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    Theater Critic Picks

    These are the 14 can't-miss shows in Dallas-Fort Worth theater for October

    Lindsey Wilson
    Oct 3, 2019 | 9:32 am

    I know, I know, we were all hoping for a scary 13 this month. But each one of these shows looks so good, I couldn't bear to leave any of them out. It's spooky season onstage, with creepy takes on the classics and frighteningly good new works.

    Here are the 14 shows to see in order by start date:

    The Seagull
    Eccentric Bear Theater Co., October 3-6
    Tensions are running high at a sleepy country estate as esteemed actress Irina Arkadina introduces her son to an unexpected new lover in Anton Chekhov's classic play about jealousy, unrequited love, and large birds.

    Macbeth
    Shakespeare Dallas, October 3-13
    While keeping true to Shakespeare's original bloody script, this classic tale of power, ambition, and tragic downfall moves to an alternative near-future Silicon Valley, where tech companies bid for ultimate control in a dynamic and changing industry. Following a prophecy from three witches that he will be king, Macbeth — at the urging of his wife — plots King Duncan's murder to secure the throne.

    Two By Beckett: Footfalls and Not I
    WingSpan Theatre Co., October 3-19
    These hauntingly beautiful plays investigate the "undiscovered country" that Samuel Beckett and his characters yearn for and how we all must go on. Jennifer Kuenzer stars in Footfalls and Susan Sargeant in Not I — Sargeant also directs.

    A Love Offering
    Kitchen Dog Theatre, October 3-27
    Jonathan Norton's newest play follows T'Wana Jepson and Miss Georgia, two nurse's aides who care for patients with Alzheimer's and dementia. It's not a glamorous job, but the women find support in each other — until T'Wana is attacked by the patient in E 204.

    Dracula
    Theatre Three, October 3-November 3
    Vampires, but make it feminist. This fresh adaptation of the Bram Stoker Gothic horror novel takes a deeper look into the Romanian folklore with an update on the undead. You've long heard the story of Dracula, everyone's favorite blood-sucking Transylvanian; but what stories might we learn through the eyes of his mysterious mistress Mina?

    Disturbance
    Sweet Tooth Hotel and Arts Mission Oak Cliff, October 4-26

    Each Friday and Saturday night in October, you can party like it's 1999 at a Y2K New Year countdown with the permanent residents of Sweet Tooth Hotel. This immersive theater experience (that means you're part of the show, too) challenges you to alter the show's ending or become trapped in a never-ending enigma while you solve different pieces of the puzzle.

    Villa
    Teatro Dallas, October 11-November 2
    In this slyly surprising and gripping play, Guillermo Calderon puts the audience in the room with three women charged with deciding the future of the Villa Grimaldi, an infamous detention camp of Chile’s Pinochet government.

    Ann
    Dallas Theater Center, October 15-November 10
    Written by Emmy Award winner Holland Taylor and starring Friday Night Lights' Libby Villari, Ann is a no-holds-barred portrait of Ann Richards, the legendary governor of Texas.

    Bright Colors and Bold Patterns and Cooties
    Uptown Players, October 18-27
    For Gay History Month, Uptown Players is presenting two special shows. The first, Bright Colors and Bold Patterns by Drew Droege, is a solo play starring Paul J. Williams as Gerry. It’s the eve of Josh and Brennan's picture-perfect Palm Springs wedding, and their old friend Gerry arrives car-cranky and a few beers in, furious that the invitation demands that he "refrain from wearing bright colors or bold patterns." The second, Cooties by Alexandrew Recore, is a fast-paced-sitcom-romcom variety show about truly ugly love, examining all the things we'd rather not talk about when it comes to sex, love, and happiness.

    She-Wolf
    Amphibian Stage Productions, October 18-November 10
    Despite being taken prisoner of war, then ransomed off by her father to the feckless king of a foreign country, Margaret of Anjou went on to command armies. Shakespeare was so entranced with her that he included her in four of his plays. Stephan Wolfert used Shakespeare as his inspiration for this play.

    Side Show
    The Firehouse Theatre, October 24-November 10
    Based on the true story of conjoined twins Violet and Daisy Hilton, who became stars during the Depression, Side Show is a moving portrait of two women joined at the hip whose extraordinary bondage brings them fame but denies them love. Told almost entirely in song, the show follows their progression from England to America, around the vaudeville circuit and to Hollywood on the eve of their appearance in the 1932 movie Freaks.

    Sister Act
    WaterTower Theatre, October 24-November 10
    After witnessing a murder, disco diva Deloris Van Cartier is put in protective custody in the one place the cops are sure she won't be found: a convent. Finding herself at odds with a rigid lifestyle and the uptight Mother Superior, Deloris uses her unique flair and singing talent to inspire the choir, breathing new life into the church and community. In doing so, however, she blows her cover and soon her gangster boyfriend and his cronies are giving chase.

    The Bippy Bobby Boo Show
    Theatre Too and Danielle Georgiou Dance Group, October 25-November 2
    Dazzling with glitz and glamour of a 1960s musical variety show, this new work is a two-week haunting of Theatre Too, the delightful downstairs space at Theatre Three. Bippy Bobby, the crooning, cocktail-toting ne'er-do-well, hosts this late-night limited engagement featuring performances by the six ghosts living in the belly of the Uptown basement. Inspired by the plays they saw performed by Norma Young, Esther Ragland, Robert Dracup, and Jac Alder, the ghosts of Theatre Too bring the works of Pirandello, Pinter, Albee, and Beckett into their acts.

    Razz
    Ochre House Theatre, October 26-November 16
    Hot on the heels of Fosse/Verdon's big Emmy win, this season opener follows the life of Bob Fosse, who finds himself fighting for life after his third heart attack. Wrapped in song, dance, vaudeville, and spectacle, Razz explores how artists survive in a fickle world.

    Dracula has a bloody good twist at Theatre Three.

    Theatre Three presents Dracula
    Photo by Jeffrey Schmidt
    Dracula has a bloody good twist at Theatre Three.
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    Lawsuit news

    Artist sues FIFA for $25 million over painted-over Dallas whale mural

    Associated Press
    Jun 3, 2026 | 11:54 am
    Wyland Whaling Wall
    Facebook/Wyland
    Artist Wyland's Whaling Wall mural being painted over for a FIFA World Cup-related mural in Dallas.

    The artist who painted a giant mural on a building in downtown Dallas of life-sized swimming whales has filed a $25 million lawsuit against soccer's international governing body and others, saying they illegally painted over his work to promote the city's upcoming World Cup matches.

    The artist Wyland says he hand-painted the sprawling mural that covered roughly 17,000 square feet (1,580 square meters) across two of the building's walls.

    The mural stood for nearly three decades before workers began painting over it last month, causing an uproar among residents who admired the mural's grand scale and message of ocean conservation.

    The area’s World Cup organizing committee said in a statement that, in place of Wyland's mural, new artwork is planned "that captures this current historical moment and reflects the energy, unity, and global spirit surrounding the World Cup 2026.” It said a portion of Wyland's mural would be preserved.

    Wyland filed suit Monday, June 1 in U.S District Court in Dallas saying that World Cup organizers, along with the building's owner and management company, painted over his mural without his consent or even notifying him. He says their actions violated a 1990 federal law passed to protect visual artists from destruction of publicly displayed works.

    Wyland is seeking at least $25 million in damages. His lawsuit says world soccer's governing body, FIFA, and other defendants “hastily and irrevocably destroyed a civic landmark” to promote the World Cup.

    “Though FIFA claims they were working to develop art for the host city, in truth, they defaced an historic fixture of the host city,” the artist's lawsuit says.

    A FIFA spokesperson said Tuesday the federation “has no involvement in this whatsoever” and referred a reporter to the tournament's local organizing committee.

    A spokesperson for the North Texas FWC Organizing Committee declined to comment. The committee isn't named as a defendant in the lawsuit.

    A spokesperson for Slate Asset Management, which manages the building where the mural was painted over, said in a statement that local World Cup organizers asked Slate in March to donate the mural space for “a new public art installation.”

    “Slate is not being compensated in any way for the use of the wall space and was told by the local groups that Mr. Wyland had been notified,” the management company's spokesperson said in an email.

    Dallas is hosting more World Cup matches than any of the other sites in the event co-hosted by the U.S., Canada and Mexico, with nine matches set to be played at AT&T Stadium in suburban Arlington, home of the Dallas Cowboys.

    Wyland's Dallas mural, titled “Whaling Wall 82,” was finished in 1999 and is among more than 100 similar murals known as Whaling Walls the artist painted around the world to promote the conservation of ocean life.

    An online petition protesting the mural's destruction and calling for protecting of public artwork in Dallas has received more than 2,600 signatures.

    Wyland's lawsuit alleges violations of the Visual Artists Rights Act, a 1990 federal law that protects artwork of “recognized stature” even if someone else owns the physical artwork.

    A judge cited that law in 2018 when he ordered a property owner to pay a group of New York graffiti artists $6.7 million for whitewashing dozens of their spray-painted murals on buildings that once housed a factory in Queens. The ruling was upheld on appeal.

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