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    The Heat Is On In Saigon

    Texas' Lou Diamond Phillips to headline Miss Saigon at DFW theater this summer

    Lindsey Wilson
    Apr 11, 2023 | 4:07 pm
    Lou Diamond Phillips

    Fort Worth audiences last saw Lou Diamond Phillips onstage in 2007.

    Photo courtesy of Casa Manana

    Fifteen years after he graced the Casa Mañana stage in A Few Good Men, Lou Diamond Phillips is returning in June to headline their production of Miss Saigon.

    The 1989 Tony Award-winning musical, written by Claude-Michel Schönberg, Alain Boublil, and Richard Maltby Jr., is a 1970s spin on Puccini's 1904 opera Madame Butterfly, telling the doomed tale of an Asian woman abandoned by her American military lover.

    Phillips will star as The Engineer, the French-Vietnamese owner of the Dreamland nightclub in Saigon during the Vietnam War. No further casting has been announced.

    Casa Mañana’s production of Miss Saigon is directed and choreographed by Greg Zane and music directed by Edward G. Robinson Jr.

    Phillips rose to fame appearing in such movies as La Bamba, Young Guns, Courage Under Fire, and Stand and Deliver. He received a Tony Award nomination for his starring role in the 1996 Broadway revival of The King and I.

    His TV credits include the Fox series Prodigal Son and Netflix series Longmire, along with Amazon’s Goliath, FX’s You’re the Worst, CBS’ Blue Bloods, and recurring roles on Fox’s Brooklyn Nine-Nine and Netflix’s The Ranch.

    He received an Emmy nomination for “Outstanding Actor in a Short Form Drama or Comedy” for his roles in both Amazon’s Conversations in LA and History Channel’s Crossroads of History.

    Recent film credits include the upcoming Amblin feature Easter Sunday, Warner Brothers’ The 33, Created Equal directed by Bill Duke, and Sundance Festival favorite Filly Brown, for which he was named Best Actor at the Imagen Awards.

    Phillips is also a director, having recently helmed episodes of Fox’s The Cleaning Lady and Prodigal Son, AMC’s hit series Fear the Walking Dead, Longmire, and ABC’s Marvel’s Agents of S.H.I.E.L.D.

    And here's a fun fact: Phillips also writes. His novel The Tinderbox: Soldier of Indira, with illustrations by his wife Yvonne, was published in October 2020. He has co-written the screenplays for Trespasses and HBO’s Dangerous Touch.

    He wrote the Miramax feature Ambition. He produced his play Burning Desire, a romantic comedy in two acts, which received its world premiere at The Seven Angels Theatre in Waterbury, Connecticut.

    Originally born in the Philippines, Phillips was raised in Texas and is a graduate of University of Texas at Arlington with a BFA in drama.

    Miss Saigon runs June 3-11 and tickets are on sale now. Prices start at $59 and may be purchased by visiting www.casamanana.org or at the Casa Mañana Theatre box office at 3101 West Lancaster Ave. in Fort Worth.

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    Elon News

    Dallas bookstore and publisher gets federal arts funding axed

    Luciana Gomez
    May 7, 2025 | 12:17 pm
    Deep Vellum stack of books
    Deep Vellum
    Stack of books at Deep Vellum

    A Dallas arts organization got its budget chopped by the federal government: Deep Vellum, the bookstore and publisher at 3000 Commerce St., lost a National Endowment for the Arts (NEA) grant due to federal government budget cuts.

    According to owner Will Evans, the award, which is granted annually, has been terminated as of May 31. The bookstore had received $20,000 for the past six years.

    Deep Ellum started as a publisher in 2013 and opened their bookstore in Deep Ellum in 2015. Since then, they have become a center for literature lovers. Evans is a translator whose mission has been to translate the world’s best novels into English for American audiences.

    Evans was notified on May 2 via an email that was reportedly sent to grant recipients nationwide. The note read:

    "The NEA is updating its grantmaking policy priorities to focus funding on projects that reflect the nation's rich artistic heritage and creativity as prioritized by the President. Consequently, we are terminating awards that fall outside these new priorities."

    The new priorities included projects that elevate the Nation's HBCUs and Hispanic Serving Institutions, celebrate the 250th anniversary of American independence, foster AI competency, empower houses of worship to serve communities, assist with disaster recovery, foster skilled trade jobs, make America healthy again, support military and veterans, support Tribal communities, make the District of Columbia safe and beautiful, and support the economic development of Asian American communities.

    The Grants and Public Affairs departments at NEA did not respond to a request for comment. On Monday May 5, the Literary Staff was laid off, and the agency is facing possible elimination entirely, as part of the 2026 Discretionary Budget Request presented to Congress on May 2.

    This year's grant to Deep Vellum was earmarked to fund the translation, publishing, and marketing costs of four books:

    • Carapace Dancer by Natalia Toledo, translated from Zapotec, published trilingually with Spanish and English translations alongside the original, translated by Clare Sullivan
    • Juvenilia by Hera Lindsay Bird of New Zealand, making her US debut, illustrated by Dallas artist Gino Dal Cin
    • Schattenfroh by Michael Lentz, translated from the German by Max Lawton, a 1001-page masterpiece and English-language debut
    • The Ruins by Ye Hui, translated from Chinese by Dong Li, the English-language debut from one of China's most distinguished and independent poets

    The National Endowment for the Arts is an independent federal agency established by Congress in 1965 as a funder of the arts and arts education in communities nationwide anxd a catalyst of public and private support for the arts with the goal of advancing opportunities for arts participation and practice, according to their website.

    In their last stats document updated in November 2024, their FY’24 budget was outlined as $207M (representing 0.03 percent of the total federal budget), with 80 percent of their budget supporting grants and awards to organizations and individuals across the country. They typically offer over 2,000 grants each year.

    "It’s been a strange few days for us, and for countless other nonprofit publishers, magazines, and arts organizations," Evans said.

    Despite the cut, Deep Vellum plans to continue to promote literacy through unique books translated to the English language.

    “This is not going to imperil our future but it’s something we need to consider as we move forward. These books are extraordinary, and they add so much for readers and culture. We just need to find additional revenue to fund them," Evans said.

    Evans was first to reveal the funding cut but a number of organizations across Dallas and Texas have seen similar cuts including Ballet North Texas, Flamenco Fever, Dallas Theater Center, and Bishop Arts Theatre Center, as well as a number of groups in Austin.

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