, Alabama, Longshore refined her approach while still a coed at the University of Montana. Although her upper-class childhood was filled with lessons in jazz, ballet and tap, she longed to explore her artistic side — and to make money doing it.

    “I stole my father’s American Express and went and bought a paint kit when I was 18,” she recalls. “I felt it was the perfect way of expressing myself. I knew there were successful artists ... and I thought, ‘Where are the successful female artists?’ I thought galleries taking 50 percent was complete bullshit. I figured out I could make 100 percent profit margins if I knew who my collectors were.”

    She was savvy enough to gather together groups of “country club women” to build up her contact list, throwing art parties to sell her work. Although she says, “there’s been times I haven’t had $250 to pay my rent,” her entrepreneurial spirit eventually led her to New York, where she had shows at La Boîte à Epice and the Pop-Up Art Gallery.

    Celebrity clients (Penelope Cruz, Salma Hayek, Blake Lively) and brands (Chloe, Veuve Clicquot) quickly took notice of her candy-colored canvases depicting pop culture icons such as Frida Kahlo, Lil Wayne, Kate Moss and Audrey Hepburn.

    While at Neiman Marcus last year for a partnership with Clé de Peau Beauté, Longshore popped into the downtown Dallas Forty Five Ten and purchased an iconic Yves Saint Laurent heart-shaped fur coat. When then-president Brian Bolke heard about the buy, he approached Longshore to bring her “elegant yet rebellious” pieces in store for the first time.

    “He said, ‘You are fun and we should do something,’ and now I’m standing here,” says Longshore, who has, up until this point, only sold her art and collectible “Artgasm” home accessories through her New Orleans showroom or her website.

    “It’s just incredible the connectivity that can happen when you brace yourself and put stuff out there," she says. "I’ve never allowed anybody to have my product, but (the shop) is so well curated.”

    The merry mix of paintings, sculpture, glasses, trays, and plates at Forty Five Ten include everything from a candle ($45) to an inlaid mosaic table balanced on a casting of the artist’s feet ($21,500) and a sequined Kahlo canvas ($30,000). Like all of Longshore’s work, each piece — cocktail napkins to hand-painted Mark Cross bag — is limited edition. Once a style is gone, it’s gone.

    “In creating this brand, I wanted to have that essence of urgency,” the artist explains. “I only have a day in my life to put out this artwork. I could walk out of Forty Five Ten now and get hit by a Rolls Royce, or step over an exotic Birkin bag and break my neck, so you’ve got to get on the Ashley train now.”

    Ashley Longshore will appear in person, noon-3 pm September 15 at Forty Five Ten For Home on McKinney Avenue.

    celebritiesshopping
    news/arts

    Mural News

    Netflix House will debut in Dallas with murals from acclaimed artist

    Desiree Gutierrez
    Dec 8, 2025 | 12:51 pm
    ​Jeremy Biggers at Netflix House
    Netflix House
    Jeremy Biggers at Netflix House

    A long-awaited immersive venue is opening in Dallas, and it will debut with local art on its walls: Netflix House, a year-round exhibit revolving around Netflix shows and movies, will open at Galleria Dallas on December 11, with two murals from award-winning Dallas multi-medium artist Jeremy Biggers.

    Netflix House is an immersive dive complete with merchandise store, film house, arcade, and restaurant-bar. When it opens, Dallas will be the second location in the U.S., following Philadelphia, where it debuted in November 2025, also with murals from a local artist.

    A graduate of Booker T. Washington High School for Performing and Visual Arts, Biggers is a renowned artist whose murals can be found spashed on walls across Dallas. Many, such as the Selena portrait on the wall outside Top Ten Records at 306 S. Bishop Ave., have become local landmarks.

    He's a logical choice, having worked with a number of corporations including Nike, Adidas, the Dallas Mavericks, and IBM, for whom he created the "THINK" mural in their Dallas corporate office. His works have also been exhibited nationally, including a 2024 solo exhibition "be safe out there bro" at Band of Vices, a gallery in Los Angeles.

    "Being chosen to be the artist to paint this mural, it would have been a disservice to myself, as well as the art scene in the city, not to try to infuse myself into it," he says.

    \u200bJeremy Biggers at Netflix House Jeremy Biggers at Netflix HouseNetflix House

    Biggers did two murals featuring his interpretation of Netflix figures including the Squid Game Young-hee doll, characters from KPop Demon Hunters and megahit series Stranger Things, plus Pandy and DJ Catnip, the best friends in the interactive series Gabby’s Dollhouse.

    Both murals are intensely colored works that incorporate Biggers' signature motif: a grid of polka dots spread across the image.

    • One is on the exterior of Netflix House, at the parking entrance, a colorful collage of characters, measuring 38 feet x 50 feet — the tallest mural Biggers has tackled. He painted it with aerosol; it took him two months to complete.
    • The other is on the interior, on the mall side entrance of Netflix House, measuring 57 feet x 12 feet — a study in moody blacks and blues, with accents of neon-red that give it a 3D effect.

    “I'm trying to tell the story of Netflix, and the story of where Netflix has been historically, where Netflix is headed in the future, and then also infusing my own narrative and my own language visually into that story,” he says.

    “They could have opened this anywhere, so for Dallas to be one of the very first locations — that’s a testament to us as a market, as consumers of arts and consumers in general," he says.

    Jeremy Biggers at Netflix House Jeremy Biggers at Netflix HouseNetflix House

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