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    Shakespeare Al Fresco

    Shakespeare Dallas re-ups for another year of classics in the park

    Alex Bentley
    Nov 27, 2014 | 2:44 pm
    Shakespeare Dallas presents The Complete Works of Shakespeare Abridged
    Shakespeare Dallas will present The Complete Works of William Shakespeare (Abridged) (Revised) as part of its 2015 season.
    Photo by Jessica Helton

    For the 2015 season of their annual Shakespeare in the Park series, Shakespeare Dallas will present a couple of Bard classics, as well as a non-Shakespeare play for only the third time in their illustrious history.

    The season will open in June with Romeo and Juliet. The eternal story of two star-crossed lovers and the feud between their families, being presented for the ninth time at Shakespeare in the Park, will have 25 performances between June 24 and July 25 at Samuell Grand Amphitheatre in Dallas. Each show starts at 8:15 pm.

    The second show, The Complete Works of William Shakespeare (Abridged) (Revised), will serve as both a comedic interlude between two tragedies and a reference to Shakespeare Dallas' continued quest to present every Shakespearean work at AT&T Performing Arts Center.

    The production gives people a chance to see part of all 37 Shakespeare plays in just under two hours, with three madcap men in tights weaving their way through all of Shakespeare's comedies, histories and tragedies. The show will run at 8:15 pm Tuesdays-Sundays, June 17-July 24, at Samuell Grand Amphitheatre.

    The season will wrap up in the fall with the tragedy King Lear, playing for the third time in Shakespeare Dallas' 43 years, in which Lear loses much more than he bargained for when he tries to determine which of his daughters is worthy of his kingdom.

    The production will play at Samuell Grand Amphitheatre on Wednesdays-Sundays, September 16-26, before moving over to Addison Circle Park on Wednesdays-Sundays, October 1-11. All performances will take place at 8 pm.

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    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

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