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Actor Spotlight

Dallas girl Emily Lockhart dishes about Crazy for You and cinnamon crack cookies

Lindsey Wilson
Nov 14, 2012 | 1:42 pm

If you've seen a show in Dallas, you've probably seen Emily Lockhart. It was hard to miss the busy actress when she lived here, appearing as everyone from budding ingenue Peggy Sawyer in 42nd Street at Garland Summer Musicals to coke-addled call girl Kate in Uptown Players' The Wild Party.

Recently Lockhart returned to her hometown from a stint in New York City, earning raves for her title performance in Dallas Children's Theater's Pinkalicious this past September. Now she's appearing as the spunky Polly Baker in Theatre Three's Crazy for You, where she gets to sing some of the most beloved tunes in musical history: "Someone to Watch Over Me," "Embraceable You," and "But Not For Me," to name a few.

Lockhart took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

“I was torn between the dance world and musical theater, but ultimately I was more satisfied with the challenges of musical theater,” Lockhart says.

Full name: Emily Lockhart

Role in Crazy For You: Polly Baker

Previous work in Dallas-Fort Worth: Oh, boy. It’s pretty extensive since I’ve been doing theater in DFW since high school (minus the years I was away performing out of state). Locally I’ve been fortunate enough to work with Casa Mañana, Uptown Players, WaterTower Theater, Dallas Children’s Theater, Plano Repertory Theater (there’s a throwback), Garland Civic Theater, Garland Summer Musicals, Flower Mound Performing Arts Theater, McKinney Summer Musicals, Frisco Community Theater, Metro Players (another throwback) and now Theatre Three. I also worked as a choreographer with Quad C, Richland College, numerous high schools and several local theaters.

Hometown: Big D!

Where you currently reside: I just moved back home to Dallas this July, and I’m thrilled to be back.

First theater role: The dancing role of Eva in The King and I with Garland Summer Musicals. It was the summer prior to my freshman year of high school. I had to dye my hair black for the show, but the dye turned my hair green instead. I had to use hair spray paint before every show to actually make it black.

First stage show you ever saw: Not exactly sure, but the first musical I remember seeing was A Chorus Line. The tour came through Fair Park, and I fell in love. A Chorus Line is still one of my favorites. Here’s a bit of trivia: Michael Serrecchia, director of Crazy For You, was in the original cast of A Chorus Line.

Moment you decided to pursue acting: I grew up dancing; started taking lessons at 3, I think. Dance is my first love. I was hardcore. I was in dance class seven days a week and attended practically every dance competition possible when I was younger.

“I’m a bit of a homebody. I knit and crochet; I just finished a scarf and a toy hippo,” Lockhart says. “And I love to bake from scratch.”

After The King and I, I continued to audition for local musicals and I found my voice. I still loved dance, but discovered that I wanted to not only dance but sing and act too. I was very active in the dance department at Booker T. Washington High Sschool for Performing and Visual Arts in Dallas.

I was torn between the dance world and musical theater, but ultimately I was more satisfied with the challenges of musical theater.

Most challenging role you’ve played: Landslide vote: Kate in Andrew Lippa’s The Wild Party. The music for the role is daunting in itself, but the character is far beyond my wheelhouse. It’s not only my most challenging role, but my favorite role I’ve ever performed. I was so thankful that Uptown Players and all those involved believed in me to take on the challenge.

Special skills: I’m a bit of an old-fashioned homebody. I knit and crochet; I just finished a scarf and a toy hippo this weekend. I love to bake from scratch. The Crazy cast has gotten to partake of some of my goodies.

My boyfriend aptly named one of my specialties “Triple C: cinnamon crack cookies.” They’re cinnamon roll cookies, and it’s hard to eat just one. Oh, and I can also tap dance while jumping rope.

Favorite movie(s): Anything with Gene Kelly or Fred Astaire dancing. On the opposite side of the spectrum, I’m a big fan of action films and “guy flicks.”

Favorite musician(s): I can never get enough of Amos Lee. I have always loved the Rat Pack; I’m a big fan of that era and Frank Sinatra.

Favorite song: Amos Lee’s “Violin.”

Dream role: Val in A Chorus Line.

“I have always loved the Rat Pack,” Lockhart says. “I’m a big fan of that era and Frank Sinatra.”

Favorite food: Scrambled eggs. Honestly — they’re healthy, full of protein and cheap.

Favorite TV show(s): Dexter, How I Met Your Mother, Modern Family and — an old favorite — Frasier.

Something most people don’t know about you: I’m a Christmas baby. Born December 25 around 2 pm.

Place in the world you’d most like to visit: I’ve been fortunate enough to travel the world with my performing career. I definitely want to go back to New Zealand, and I can never get enough of the Mediterranean.

Pre-show warm-up: It’s pretty standard. My Mini Cooper is my vocal studio, and I use my drive time to Theatre Three to vocally warm up and sing through some songs in the show. Once I get to the theater, I stretch and warm up my body, then do a little jogging in place to get the energy flowing.

Favorite part about your current role: Singing the music of George and Ira Gershwin.

Most challenging part about your current role: Singing the music of George and Ira Gershwin.

Favorite post-show spot: Home with my boyfriend and adorable dog, Roxie. I told you I was a homebody.

Favorite thing about Dallas-Forth Worth: My family, and the family of friends I’ve gained over the years in the DFW arts community.

Most memorable theater moment: It’s a bit cheesy but true. I worked on Disney Cruise Line several years ago. I played a young girl that dreamed to fly and was visited by cherished Disney princesses and characters during her journey. Finally, at the end of the show, she flies and during the “take-off,” the music swells and Tinkerbell lights the entire theater up with “stars.”

I remember that exact moment the first time I performed that role, there’s an audible gasp in the audience, and all the kids start going wild. I never had to “act” that moment. It was truly magical. Disney knows how to produce magic.

---

Crazy for You runs November 15-December 15 at Theatre Three.

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Theater News

Dallas' Kitchen Dog Theater unveils powerful 2026-2027 season lineup

Alex Bentley
Aug 12, 2026 | 10:01 am
Kitchen Dog Theater in Dallas
Photo by Cameron Cobb
Kitchen Dog Theater in Dallas will put on three mainstage productions for their 2026-2027 season.

Kitchen Dog Theater in Dallas has revealed the lineup for the 2026-2027 season, featuring a slate of plays that boasts power players like kings, prime ministers, space force commanders, and would-be presidents.

According to a release, the theater company's 36th season — their "most powerful yet" — will consist of three mainstage productions at its new permanent home in the Design District, as well as the annual New Works Festival, featuring a readings series and the 26th annual D-PAC PUP (Playwrights Under Progress) Fest.

The season will start with The Absentee by Julia Doolittle, running September 10-October 4, 2026. The play was the winner of the 2019-2020 Woodward/Newman Drama Award.

Far out in the Milky Way, “Beacons” serve as lighthouses for warping spaceships around the galaxy. When a U.S. Space Force ship explodes in the galaxy, the Operator finds herself alone in deep space, with only her ship’s AI for companionship. That is, until a persistent canvasser calls, desperate to convince her to vote absentee in the 2088 election.

As the Operator waits for the clean up to be over, she finds she has to come to terms with her isolation, grief, and her political voice.

The season's second production comes four months later, with Equivocation by Bill Cain, running February 4-28, 2027. In 1605 England, a terrorist plots to assassinate King James I and blow Parliament to kingdom come. Shagspeare (after a contemporary spelling of the Bard's name) is commissioned by the prime minister, to write the “true historie” of the plot. And it must have witches — the king wants witches.

But as Shag and the acting company of the Globe investigate the plot, they discover that the king's version of the story might, in fact, be a coverup. Shag and his actors are confronted with the ultimate moral and artistic dilemma. Speak truth to power and perhaps lose their heads? Or take the money and lie? Is there a third option? Equivocation?

A high-stakes political thriller with contemporary resonances, Equivocation gallops from the great Globe to the Tower of London to the halls of Parliament to the heart of Judith, Shag's younger daughter, who finds herself unexpectedly at the very heart of the political, dramatic and — ultimately — human mystery.

The final mainstage production of the season comes at the 2027 New Works Festival with Black Republican by KDT Artistic Company Member Jamal Gibran Sterling, running June 3-27, 2027.

Originally featured as a Staged Reading in the 2026 New Works Festival, the ambitious first play by Sterling centers on a Black Republican candidate on the national stage who finds his campaign threatened by an activist who challenges everything he claims to stand for. Their battle exposes uncomfortable truths about race, politics, and the stories we tell ourselves.

In addition to Black Republican, the 2027 New Works Festival will showcase four staged readings of some of the newest and most exciting Texas-based playwrights. Each reading will feature accomplished Dallas-Fort Worth actors and directors to highlight the breadth of talent in the area.

The final part of the festival is D-PAC PUP (Playwrights Under Progress) Fest, featuring six staged readings of jury-selected plays written by Dallas-Fort Worth high school students and featuring student actors directed by area professionals. PUP Fest is the culmination of Dallas Playwriting Arts Collective (D-PAC), a partnership with Dallas ISD and Junior Players.

Kitchen Dog Theater offers two season subscription packages for their inaugural season in their new facility. The Kitchen Dog package includes a ticket to all three mainstage productions for any performance date for $90+ $8 fees for adults and $75 +$8 fees for students and seniors (ages 65+). The Saver Dog package includes a ticket to all three mainstage productions for Thursdays, Fridays, and Sundays only. It is $60 + $8 fees for adults and $45 + $8 fees for students and seniors.

Both packages grant full access to the Staged Reading Series and PUP Fest. Subscribers also receive premium reserved seating for in-person performances, as well as subscriber-only discounts on additional single tickets, 2026 special events, and KDT merchandise.

Subscription packages are on sale now, and single tickets for each show will go on sale on Monday, August 24, at kitchendogtheater.org.

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