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    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.

    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Photo by Aleah Pilot

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

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    Theater News

    Addison's WaterTower Theatre to stage U.S. premiere on 2026-27 season

    Alex Bentley
    Feb 27, 2026 | 3:30 pm
    Miriam Teak Lee
    Photo courtesy of Miriam Teak Lee
    Actress Miriam Teak Lee will open the 26-27 WaterTower Theatre season with a special concert of Broadway songs.

    WaterTower Theatre in Addison has mapped out a relatively small slate for its 31st season, but it's one that features works by some big names and a national premiere.

    None of the events/productions taking place in WaterTower's 2026-2027 season have official dates yet, but the company has revealed the full details about each of them.

    Starting things off will be Broadway by North Texas, featuring Olivier Award-winning actress Miriam Teak Lee, which is scheduled for sometime in Fall 2026.

    The special concert event by Lee, who starred in & Juliet on the West End in London, will feature the English actress performing Broadway favorites and contemporary musical theater highlights.

    The first play of the season will be Neil Simon's Biloxi Blues, taking place at some point in Winter 2027. It's a semi-autobiographical play, the second chapter in what is known as Simon's Eugene trilogy following Brighton Beach Memoirs.

    It follows the next chapter of Eugene Morris Jerome’s journey as he leaves Brooklyn behind for basic training in Biloxi, Mississippi, during World War II. The play captures the bonds formed among a group of young soldiers as they navigate the pressures of military life, first loves, and the uncertainty of the future.

    WaterTower Theatre will next host the U.S. premiere of Jeeves Takes Charge, based on a short story by P.G. Wodehouse. It will run in Spring 2027.

    In the play, the brilliant and unflappable valet Jeeves returns to rescue his well-meaning but hapless employer, Bertie Wooster, from a tangle of romantic entanglements and social disasters. The fast-paced comedy sparkles with clever wordplay, charming characters, and delightfully absurd situations.

    The season will wrap up in Summer 2027 with Honky Tonk Angels, which features songs by Dolly Parton, Loretta Lynn, and Tammy Wynette.

    The spirited, feel-good musical celebration follows three women who set out for Nashville in search of their dreams. Packed with humor, heart, and hits, the revue is a joyful tribute to friendship, perseverance, and the enduring power of country music.

    Season tickets will go on sale on March 15, starting at $169 per person until June 1, when prices will increase to $189 per person.

    New or renewed season tickets are available for purchase by visiting watertowertheatre.org, calling 972-450-6232, or by email at boxoffice@watertowertheatre.org.

    Single tickets will go on sale for non-subscribers in late summer 2026.

    WaterTower Theatre still has three productions remaining in its 2025-2026 season, including Good Night, Oscar (March 24-April 12), School of Rock (May 19-31), and Wonderland (September 15-27).

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