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    Prime Time For Pumpkins

    See Kusama’s pumpkins before they disappear from the Dallas Museum of Art

    CultureMap Create
    Sep 9, 2025 | 12:00 pm
    DMA Pumpkins Yayoi Kusama

    The installation closes January 18, 2026.

    Photo courtesy of DMA

    If you haven’t yet experienced Yayoi Kusama’s dazzling pumpkin room at the Dallas Museum of Art, your window of opportunity is closing fast.

    The return engagement of the immersive installation All the Eternal Love I Have for the Pumpkins has enchanted visitors since it opened in May 2025 (it was last here in 2018).

    But this celebrated Infinity Mirror Room — one of Kusama’s most famous works — will vanish when the exhibition ends on January 18, 2026. With just weeks left, demand for tickets is higher than ever.

    Inside the small mirrored chamber, glowing yellow, dotted pumpkins stretch endlessly in every direction, creating an almost dreamlike sense of infinity. To preserve the intimacy Kusama envisioned, only two people are admitted at a time and each viewing lasts a fleeting 90 seconds. The result: a once-in-a-lifetime experience that's as personal as it is unforgettable.

    Because of its popularity, tickets disappear almost as quickly as they’re released. The DMA opens sales on the third Monday of each month, releasing tickets for the following month. Mark your calendar — if you want to secure your spot before the pumpkins fade away, advance reservations are essential.

    Cameras are welcome so long as you leave the flash, tripod, and selfie stick at home. A simple phone camera is all you’ll need to capture the kaleidoscopic magic and score one of the most coveted photos in Dallas right now.

    Don’t miss your chance to step into Kusama’s world before the doors close. All the Eternal Love I Have for the Pumpkins is still on view at the Dallas Museum of Art — but only for a little while longer.

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    Season Announcement

    Echo Theatre introduces Dallas audiences to a season of strangers in 2026

    Lindsey Wilson
    Jan 16, 2026 | 11:51 am
    The Roommate on Broadway
    Photo by Julieta Cervantes
    'The Roommate' was recently on Broadway.

    It's a "Season of Strangers" for Echo Theatre this year, as the Southwest's premier company for promoting dramatic works by women+ focuses on how someone different than you can change your life.

    The 28th season begins with the new musical Silhouettes by Jordan Ealey and Ari Afsar. This score-in-hand workshop was developed in the aftermath of the fall of Roe v. Wade, and examines a pivotal moment in American history through the intersecting lives of two women navigating the decision to have an abortion. Echo's managing and artistic director Kateri Cale directs, with Vonda K. Bowling as musical director.

    In a joint statement, Ealey and Afsar say that Silhouettes was born from their need to process the emotional and political aftermath of Roe’s fall. “We continue to see that history is cyclical and equity is fleeting,” they say. “But when policy fails, art has the opportunity to step in. Silhouettes is a musical about choice, sisterhood, and intergenerational courage.”

    They add that presenting the work in Dallas reflects their commitment to community-building in states like Texas, where bans and restrictions have made women and gender minorities particularly vulnerable. “We want this musical to be a safe and brave haven amid attempts to create a culture of fear and a reminder that people are not alone.”

    It runs January 16-17, 2026, and admission is free, though a $20 donation is suggested.

    The world premiere of You Must Wear A Hat by C. Meaker is next, and plugged-in Dallas theater fans might recognize the play from its reading at Kitchen Dog Theater in 2019.

    Tuesday and Weeks make hats on the Great Barrier Reef, waiting for the world to end. It's described as "A play for two. And a rabbit."

    C. “Meaks” Meaker (they/them) is a playwright, essayist, and teacher whose work often explores queerness, monstrosity, and the end of the world. Their plays have been performed and developed across the United States, including the Kennedy Center, Seattle Repertory Theatre, San Francisco Playhouse, Annex Theatre (Seattle), Hub Theater (D.C.), Fat Theater Project (Chicago), and About Face (Chicago). They’re a two-year finalist for the Dramatist Guild National Fellows program and a recent finalist for the Jerome Hill Theater Arts Fellow.

    You Must Wear a Hat runs February 27-March 14, 2026.

    The season closes with The Roommate by Jen Silverman. The play was on Broadway in 2024 starring marquee names Mia Farrow and Patti LuPone.

    In it, a divorced Midwesterner takes a roommate from The Bronx. A relationship evolves and secrets unfold into a darkly comedic exploration of life choices. It runs June 19-July 4, 2026.

    All shows this season will be performed at the Bath House Cultural Center, 521 E. Lawther Dr., in White Rock Lake Park.

    Tickets range from Pay-What-You-Can to $40, with discounts available for students and seniors.

    Additional events this season include Cake by the Lake on April 21, Echo's free birthday party fundraiser that also launches its reading series, Echo Reads.

    Echo Reads runs April through September, presenting six plays in six month. All plays will be performed on Tuesdays at 7:30 pm, and then read the next day at different venues around the city.

    Echo Offstage Podcasts is going monthly. The free podcast series interviews women+ who are making art and making a difference.

    And Echo is already teasing its 29th season, which will begin in the fall of 2026 and run the more traditional September through August instead of the calendar year.

    The season 29 opener is a co-production, the company mysteriously hints, involving three Dallas theaters, two shows, and an internationally known writer. We'll all just have to wait and see what this intriguing production might be.

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