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    Big voice, big heart

    Dallas theater community remembers passionate and beloved performer Jeff Kinman

    Elaine Liner
    Jan 10, 2013 | 10:30 am
    • Singer, actor and voice coach Jeff Kinman gave his final public performance lastMarch in Uptown Players’ annual fundraising show, Broadway Our Way.
      Photo by Mark Oristano
    • There will be a memorial for Jeff Kinman on January 12, 11 am, at KalitaHumphreys Theater.
      Photo by Mark Oristano

    Singer, actor and voice coach Jeff Kinman gave his final public performance last March, knocking out a powerful solo in Uptown Players’ annual fundraising show, Broadway Our Way, at Kalita Humphreys Theater. He looked frail, but he threw his beautiful tenor into every note of the ballad “Fly, Fly Away,” from the musical Catch Me if You Can.

    He made it through the two-weekend run of the show, but it was the last time Dallas audiences saw Kinman on a stage. He died in the early hours of December 28 at Legacy Founders Cottage, the Oak Cliff hospice where he spent the last two weeks of his life.

    This Saturday, January 12, at 11 am, there will be a public memorial service for Jeff Kinman at Kalita Humphreys Theater. Many of Kinman’s Dallas musical theater co-stars are scheduled to sing, including Denise Lee, Stephanie Riggs, Ashley Puckett Gonzales and Sara Shelby-Martin.

    “He had a dry sense of humor that was matched with a feisty wit, and he topped it all off with impeccable taste,” says actress Ashley Hollon White.

    Kinman designed the service’s set list himself: “Don’t Let the Sun Go Down on Me,” “To Make You Feel My Love,” “Everything Is Possible,” “Songbird” and “Someone Will Sing All the Time.” His partner of nine years, musical director and composer Adam C. Wright, will accompany the singers; actor Brian J. Gonzales will emcee. (In late 2011, Kinman sang at a benefit at Dallas Children’s Theater to raise money for Gideon’s Feet, a local charity started by Brian and Ashley Gonzales to provide care for North Texas artists in need.)

    Kinman’s friends and colleagues say they aren’t surprised that he left specific instructions for a show he couldn’t be in. Perfectionism, in performance, in how words were spoken and sung, was part of his personality.

    “Jeff had a knack for sarcasm and a reputation for a no-nonsense approach to everything around him,” says actress Ashley Hollon White. “He was honest and direct, with a heart of pure gold. He had a dry sense of humor that was matched with a feisty wit, and he topped it all off with impeccable taste.”

    “He loved singing and performing, and he loved all of us who shared that love with him,” says Cathy O’Neal, a union stage manager who worked on many of the shows Kinman did in area theaters over the past decade. “Offstage, he had a smart, wicked sense of humor. Jeff was a stickler for correct word choice and grammar.”

    Actress, singer and voice teacher Wendy Welch sang with Kinman in Broadway Our Way two years ago and visited him during his last days in the hospice. “It was a dream to harmonize with that gorgeous voice,” says Welch, “feeling the nuances and straight tones together, finding ‘one voice.’ Jeff's voice was stunning, a gift.

    “He approached friendship with the same honesty, sensitivity, love and support as he did his work,” says actress Wendy Welch. “He leaves a void that no one will ever fill.”

    “He had the utmost respect for the artists with whom he worked, and he embraced the collaborative process with passion and fury. He loved it. I was also proud to call him my friend. He approached friendship with the same honesty, sensitivity, love and support as he did his work. He leaves a void in our theater community that no one will ever fill, and I will forever be grateful for knowing him.”

    Kinman, a Dallas native and graduate of Bryan Adams High School, was 47 when he died of complications from HIV. He had performed many times in Uptown Players’ shows at Kalita Humphreys and at the company’s former home at the Trinity River Arts Center.

    He sang and acted in musicals at Lyric Stage, Theatre Three, Theatre Arlington, Flower Mound Performing Arts Theatre and others. He was an active member of Actors Equity. He founded his own voice studio in 2011 and coached singers with the same passion he gave to his own performances.

    It was obvious to those who’d seen him in so many roles over the years that he was in poor health in last spring’s Broadway Our Way. But even struggling to get through that show’s strenuous group numbers, which included climbing up and down a large staircase on the stage, he kept smiling, singing and dancing. (This year’s Broadway Our Way runs January 18-27 at Kalita Humphreys Theater.)

    Last spring Kinman sang these lyrics in that song from Catch Me if You Can, by composers Marc Shaiman and Scott Whittman:

    Fly, fly, fly away
    We didn’t get to say goodbye, goodbye
    No need to tell me why, my baby
    Maybe it’s because you’ll fly back home to me one day.

    His performance was transcendent on opening night, and nobody else in the cast received a louder or more heartfelt ovation. It was a perfect moment for Kinman. It felt like a gift from him to his audience, a special pairing of singer and song, of lyrics and authentic emotion. It was as if Kinman was singing for his life. He always sang like that.

    ---

    Kinman’s family requests that any donations be made in his honor to Legacy Founders Cottage.

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    Ballet news

    Texas Ballet Theater executive director leaving for new gig in Northeast

    Stephanie Allmon Merry
    May 19, 2025 | 2:38 pm
    Vanessa Logan, Texas Ballet Theater
    Photo courtesy of Texas Ballet Theater
    Vanessa Logan joined Texas Ballet Theater in 2016.

    Vanessa Logan, who has served as Texas Ballet Theater executive director since 2016, is leaving TBT for a new role in the Northeast, the company says. Her final day with TBT will be June 30, 2025.

    The move will allow Logan to be closer to her family, the organization says. Her new position has not yet been announced.

    "While we will greatly miss Vanessa and her leadership at TBT, we support her decision to do what is best for her and her family and wish her well in her new pursuit," says TBT board of governors chair Anne T. Bass in a May 19 release. "Throughout her tenure at TBT, Vanessa has demonstrated the highest level of professionalism. It has been a delight to have worked closely with Vanessa over the last nine years, and I am most grateful for her unstinting efforts that have advanced TBT in so many respects."

    Logan joined North Texas' largest ballet company before the 2016-17 season; she previously had worked at the American Repertory Ballet in New Jersey and Boston Ballet.

    "Being part of TBT has been an immensely enriching and transformative experience. Partnering with Artistic Director Tim O’Keefe, working alongside such talented artists, and collaborating with a dedicated administrative and school staff has been a true privilege," Logan says in the release. "I am also deeply grateful for the unwavering support of our committed Board Chair and the Board of Governors, whose vision and leadership have been instrumental. Contributing to productions that bring beauty and artistry to our audiences and nurturing ballet education for countless children in Dallas-Fort Worth has been incredibly rewarding."

    During her tenure with TBT, Logan helped the company navigate through the challenges of the COVID-19 pandemic of 2020 followed by a catastrophic winter storm of 2021; she helped smooth the transition of artistic director from Ben Stevenson to Tim O'Keefe in 2023; and she oversaw new school facilities in Richardson and Dallas. TBT has also begun a 65,000-square-foot renovation of its Fort Worth facility to support future growth.

    "Vanessa’s support and partnership during the transition was phenomenal. I cannot imagine another leader better equipped to guide TBT seamlessly through such a transformational change," O’Keefe says. "Her steadfastness instilled confidence and built trust with staff, students and subscribers as she ensured that we held true to TBT’s mission of honoring classical ballet while embracing a new chapter of artistic evolution."

    TBT’s Board of Governors will immediately start searching for Logan’s successor and will quickly name an interim executive director to oversee operations until a permanent leader is in place, they say.

    Texas Ballet Theater, which is a resident company of both Winspear Opera House in Dallas and Bass Performance Hall in Fort Worth, just closed its 2024-25 season with O'Keefe's all-new staging of the beloved ballet Giselle.

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