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    Something Wonderful

    Star of The King and I touring show is getting to know Dallas for the holidays

    Meredith Rainey
    Meredith Rainey
    Dec 18, 2017 | 9:35 am
    The King and I
    Jose Llana and Laura Michelle Kelly in The King and I. The show runs in Dallas on December 19-31 at Winspear Opera House.
    Photo by Matthew Murphy

    Laura Michelle Kelly won’t be home for Christmas this year. But not to worry — she’ll still be with family. Kelly and the cast of The King and I will spend the holidays in Texas in the midst of their Dallas run (December 19-31 at Winspear Opera House). “We’re like one big family, and I miss them when I’m away from them,” she says of her castmates.

    After more than 15 years of performing on stage (with credits that include originating the role of Mary Poppins in the musical of the same name), she decided she wanted to pack her bags and experience life on the road. When the chance to play Anna in The King and I came up, she knew the time was right.

    Now that she's spent almost a year on tour, the self-proclaimed "seasoned traveler" has created many great memories. "I’ve loved the adventure of trying a different city every week ... it’s been a big learning curve, fun, and just a great opportunity to grow."

    Kelly says she was drawn to the production because of the director, the production team, and the timeless tale. "It’s a really good story," she says. "Like Shakespeare, people want to experience it over and over again."

    Set in the 1860s, The King and I, which is based on a true story, explores the relationship between a British widow named Anna and the King of Siam, who brings Anna on board to tutor his many children and wives, as Western influences threaten his kingdom. "The king is a powerful titan and Anna’s a goddess in her own world and it’s hard for him to accept," explains Kelly.

    As the story develops, the two develop an unspoken admiration for one another. "It’s not something they could ever tell one another — it would be highly inappropriate. So it’s very sad in that way," she says.

    The musical boasts a score that features such beloved classics as “Getting To Know You,” “I Whistle a Happy Tune,” “Hello Young Lovers,” “Shall We Dance” and “Something Wonderful.”

    Rodgers and Hammerstein’s The King and I first opened on Broadway in 1951, and it has been reinvented in many revivals over the years. Kelly has experience both in helping develop characters in new productions (Mary Poppins, and Sylvia Llewelyn Davies in the world premiere of Finding Neverland) and in playing long-established rolls such as Anna.

    "It’s already an award-winning production and I get to come in and play within the boundaries already set, which I love," explains Kelly. "I would tell anyone who’s not seen it that if they want to create a memory that will last a lifetime, bring people you love and you’ll leave singing and with a new perspective on a different culture."

    So even though Kelly won’t be home with her family in New Orleans during the holidays, she’s excited to be ringing in the New Year with her castmates and some good friends in Dallas. For this veteran performer, 2017 has been a year of firsts. She admits being on the road can be daunting, but well worth it to be able to share such a beautiful story and mesmerizing production with a new city each week.

    "We love what we do," she says. "There are tough days when you’re away from family and you’re not sleeping in your own bed, but that’s part of the adventure and it helps us learn to get back to what we love."

    ---

    Tickets for the Dallas run of The King and I start at $29 and are available through AT&T Performing Arts Center.

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    news/arts
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    Season Announcement

    Echo Theatre introduces Dallas audiences to a season of strangers in 2026

    Lindsey Wilson
    Jan 16, 2026 | 11:51 am
    The Roommate on Broadway
    Photo by Julieta Cervantes
    'The Roommate' was recently on Broadway.

    It's a "Season of Strangers" for Echo Theatre this year, as the Southwest's premier company for promoting dramatic works by women+ focuses on how someone different than you can change your life.

    The 28th season begins with the new musical Silhouettes by Jordan Ealey and Ari Afsar. This score-in-hand workshop was developed in the aftermath of the fall of Roe v. Wade, and examines a pivotal moment in American history through the intersecting lives of two women navigating the decision to have an abortion. Echo's managing and artistic director Kateri Cale directs, with Vonda K. Bowling as musical director.

    In a joint statement, Ealey and Afsar say that Silhouettes was born from their need to process the emotional and political aftermath of Roe’s fall. “We continue to see that history is cyclical and equity is fleeting,” they say. “But when policy fails, art has the opportunity to step in. Silhouettes is a musical about choice, sisterhood, and intergenerational courage.”

    They add that presenting the work in Dallas reflects their commitment to community-building in states like Texas, where bans and restrictions have made women and gender minorities particularly vulnerable. “We want this musical to be a safe and brave haven amid attempts to create a culture of fear and a reminder that people are not alone.”

    It runs January 16-17, 2026, and admission is free, though a $20 donation is suggested.

    The world premiere of You Must Wear A Hat by C. Meaker is next, and plugged-in Dallas theater fans might recognize the play from its reading at Kitchen Dog Theater in 2019.

    Tuesday and Weeks make hats on the Great Barrier Reef, waiting for the world to end. It's described as "A play for two. And a rabbit."

    C. “Meaks” Meaker (they/them) is a playwright, essayist, and teacher whose work often explores queerness, monstrosity, and the end of the world. Their plays have been performed and developed across the United States, including the Kennedy Center, Seattle Repertory Theatre, San Francisco Playhouse, Annex Theatre (Seattle), Hub Theater (D.C.), Fat Theater Project (Chicago), and About Face (Chicago). They’re a two-year finalist for the Dramatist Guild National Fellows program and a recent finalist for the Jerome Hill Theater Arts Fellow.

    You Must Wear a Hat runs February 27-March 14, 2026.

    The season closes with The Roommate by Jen Silverman. The play was on Broadway in 2024 starring marquee names Mia Farrow and Patti LuPone.

    In it, a divorced Midwesterner takes a roommate from The Bronx. A relationship evolves and secrets unfold into a darkly comedic exploration of life choices. It runs June 19-July 4, 2026.

    All shows this season will be performed at the Bath House Cultural Center, 521 E. Lawther Dr., in White Rock Lake Park.

    Tickets range from Pay-What-You-Can to $40, with discounts available for students and seniors.

    Additional events this season include Cake by the Lake on April 21, Echo's free birthday party fundraiser that also launches its reading series, Echo Reads.

    Echo Reads runs April through September, presenting six plays in six month. All plays will be performed on Tuesdays at 7:30 pm, and then read the next day at different venues around the city.

    Echo Offstage Podcasts is going monthly. The free podcast series interviews women+ who are making art and making a difference.

    And Echo is already teasing its 29th season, which will begin in the fall of 2026 and run the more traditional September through August instead of the calendar year.

    The season 29 opener is a co-production, the company mysteriously hints, involving three Dallas theaters, two shows, and an internationally known writer. We'll all just have to wait and see what this intriguing production might be.

    echo theatrepodcastsworld premieresecho readsthe roommate playtheater
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