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    Ch-Ch-Changes

    New budget looks to bump WaterTower Theatre from longtime Addison home

    Lindsey Wilson
    Sep 6, 2024 | 12:41 pm
    Addison Theatre Center

    The Addison Conference and Theatre Center, perhaps soon to be renamed the Addison Theatre Center.

    Photo courtesy of Town of Addison

    A week after WaterTower Theatre abruptly laid off its associate producer, Elizabeth Kensek, the theater company has provided some insight into the financial and structural conditions that prompted the decision.

    In an email titled "Can we talk for a moment?" — notably signed by WTT's director of audience and benefactor development, Brian Gonzales, and not by producing artistic director Shane Peterman — the mass communication sent on September 6 lays out the proposed future for the company and hints at changes for its current home, the Addison Conference and Theatre Centre.

    "On May 28th, the Town of Addison received [a] proposed plan from a firm in New England to increase programming at the theatre center. The changes in this plan carry a structural shift that severely cuts funding to WTT (40% less than previous seasons) along with directing WTT to completely vacate the offices, box office, props, costume, scene shop, and other areas of the building starting October 1st of this year."

    Gonzales reiterates that this means WTT is "having to move to new offices, change our business model, and greatly reduce our ranks…quickly!"

    The firm Gonzales refers to is Odyssey Associates, which advises on fundraising and strategy for arts and culture organizations and initiatives. Beginning in January 2024, the consulting firm gathered information to produce the Addison Theatre Study, which was presented at a city council meeting on May 28, 2024.

    If you're curious, we've linked the entire study here.

    Among the proposals are redistributing the building's programming, with WTT providing one-third and equally splitting the remaining two-thirds between "town-curated performances" and additional resident companies and renters.

    Another section worth noting shows how space is currently allocated in the facility, with the recommendation to make the spaces Gonzales listed in his email available to all users and renters, and install Town of Addison employees in the reception area and theater offices.

    Addison Theatre StudyGraphic courtesy of Odyssey Associates

    The study also show us WTT's total funding from the town for fiscal years 2019-2023.

    Addison Theatre Study Graphic courtesy of Odyssey Associates

    The three main goals recommended in the study are to reallocate resources, develop a clear brand identity for the building (aka moving away from WaterTower Theatre branding), and increase "lit nights" from 72 to 150.

    Now back to that email from WTT, which reveals itself to ultimately be a plea for North Texas Giving Day, the annual period in September where DFW residents are encouraged to donate to area nonprofits.

    These donations are often matched by corporations and private donors, and WTT reveals that it does have an unnamed someone who's willing to match funds through September 19, to "help us reach our goal of $25,000."

    Gonzales reiterates that WaterTower Theatre will continue to perform at the Addison Conference and Theatre Centre, closing with, "WaterTower Theatre will remain constant...we just need to email you from a different room now."

    The next Town of Addison city council meeting is scheduled for September 10 and will be livestreamed here.

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    Theater News

    Dallas Children’s Theater stages 5-show lineup for 2026-27 season

    Alex Bentley
    Mar 10, 2026 | 10:58 am
    Dallas Children's Theater at Rosewood Center for Family Arts
    Photo courtesy of Dallas Children's Theater
    Dallas Children's Theater

    Dallas Children's Theater will ramp their schedule back up to five productions for the 2026-2027 season, with each of them being first-time shows for the company.

    It's a hopeful return to form for the only professional live theater in North Texas dedicated exclusively to young audiences and their families.

    After initially announcing five productions for 2025-2026, they trimmed that season down to three due to budget cuts.

    The company's 43rd season since debuting in 1984 will kick off with the the Texas premiere of Naked Mole Rat Gets Dressed: The Rock Experience, an musical version of Mo Willems’ book.

    Running in September and October 2026, the production features Wilbur and all his fellow naked mole rats in the Tunnel, who have always been, well ... naked. Wondering what other possibilities are out there, Wilbur discovers a love for clothing and style.

    A special lesson and rock show all in one, Naked Mole Rat Gets Dressed has energetic songs, quirky characters, and a story unlike any other. It is recommended for ages 4 and up.

    That will be followed by the holiday show Rudolph the Red-Nosed Reindeer, running in November and December. The holiday classic soars off the screen in this musical adaptation of the beloved television special.

    When a storm threatens to keep Santa's sleigh from taking flight, what makes Rudolph different turns out to be what helps him save Christmas.

    Recommended for ages 4 and up, the musical is filled with holiday hits and favorite characters like Santa and Mrs. Claus, Hermey the Elf, and, of course, Rudolph.

    Kicking off the 2027 portion of the season will be Corduroy, a visually imaginative, highly physical stage adaptation of Don Freeman’s beloved children’s book.

    Running in January and February and making its professional Texas premiere, it features a story in which Corduroy’s button has gone missing, and he can’t go home with kindhearted Lisa without it.

    The beloved teddy bear takes a rollicking ride up the escalator and begins a delightfully destructive romp through every section of the department store to find it. The production is recommended for ages 3 and up.

    Dallas Children's Theater will leave Earth for their fourth production, Marooned! A Space Comedy, running in March 2027.

    An astronaut traveling 87,000 light years into space crash-lands on an uncharted planet where she must resort to emergency measures to seek rescue.

    From the award-winning team Alex and Olmsted, the show features elegant puppetry design and joyful, meaningful storytelling, incorporating live performance, shadow puppetry, and marionettes. It is recommended for ages 5 and up.

    The final show of the season will be The Secret Garden: Spring Version, in which the classic of children's literature is reimagined in musical style by composer Lucy Simon and Marsha Norman, the Pulitzer Prize-winning playwright of 'Night Mother.

    Orphaned 11-year-old Mary Lennox returns to Yorkshire to live with her uncle Archibald and his son Colin. The estate's many wonders include a magic garden which beckons the children with haunting melodies and the spirits from Mary's past who guide her through her new life, dramatizing The Secret Garden's compelling tale of forgiveness and renewal.

    The production is recommended for ages 7 and up.

    “This is a meaningful moment for Dallas Children’s Theater,” said DCT Executive Director Michael Meadows in a statement. “We’re strengthening our financial foundation, supporting the artists who make this work possible, and ensuring that every child who walks through our doors experiences the transformative power of live theatre."

    Tickets for the 2026-2027 season go on sale Friday, May 1 at dct.org or by phone at 214.740.0051.

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