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    Home Sweet Home

    Dallas' Kitchen Dog Theater finds its forever home

    Lindsey Wilson
    Oct 13, 2016 | 2:24 pm
    Kitchen Dog Theater presents A Stain Upon the Silence: Beckett's Bequest
    Kitchen Dog Theater's new season just opened with A Stain Upon the Silence: Beckett's Bequest, but next season the company should be performing in its new home.
    Photo by Matt Mrozek

    Dallas' theater dogs are homeless no more. Kitchen Dog Theater, which was left without a performance space when longtime home McKinney Avenue Contemporary closed last summer, has purchased property in the Design District.

    The 10,000-square-foot building at 4774 Algiers St. will serve as KDT's permanent performance, office, rehearsal, and shop space. The company recently celebrated its 25th anniversary and opened its 26th season with A Stain Upon the Silence: Beckett's Bequest at Trinity River Arts Center. All remaining shows in the 2016-17 season are expected to be performed at TRAC.

    Fort Worth firm Ibeñez Architecture will spend 2017 converting what's currently the home of Presidio Tile into a 140-seat performance space, company offices, and a rehearsal space that could also double as a cabaret. Target move-in date is 2018.

    “Theater companies like ours around the country are challenged by the whims of local real estate markets, so we are extremely grateful to be able to put down permanent roots in our hometown,” says KDT co-artistic director Tina Parker in a release.

    The Real Estate Council Community Fund, Communities Foundation of Texas, Harold Simmons Foundation, and private donors made the nearly $1 million purchase possible.

    KDT joins Theatre Three, Dallas Children's Theater, Bishop Arts Theatre Center, and Amphibian Stage Productions as one of the few Dallas-Fort Worth theater companies that owns its space. The company spent this past season performing at the Green Zone, Undermain Theatre, and TRAC, and had previously been at the MAC since 1994.

    Kitchen Dog Theater was founded in 1991 by Southern Methodist University MFA graduates, and is currently led by Parker, co-artistic director Christopher Carlos, and managing director Tim Johnson. It's a founding member of the National New Play Network — and the region's sole NNPN member theater — and hosts the yearly New Works Festival and PUP (Playwrights Under Progress) Fest for young playwrights.

    Says Parker, “This development gives us the financial and emotional security to continue our artist-driven mission — to provide a place where questions of justice, morality, and human freedom can be explored — for many years to come.”

    theater
    news/arts

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    Artist sues FIFA for $25 million over painted-over Dallas whale mural

    Associated Press
    Jun 3, 2026 | 11:54 am
    Wyland Whaling Wall
    Facebook/Wyland
    Artist Wyland's Whaling Wall mural being painted over for a FIFA World Cup-related mural in Dallas.

    The artist who painted a giant mural on a building in downtown Dallas of life-sized swimming whales has filed a $25 million lawsuit against soccer's international governing body and others, saying they illegally painted over his work to promote the city's upcoming World Cup matches.

    The artist Wyland says he hand-painted the sprawling mural that covered roughly 17,000 square feet (1,580 square meters) across two of the building's walls.

    The mural stood for nearly three decades before workers began painting over it last month, causing an uproar among residents who admired the mural's grand scale and message of ocean conservation.

    The area’s World Cup organizing committee said in a statement that, in place of Wyland's mural, new artwork is planned "that captures this current historical moment and reflects the energy, unity, and global spirit surrounding the World Cup 2026.” It said a portion of Wyland's mural would be preserved.

    Wyland filed suit Monday, June 1 in U.S District Court in Dallas saying that World Cup organizers, along with the building's owner and management company, painted over his mural without his consent or even notifying him. He says their actions violated a 1990 federal law passed to protect visual artists from destruction of publicly displayed works.

    Wyland is seeking at least $25 million in damages. His lawsuit says world soccer's governing body, FIFA, and other defendants “hastily and irrevocably destroyed a civic landmark” to promote the World Cup.

    “Though FIFA claims they were working to develop art for the host city, in truth, they defaced an historic fixture of the host city,” the artist's lawsuit says.

    A FIFA spokesperson said Tuesday the federation “has no involvement in this whatsoever” and referred a reporter to the tournament's local organizing committee.

    A spokesperson for the North Texas FWC Organizing Committee declined to comment. The committee isn't named as a defendant in the lawsuit.

    A spokesperson for Slate Asset Management, which manages the building where the mural was painted over, said in a statement that local World Cup organizers asked Slate in March to donate the mural space for “a new public art installation.”

    “Slate is not being compensated in any way for the use of the wall space and was told by the local groups that Mr. Wyland had been notified,” the management company's spokesperson said in an email.

    Dallas is hosting more World Cup matches than any of the other sites in the event co-hosted by the U.S., Canada and Mexico, with nine matches set to be played at AT&T Stadium in suburban Arlington, home of the Dallas Cowboys.

    Wyland's Dallas mural, titled “Whaling Wall 82,” was finished in 1999 and is among more than 100 similar murals known as Whaling Walls the artist painted around the world to promote the conservation of ocean life.

    An online petition protesting the mural's destruction and calling for protecting of public artwork in Dallas has received more than 2,600 signatures.

    Wyland's lawsuit alleges violations of the Visual Artists Rights Act, a 1990 federal law that protects artwork of “recognized stature” even if someone else owns the physical artwork.

    A judge cited that law in 2018 when he ordered a property owner to pay a group of New York graffiti artists $6.7 million for whitewashing dozens of their spray-painted murals on buildings that once housed a factory in Queens. The ruling was upheld on appeal.

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