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Celebrity Skin

Two x Two honoree Richard Phillips captures the multiple meanings of modernicons

Kendall Morgan
Oct 16, 2012 | 8:19 pm
  • Artist Richard Phillips is being honored at the 2012 Two x Two for AIDS and Art.
    Photo courtesy of Richard Phillips Studio and Gagosian Gallery
  • Lindsey V will be auctioned off during Two x Two.
    Photo courtesy of Richard Phillips Studio and Gagosian Gallery
  • Vote Romney by Richard Phillips.
    Photo courtesy of Richard Phillips Studio and Gagosian Gallery
  • Red, Blonde, and Blue by Richard Phillips.
    Photo courtesy of Richard Phillips Studio and Gagosian Gallery
  • Ariana by Richard Phillips.
    Photo courtesy of Richard Phillips Studio and Gagosian Gallery
  • Nuclear by Richard Phillips.
    Photo courtesy of Richard Phillips Studio and Gagosian Gallery
  • Mask by Richard Philips.
    Photo courtesy of Richard Phillips Studio and Gagosian Gallery

You might have seen them on the pages of the New York Times and Interview. Or on the walls of MOMA, Tate Modern or the Modern Art Museum of Fort Worth. You may have even seen one on Gossip Girl.

If you’ve ever viewed a painting by Richard Phillips, you’d know it. Super-sized and hyper-realistic, his distinctive works lodge in the viewers’ minds long after they turn away from the wall. This weekend, the artist himself takes center stage at the annual Two x Two for AIDS and Art, where he will be honored with the amfAR Award of Excellence for Artistic Contributions to the Fight Against AIDS.

Phillips started his career in the early ’90s as a sculptor and line artist. He refined his iconic style of oil painting shortly before his first Dallas exhibit at Deep Ellum’s Turner & Runyon Gallery in 1997.

“The support I got from the people of Dallas has stayed with me throughout my career,” Phillips says.

“It was a really ultra-important moment for me,” Phillips recalls. “John and Kenneth [Runyon and Turner] saw my show at [New York’s] Edward Thorp Gallery in 1996 and took that risk on me. I was completely unknown at the time, but many of those paintings I did for them are truly the most iconic paintings I’ve ever done. It was very prescient, and the support I got from the people of Dallas at the time has stayed with me throughout my career.”

In fact, Dallasites have swayed the artist’s focus, however inadvertently. A fortuitous studio visit by Two x Two co-host Howard Rachofsky led to Phillips’ donation of his Lindsay Lohan portrait Red, Blonde, and Blue — which sold in 2010 for $360,000 — as well as becoming the catalyst for all the work Phillips has created since.

“Dominic Sidhu, who became eventual creative director on my films, was on a shoot with Lindsay and showed her a picture on his cell phone of Red, Blonde, and Blue,” Phillips says. “She was quite surprised, so he suggested that we work together.”

The result was a collaboration between Phillips and legendary surf filmmaker Taylor Steele starring Lohan, which premiered at the 2011 Biennale di Venezia before going viral on YouTube, garnering millions of hits.

When certain stills of the film became placeholders on blogs and websites, it drove the singular images Phillips would choose for his next set of paintings. Moments from shorts he directed of Lohan and the actress Sasha Grey became paintings for his recent critically debated show at New York’s Gagosian Gallery, inverting the artist’s usual process. One of these — Lindsay V — will be auctioned off Saturday night at the Rachofsky House during Two x Two.

Although his recent work may seem a continual exploration of the meaning of celebrity, Phillips says it’s less about the famed and more about how “art aligns itself with different structures of influence.” His recent painting of Mitt Romney for the We The People exhibit at the Robert Rauschenberg Foundation is one of the largest in his career and no doubt his most multilayered.

“The value of how we look at it changes on a day-to-day basis,” he says. “When we first hung it, [Romney] was down in the polls, and the next day he won the debate. It’s not an ironic or satirical political painting used to denigrate a candidate; it’s a straightforward presentation of the political image, how it engenders trust and desire and competency. All of these things can only be brought forward if you leave aside the binary gesture of ‘this is bad’ or ‘this is good’ and see things as they are.”

unspecified
news/arts

Drama kings

Dallas theater lures new leaders away from Hollywood and Broadway

Alex Bentley
Nov 2, 2026 | 1:51 pm
Malcolm Goodwin
Photo courtesy of Lyric Stage
Malcolm Goodwin is an actor, director, and producer familiar for roles in Reacher, iZombie, and The Fall of the House of Usher.

Dallas theater company Lyric Stage has looked to Hollywood and Broadway for new leadership, hiring film and television actor and director Malcolm Goodwin and Broadway veteran Victor Hawks as the theater company's new co-artistic directors.

The appointments mark a new chapter for the company, which was founded in 1993 by Steven Jones, executive director Catherine Carpenter Cox says in a November 2 announcement.

Goodwin and Hawks are the co-founders of Team Vision Entertainment, a production company developing and producing film, television, and theater projects.

Their longstanding creative partnership will now extend to Lyric Stage, where they will work alongside Cox to develop programming, support new works, and strengthen the organization's connections to the broader entertainment industry, a press release says.

Goodwin is an actor, director, and producer best known for roles in Amazon Prime Video's Reacher and The CW's iZombie. Other credits include The Fall of the House of Usher, American Gangster, and Spike Lee's Miracle at St. Anna.

His new role at Lyric Stage brings him back to the art form that first inspired his career.

"Theater is where I first learned how to tell stories and where I discovered that I loved every part of the creative process, not just performing," Goodwin says in the release. "I was building theaters, working with lighting and sound, and learning how everything comes together to create something special for an audience. Being able to return to that world and help create opportunities for other artists is incredibly meaningful to me."

Hawks brings an extensive Broadway background to his new position, having appeared in the original Broadway company of Urinetown the Musical, the 2006 Broadway revival of Les Misérables, South Pacific at Lincoln Center, and The Producers national tour.

Victor Hawks, Lyric Stage Victor Hawks.Photo courtesy of Lyric Stage

"Musical theater changed the direction of my life," Hawks says in a statement. "I know firsthand what happens when someone gives a young performer an opportunity to learn, grow and be part of something bigger than themselves. That's what makes this next chapter so exciting. Lyric Stage already has an incredible history, and we want to build on that by creating great theater and opening doors for artists who are just beginning their journeys."

Over the past three decades, Lyric Stage has earned a reputation for its professional productions, world premieres, and restoration of classic Broadway works, with a big focus on musicals.

For Cox, the appointments are about bringing together artists who understand the importance of theater while offering the experience and relationships to help the organization grow.

"Steven Jones built something truly special with Lyric Stage, and we have a responsibility to honor what he created while continuing to move the organization forward," Cox says. "Malcolm and Victor have built remarkable careers in entertainment, but what I love most is that theatre is where both of their journeys began. They understand what the stage can mean to an artist, and they share my passion for creating opportunities for the next generation."

Cox also recently moved into a new role as director, making her directorial debut with Lyric Stage's production of the musical Godspell, which finished its run on October 25.

Upcoming Lyric Stage productions include A Very Lyric Christmas, A Chorus Line, Newsies, and Once.

Future planned endeavors for the company include Lyric Stage Academy, an educational program designed to introduce young people to the performing arts, as well as Children's Theatre, Summer Stock, professional training opportunities, a New Works Lab, and master classes.

lyric stage performing-arts theater
news/arts
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