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    Season Announcement

    Secrets, lies, and chaos abound in MainStage Irving-Las Colinas' 2023-24 season

    Lindsey Wilson
    Apr 6, 2023 | 9:39 am
    The 39 Steps

    Four actors play 150 different characters in The 39 Steps.

    Photo by Peter McKintosh

    To kick off its 51st season, MainStage Irving-Las Colinas is debuting a first: its first produced show at its downtown Irving venue, MainStage 222.

    Three plays and two musicals performed at Irving Arts Center will follow, each embodying the season's scandalous title "Secrets, Lies, and Chaos."

    "We’re thrilled to bring you six stellar productions, ranging from smash-hit musical comedies to sentimental fantasies to classic dramas," says MainStage board of directors president Steven Merritt.

    First up is Kim Rosenstock's Tigers Be Still, a quirky, endearing comedy about hope and human connection.

    Sherry Wickman is a recent college grad with a masters degree in art therapy whose job search hasn’t quite gone as planned. Unemployed and overwhelmed, she retreats to her childhood bed and remains there … until an unexpected employment opportunity gives her a renewed sense of purpose and hope. Now if only her mother would come downstairs, her sister would stop watching Top Gun from the couch, her first patient would do even one assignment, her new boss would leave his rifle at home, and someone would catch the actual tiger that escaped from the local zoo, everything would be just perfect. It runs August 11-29, 2023, at MainStage 222.

    Next up is the smash-hit musical comedy Dirty Rotten Scoundrels, about two con men, one heiress, and the opportunity of a lifetime.

    Lawrence Jameson makes his lavish living by talking rich ladies out of their money. Freddy Benson more humbly swindles women by fabricating stories about his grandmother's failing health. But the French Riviera isn’t big enough for both of them, so they agree on a winner-take-all wager: The first person to successfully steal $50,000 from the young heiress Christine Colgate will get to stay in town, while the loser has to leave. Based on the 1988 film of the same name, it boasts music and lyrics by David Yazbeck and book by Jeffrey Lane. It runs November 3-18, 2023, at Irving Arts Center.

    Bringing us into 2024 is the fast-paced whodunit The 39 Steps. This farcical tale of an ordinary man on an extraordinarily entertaining adventure combines a Hitchcock masterpiece with a juicy spy novel (plus a dash of Monty Python).

    London, 1935. The rather dull Richard Hannay encounters a woman who claims to be a spy. When she’s suddenly murdered, Richard finds himself the focus of a nationwide manhunt led by a mysterious organization called “The 39 Steps.” Expect nonstop laughs, over 150 zany characters (played by a ridiculously talented cast of four), an onstage plane crash, handcuffs, missing fingers, and some good old-fashioned romance. It runs January 19-February 3, 2024, at Irving Arts Center.

    One part period drama, one part fairy-tale, J.M. Barrie’s Dear Brutus is a poignant exploration of choice, consequence, and circumstance.

    An eclectic group of guests are invited to an enchanting country house for Midsummers Eve. Their mysterious host, Lob, spins a tale of a mystical forest outside the home where they can find dreams and desires answered. Each with their own problems and each curious as to what their “second chance” at life may look like, the guests wander into the woods and seize the opportunity to explore a parallel version of themselves. The Irving Arts Center stage will transform into a wooded wonderland March 8-23, 2024.

    Audiences will then be transported to a ritzy hotel in 1928 Berlin with Grand Hotel, The Musical.

    Based on Vicki Baum's novel of the same name, this hauntingly beautiful musical follows a cast of eccentric characters as they whirl through the Grand Hotel’s revolving doors, leading to fateful encounters and shadowy secrets. Meet the beautiful prima ballerina, the charming but broke young baron, the determined Hollywood hopeful, the deathly ill bookkeeper, the honest, hardworking father-to-be, and the cynical doctor, whose stories all intertwine through a series of fateful encounters. It runs May 3-18, 2024, at Irving Arts Center).

    The season concludes with Lillian Hellman’s compelling drama The Children’s Hour.

    An unruly student at a rural Massachusetts boarding school falsely accuses her two female teachers of engaging in a romantic relationship. Suddenly the two women must navigate the truth among the lies as they fight to save their reputations, their families, and the school itself. But as the schoolgirl’s rumor escalates to scandal and the outraged community quickly withdraws all their students, a witch hunt ensues that ultimately leads to terrible and tragic consequences. It runs September 20-October 5, 2024, at Irving Arts Center.

    Season tickets and flex passes range from $95-$120 and will be available for purchase beginning July 10 at the Irving Arts Center box office, by visiting www.IrvingArtsCenter.com, or calling 972-252-2787.

    Single tickets for Tigers Be Still will go on sale July 15. Tickets for all remaining productions in the 2023-24 season will go on sale September 15.

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    RIP Albert

    Colorful and iconoclastic Dallas artist Albert Scherbarth dies at 70

    Teresa Gubbins
    Feb 19, 2026 | 11:44 am
    Albert Scherbarth
    Courtesy
    Dallas artist Albert Scherbarth

    Dallas artist Albert Scherbarth, known for his jubilant creativity which he displayed in a wide range of media, died on February 18; he was 70 years old. According to friends, he suffered a heart attack.

    Scherbarth's myriad "canvases" ranged from printmaking to furniture to steel and metal working. He was a colorful presence in the Dallas art scene with a shock of thick hair that stood tall, definitive horn-rimmed glasses, and an unfiltered, no-nonsense personal style.

    He was also a key figure in The Cedars district: an urban pioneer who settled in the area directly south of downtown Dallas in the early '80s when the neighborhood was a mostly-deserted collection of abandoned warehouses, before it became a major art nexus.

    A post by Lee Harvey's, the Cedars District bar, said that "Some people don’t just live in a neighborhood — they leave their mark on it. Albert did exactly that. Through his art, his presence, and his time at our bar, he became part of the story here. We’ll miss him more than we can say. Rest easy Bert."

    He was a real character, as well — a stocky physical presence (he played football in high school) who'd fix his stare upon you as if you were a critter to be studied.

    One friend said, "I always feel that Albert is going to spring some meta shit on me every time i see him and he rarely disappoints. What a cool cat."

    A native of Nebraska, Scherbarth moved to Dallas in 1979 to earn a master's in fine arts at the University of Dallas, Irving. After graduating in 1981, he began teaching in the community college district, including Brookhaven College, Northlake College, University of Texas at Dallas, and the Creative Art Center, as well as at Dallas' Arts Magnet.

    Albert Scherbarth Sculpture by Albert Scherbarth which appeared at the State Fair of Texas in 2018.Laura Walters/Facebook

    After graduating from art school, he felt the need to do "real" work like his father, and took jobs in construction and woodwork, which helped shape the very physical nature of his art.

    He was one of the early and many artists who resided in the Continental Gin Building, where he worked on his designs and commissions, fabricated other artists’ ideas, and helped galleries with installations, crating, and shipping.

    Through the years he made furniture, got into fused and cast glass, poured concrete countertops, and painted, including a successful era of doing giant flower paintings. In his latter years, he acquired a welding machine and worked with builders, designers, and architects constructing screens, fences, furniture, and sculptures.

    His works around town include a giant wine tree for Fleming Steakhouse in Frisco, and a sculpture named, "Cecil, age 12" up on Henderson Avenue at Capital Street which was was a finalists for the Henderson Art Prize. He also worked on the famed Bowler Hat sculpture in the Cedars.

    In an interview with Voyage Dallas, he said, "I’m constantly looking for more meaning and more permanence in the work that I’m doing," and acknowledged that "I’ve been very, very fortunate to get a lot of really great commissions over the years. I’ve sold a lot of work and fallen into great studio situations – large spaces, cheap rent and wonderful landlords. Today, I think my ignorance of all the pitfalls ahead allowed me to storm through life and I have a certain stubbornness, a dogged determination to succeed."

    "My grandfathers died before I came of age, my father died, my favorite uncle died so there was not much in the way of male guidance or perspective on how to be a man, so I’ve just kind of made it up on my own, stumbling through, winging it and I’m still alive, amazingly enough."

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