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    Theater Critic Picks

    These are the 13 can't-miss shows in Dallas-Fort Worth theater for November

    Lindsey Wilson
    Nov 2, 2016 | 9:02 am

    Your calendar may say November, but 'tis already the holiday season. Don't believe it? Take a gander at all the Christmas-themed shows below that populate this month's list of must-see theater.

    Here are the 13 shows to see, in order by start date:

    Of Thee I Sing
    Lyric Stage, November 3-6

    It couldn't be better timing for Lyric Stage to mount this political satire, which was the first musical to win the Pulitzer Prize for drama. Though it was penned in 1931, George and Ira Gershwin's send-up of a presidential campaign still points out the absurdity and ridiculousness of politics. And if you can believe it, this also will be Lyric's first-ever Gershwin show — a shocker for a company known for its full orchestra and music-forward philosophy.

    Chicago
    ICT Mainstage, November 4-19

    Running right next door in the Irving Arts Center is another early-20th century musical that's oddly appropriate for today's celebrity-obsessed climate: Chicago. It's the 20th anniversary of the Broadway revival (which is still going strong), so ICT is doing it up big with B.J. Cleveland at the helm and North Texas' most lithe and limber dancer-singers.

    Angels in America Millennium Approaches
    Uptown Players, November 4-20
    Tony Kushner's two-part examination of the 1980s AIDS epidemic is arguably one of the most important pieces of American art — ever. It's also an intimidating production for any theater company to tackle because of its metaphorical and symbolic storytelling. But it's a natural fit for Uptown Players, which has made it its mission for the last 16 years to present theater that explores acceptance, prejudice, diversity, and relationships.

    Million Dollar Quartet
    Casa Mañana, November 5-13
    It might feel like Johnny Cash just jumped over to Fort Worth for a spell after singing in Addison, but in this behind-the-scenes jukebox musical, the Man in Black is an actual character, and he's joined by Elvis Presley, Jerry Lee Lewis, and Carl Perkins for a dramatized re-creation of an actual recording session in 1956.

    Julius Caesar
    Shakespeare in the Bar, November 7 & 14
    Tickets for the two performances of this barely rehearsed, immersive Shakespeare play where everybody drinks when an actor forgets a line sold out in an hour an a half. They must be good or something. You can still try your luck at 5 pm the day of each show (the first is at the Wild Detectives, the second at the Ginger Man) for one of the 50 walk-up tickets.

    10 Out of 12
    Undermain Theatre, November 9-December 3
    The audience usually only gets to see the end result, but in this immersive play by Anne Washburn, you'll be right in the middle of the most intense, exhilarating, frustrating, and frantic part of each show: tech. Director Blake Hackler is putting you literally in the action, so hopefully this doesn't align with any fears about audience participation.

    Day Light
    Theatre Three, November 17-December 11
    Acting artistic director Bruce R. Coleman is also a playwright, and this is the professional world premiere of his new work about familial secrets and confrontations. In 1867. The play also won the grand prize at Stage West's ninth annual Southwest Playwriting Competition.

    Murder for Two
    Stage West, November 17-December 18
    Mark Schenfisch and Teddy Warren are about to be two of the hardest-working performers in DFW — or at least the most tired. They play all the characters in this "killer" musical comedy, about the murder of a celebrated novelist and the small-town policeman who's eager to question all the suspects and solve the case.

    Feathers and Teeth
    Kitchen Dog Theater, November 18-December 17
    The plays KDT chooses are usually anything but straightforward, and this regional premiere by Charise Castro Smith sounds right up the Dogs' alley. In the horror comedy starring Matt Lyle, Morgan Lauré, Parker Gray, and Dakota Ratliff, the monster living in a teenage girl's home isn't what — or whom — you'd expect.

    Nuestra Pastorela
    Cara Mía Theatre Co., November 19-December 11
    Cara Mia is bringing back its zany take on the Mexican shepherd's tale, with slapstick comedy and clowning putting a light spin on the journey to Bethlehem. The holiday tale was penned by artistic director David Lozano and Jeffry Farrell, and it's directed by movement and physicality guru Jeffrey Colangelo.

    Rudolph the Red-Nosed Reindeer: The Musical
    Performing Arts Fort Worth, November 22-23
    Dallas Summer Musicals, November 25-27

    The family-friendly tour returns, making quick stops in DFW both before and after Thanksgiving. Puppets help bring the beloved stop-motion film to life onstage, but it's the human performances (especially Kyle Montgomery as the wannabe dentist Hermie the Elf) that make this musical so darn delightful.

    A Christmas Carol
    Dallas Theater Center, November 23-December 28
    Part of the fun of DTC's yearly tradition is seeing how they shuffle the actors, putting resident company members into roles you may not initially predict. This year, Sally Vahle is donning Scrooge's nightshirt and going on the ghostly journey through Christmases past, present, and future, and it's about time we had a female in this part.

    A Christmas Carol: The Radio Show
    Theatre Too, November 25-December 11
    Those who might have missed B.J. Cleveland play every single role in this vocal and physically demanding one-man rendition of Dickens' classic will get another chance, as he's reprising it downstairs at Theatre Three. And don't say Santa never brought you anything nice.

    Uptown Players presents Angels in America Millennium Approaches.

    Uptown Players presents Angels in America
    Photo by Mike Morgan
    Uptown Players presents Angels in America Millennium Approaches.
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    Season Announcement

    Echo Theatre introduces Dallas audiences to a season of strangers in 2026

    Lindsey Wilson
    Jan 16, 2026 | 11:51 am
    The Roommate on Broadway
    Photo by Julieta Cervantes
    'The Roommate' was recently on Broadway.

    It's a "Season of Strangers" for Echo Theatre this year, as the Southwest's premier company for promoting dramatic works by women+ focuses on how someone different than you can change your life.

    The 28th season begins with the new musical Silhouettes by Jordan Ealey and Ari Afsar. This score-in-hand workshop was developed in the aftermath of the fall of Roe v. Wade, and examines a pivotal moment in American history through the intersecting lives of two women navigating the decision to have an abortion. Echo's managing and artistic director Kateri Cale directs, with Vonda K. Bowling as musical director.

    In a joint statement, Ealey and Afsar say that Silhouettes was born from their need to process the emotional and political aftermath of Roe’s fall. “We continue to see that history is cyclical and equity is fleeting,” they say. “But when policy fails, art has the opportunity to step in. Silhouettes is a musical about choice, sisterhood, and intergenerational courage.”

    They add that presenting the work in Dallas reflects their commitment to community-building in states like Texas, where bans and restrictions have made women and gender minorities particularly vulnerable. “We want this musical to be a safe and brave haven amid attempts to create a culture of fear and a reminder that people are not alone.”

    It runs January 16-17, 2026, and admission is free, though a $20 donation is suggested.

    The world premiere of You Must Wear A Hat by C. Meaker is next, and plugged-in Dallas theater fans might recognize the play from its reading at Kitchen Dog Theater in 2019.

    Tuesday and Weeks make hats on the Great Barrier Reef, waiting for the world to end. It's described as "A play for two. And a rabbit."

    C. “Meaks” Meaker (they/them) is a playwright, essayist, and teacher whose work often explores queerness, monstrosity, and the end of the world. Their plays have been performed and developed across the United States, including the Kennedy Center, Seattle Repertory Theatre, San Francisco Playhouse, Annex Theatre (Seattle), Hub Theater (D.C.), Fat Theater Project (Chicago), and About Face (Chicago). They’re a two-year finalist for the Dramatist Guild National Fellows program and a recent finalist for the Jerome Hill Theater Arts Fellow.

    You Must Wear a Hat runs February 27-March 14, 2026.

    The season closes with The Roommate by Jen Silverman. The play was on Broadway in 2024 starring marquee names Mia Farrow and Patti LuPone.

    In it, a divorced Midwesterner takes a roommate from The Bronx. A relationship evolves and secrets unfold into a darkly comedic exploration of life choices. It runs June 19-July 4, 2026.

    All shows this season will be performed at the Bath House Cultural Center, 521 E. Lawther Dr., in White Rock Lake Park.

    Tickets range from Pay-What-You-Can to $40, with discounts available for students and seniors.

    Additional events this season include Cake by the Lake on April 21, Echo's free birthday party fundraiser that also launches its reading series, Echo Reads.

    Echo Reads runs April through September, presenting six plays in six month. All plays will be performed on Tuesdays at 7:30 pm, and then read the next day at different venues around the city.

    Echo Offstage Podcasts is going monthly. The free podcast series interviews women+ who are making art and making a difference.

    And Echo is already teasing its 29th season, which will begin in the fall of 2026 and run the more traditional September through August instead of the calendar year.

    The season 29 opener is a co-production, the company mysteriously hints, involving three Dallas theaters, two shows, and an internationally known writer. We'll all just have to wait and see what this intriguing production might be.

    echo theatrepodcastsworld premieresecho readsthe roommate playtheater
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