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    Season Announcement

    New 2024 season for Dallas' Second Thought Theatre comes packed with premieres

    Lindsey Wilson
    Jan 4, 2024 | 4:08 pm
    Second Thought Theatre staff

    Jose Torres (technical director), Carson McCain (artistic director), Parker Gray (executive director), Sasha Maya Ada (marketing director).

    Photo by Evan Michael Woods

    The year 2024 is Second Thought Theatre's 20th anniversary, and it's celebrating with a brand-new playwriting initiative and three plays making their regional/national premieres. All productions will be at Bryant Hall, 3400 Blackburn St. in Dallas.

    First up is Heroes of the Fourth Turning by Texas native Will Arbery, directed by Jay Duffer and assistant directed by Alejandro Saucedo.

    Heroes is “intentionally selected for a Dallas audience in an election year” says executive director Parker Gray. “When four alumnus of a conservative college reunite under the stars, they find themselves confronting theology, politics, and personal responsibility,” adds artistic director Carson McCain.

    Heroes of the Fourth Turning took 2020 by storm, being a finalist for the 2020 Pulitzer Prize in Drama and winner of the 2020 Lucille Lortel Award for Outstanding Play, the New Your Drama Critics Circle Award for Best Play, and Whiting Award for Drama.

    Regarding the question “why this play now?” McCain offers this:

    “Growing up in rural Texas, I found myself particularly enthralled by these characters. This play is uniquely able to invoke horror and foster empathy. Rarely have I encountered characters I disagree with so wholeheartedly, and yet they want what we all do: To be heard. To make a difference. I chose this play for STT not only because of Will Arbery, but because it made me uncomfortable. And this particular discomfort, I think, can be incredibly useful.”

    Heroes of the Fourth Turning runs March 27-April 13, 2024.

    Following Heroes is the regional premiere of Jen Silverman’s Wink directed by Jenna Burnett and starring Garret Storms as Wink the Cat.

    “Few things in this world make sense to me,” says Gray. “But four things that make absolute, perfect sense to me? The combination of a Jen Silverman play, directed by Jenna Burnett, starring Garret Storms as a cat, and all on a Second Thought stage. That’s a perfect, wacky, holy, theatrical quadrinity if you ask me."

    Wink follows unhappy housewife Sofie and her breadwinning husband, Gregor, who both seek weekly counseling from an unorthodox therapist, Doctor Frans. Their current topic of disagreement: the cat, Wink. When Wink goes missing, violent desires, domestic anarchy, and feline vengeance emerge, threatening the neatly ordered reality Sophie, Gregor, and Doctor Frans have constructed.

    How did a play about a vengeful cat end up in the STT lineup? McCain has some answers:

    “Garret Storms brought this play to me a couple of years ago. Second Thought audiences will know Garret from Martyr and Lela & Co., but also should know him as the person whose taste I trust most in the DFW area. When he told me this was a Second Thought play, I knew it would be worthwhile. This play explores our base desires, our violent urges, our need for connection, the parts of us we do and don’t like. If you’ve ever wanted to be a fly on the wall in someone else’s therapy session, this is the play for you.”

    Wink runs June 26-July 13, 2024.

    Completing the season is the national premiere of British playwright debbie tucker green’s hang directed by Sasha Maya Ada. The play is quite simple: His life. In her hands. green’s hang is a shattering play about one woman’s unspeakable decision. “Is punishment justice? Or is it revenge?” asks McCain. “hang asks us to take a cold, hard look at injustice and forgiveness. It asks us to consider a legacy of pain, and how systems are complicit. But it also asks us to consider individuals as complicated and nuanced.”

    Gray adds:

    “This play is a punch. A punch to the head, a punch to the heart, a punch to the gut. When Carson and I read this play, we knew immediately it was a Second Thought play, and that Sasha Maya Ada needed to direct it. Admirers of Second Thought's 2022 hit production of Antoinette Nwandu’s Pass Over can expect Sasha and Second Thought to deliver a similar, but altogether singular, experience with this American premiere that will be sure to leave you talking in the parking lot afterwards."

    hang runs October 16-November 2, 2024.

    And get ready for the inauguration of Thought Process: A Playwriting Cohort.

    This year-long, monthly meeting of local writers provides a safe, low-stakes space for playwrights to interact with their peers; share pages from old, new, or commissioned work; and most importantly, write! This cohort seeks to give each playwright the experience they want for their work in order to serve their play, without the pressures of an institution making the work “producible."

    Says Gray:

    “Opportunities for theater artists in DFW are growing, and when Carson and I looked around the community for ways to continue serving and cultivating the incredible talent we have in the Metroplex, one group stood out to us: playwrights. There are so many incredible writers we know here in DFW, and many, I’m sure, we have not been introduced to yet. However, opportunities for local writers to develop and experiment with their work are few and far between. Enter Thought Process. In DFW, reading festivals exist, full productions exist, but a space for the hard work before a reading? Or the middle ground where a script is between drafts? That’s what we want to offer: A safe, supportive, and enticing space for local writers to “write around and find out."

    Submissions for Thought Process are live and can be found here. The deadline to submit to this inaugural, one-of-a-kind program is January 5, 2024, at 8 pm.


    Running:
    Previews: March 27th and 28th
    Opening Night: March 29th
    Pay What You Can Mondays: April 1st and April 8th

    Wink by Jen Silverman
    A Regional Premiere
    Directed by Jenna Burnett
    Starring Garret Storms as Wink the Cat Running: June 26th - July 13th 2024 Previews: June 26th and 27th

    Opening Night: June 28th
    Pay What You Can Mondays: July 1st and July 8th

    hang by debbie tucker green
    An American Premiere
    Directed by Sasha Maya Ada
    Running: October 16th - November 2nd 2024 Previews: October 16th and 17th

    Opening Night: October 18th
    Pay What You Can Mondays: October 21st and October 28th

    theater
    news/arts

    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

    dallas black dance theatredance
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