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    Season Announcement

    Uptown Dallas' Theatre Three unveils starry, sexy 2024-25 season

    Lindsey Wilson
    Sep 16, 2024 | 3:39 pm
    Natasha, Pierre, and the Great Comet of 1812 Off Broadway.

    "Natasha, Pierre, and the Great Comet of 1812" ran Off Broadway.

    Photo by Chad Batka

    Uptown Dallas' Theatre Three has debuted the lineup for its 62nd season, with a theme called "Play With Us" — encompassing four musicals and four plays across its two stages.

    In a statement, artistic director Jeffrey Schmidt says that the goal for this season was to offer "a blend of fun musicals and juicy acting pieces with an eclectic flair that T3 is known for."

    Associate artistic director Christie Vela says, "We’re also eager to return with all the ancillary programming you’ve come to expect from T3, like T3 Talks, T3 Writes, Uptown Drama, classes, and co-pros."

    "Last year T3 employed over 140 artists, and that is perhaps the greatest joy of announcing a new season," Schmidt says.

    The 2024-25 season begins with Venus in Fur, written by David Ives and inspired by Leopold von Sacher-Masoch's 1870s novel of a similar name.

    This story unfolds during an audition where playwright-director Thomas Novachek (Carson Wright) meets the enigmatic actress Vanda Jordan (Catherine D. DuBord). As Vanda auditions for the lead role in Thomas' new play, the lines between reality and fiction blur, leading to a provocative exploration of power dynamics, gender roles, and the nature of dominance and submission. It runs September 19-October 20, 2024, in the downstairs performance space Theatre Too.

    Perfectly timed for Halloween, Carrie: The Musical is next. Based on the novel by Stephen King and adapted from the film of the same name, this cult classic musical is a thrilling exploration of vengeance, empowerment, and the supernatural.

    With a powerful score from Michael Gore and Dean Pitchford and dramatic storytelling from Lawrence D. Cohen, this mounting is T3's first-ever co-production with SMU Meadows School of the Arts. It runs October 3- November 3, 2024.

    Keeping with the creepy vibes, Sleuth is a thriller written by Anthony Shaffer.

    A cunning mystery writer named Andrew Wyke invites his wife's lover to his secluded English manor, setting off a deadly game of manipulation and deceit. As the tension rises, surprising twists keep the audience guessing the dramatic end. It runs in Theatre Too November 14- December 15, 2024.

    The year's big finale is Dave Malloy's vibrant, immersive musical spectacle set in 19th-century Russia, where romance and intrigue unfold amidst glittering ballrooms and tumultuous relationships.

    Natasha, Pierre, and the Great Comet of 1812 is based on a 70-page segment of Leo Tolstoy's War and Peace and has a unique blend of electro-pop and Russian folk-inspired music. It runs November 29-December 29, 2024.

    What a way to kick off the New Year: Debbie Does Dallas: The Musical is a lively stage adaptation by Erica Schmidt of the infamous 1978 adult film.

    It follows Debbie Benton, a small-town girl with big dreams of becoming a Dallas Cowboys Cheerleader. Determined to raise funds for her trip to Dallas, Debbie and her friends embark on a series of misadventures, blending comedy, music, and cheeky humor along the way. Conceived by Susan L. Schwartz and with music by Andrew Sherman, it runs in Theatre Too January 23-February 23, 2025.

    Intimate Apparel, by the two-time Pulitzer Prize-winning Lynn Nottage, transports audiences into early 20th-century New York City to explore a journey of ambition and personal growth.

    Esther, an African-American seamstress, navigates a complex web of relationships and romantic correspondence with a distant admirer. It runs March 27-April 20, 2025.

    Theatre Too's final show of the season is The Mystery of Irma Vep.

    Set in a spooky English manor, this fast-paced and campy parody by Charles Ludlam features two actors who portray an array of eccentric characters, including a mysterious housekeeper, a suspicious lord, and various supernatural beings. As the story unfolds, audiences are treated to a whirlwind of gothic melodrama, vampire lore, and supernatural shenanigans. It runs April 24-May 18, 2025.

    Closing out the mainstage season is Xanadu, a high-energy, roller-skating extravaganza that brings the 1980 cult film to life. Set in Venice Beach, California, the musical follows Sonny Malone, a struggling artist who encounters Kira, a beautiful Greek muse.

    With Kira's guidance and a touch of divine inspiration, they embark on a mission to revive a rundown roller disco and reignite Sonny's artistic passion. Douglas Carter Beane is behind the hilarious book, and music and lyrics are by John Farrar and Electric Light Orchestra (ELO) founding member Jeff Lynne. It runs June 5-July 6, 2025.

    In addition to the mainstage productions, Theatre Three continues to offer additional programs throughout the season.

    Monday Night Playwright will continue to offer unique and affordable opportunities for local writers to showcase their works. Fight Night provides the community and artists alike with movement and other physical skills through monthly stage combat classes.

    The Norma Young Advanced Acting Lab, a collaboration with Booker T. Washington High School for the Performing and Visual Arts, is entering its fifth year. Students have access to masterclasses hosted by industry professionals and exclusive insight on the professional production process at Theatre Three, then the course concludes with a professionally produced showcase.

    New tickets and subscriptions are available now here or by calling the Theatre Three box office at 214-871-3300. Theatre Three is located at 2688 Laclede St. in the Quadrangle.

    musicalsxanadudebbie does dallasnatasha pierre great comet of 1812carrie the musicaltheater
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    A Familiar Face

    Dallas Theater Center names Jaime Castañeda as new artistic director

    Lindsey Wilson
    Dec 17, 2025 | 12:30 pm
    Jaime Castañeda
    Photo courtesy of Dallas Theater Center
    Jaime Castañeda is the Tony-winning theater's new artistic director.

    The Tony Award-winning Dallas Theater Center has found its next artistic director: Jaime Castañeda, who has a long history with both DTC and North Texas, will become the regional theater's sixth artistic director beginning July 2026. The 2026-27 season will be the first chosen by him.

    Jonathan Norton, DTC’s resident playwright, is currently serving as interim artistic director and will continue to lead the remainder of the 2025-26 season, which culminates in the world premiere of his play Malcolm X and Redd Foxx Washing Dishes at Jimmy’s Chicken Shack in Harlem in May.

    “DTC is committed to artistic excellence and community engagement, and we believe Jaime’s experience, creativity, bold vision, and proven leadership, coupled with his dedication to innovation, will guide DTC into an exciting new chapter in the life of the theater," says board chair Lynn Pride Richardson in a release.

    In 2012, Castañeda directed DTC’s production of The Elaborate Entrance of Chad Deity by Kristoffer Diaz. But he began his career more than 20 years ago in Dallas-Fort Worth by founding Firestarter Productions while still attending Texas Christian University. In addition to directing at DTC, other local theater credits include Kitchen Dog Theater, Amphibian Stage, and Circle Theatre. Castañeda is a recipient of the Princess Grace Award, the Drama League Directing Fellowship, and holds a BFA from Texas Christian University and an MFA in Directing from University of Texas at Austin.

    Most recently, Castañeda directed at such leading theaters across the country as American Conservatory Theater, South Coast Repertory, Huntington Theatre Company, and La Jolla Playhouse, where he previously served as associate artistic director from 2014-2018. He was also artistic associate at Off-Broadway's Atlantic Theater Company from 2009-2014.

    "Jaime brings a bold, visceral artistic vision, a deep commitment to new voices, and a collaborative leadership style that inspires artists and audiences alike,” says DTC executive director Kevin Moriarty. “With his Texas roots and national experience, I am thrilled to welcome him home as DTC’s new Enloe/Rose artistic director. I have known and admired his work since 2007, when he was already one of the most exciting emerging directors in North Texas, and I later saw him create unforgettable work for DTC on the Wyly stage and at leading theaters nationwide.”

    As artistic director, Castañeda will lead the theater’s artistic vision, direct and produce plays and musicals, oversee DTC’s Diane and Hal Brierley Resident Acting Company, and partner with Moriarty, the staff, and the board of trustees to advance DTC’s mission, vision, and values.

    Castañeda joins a distinguished line of artistic leadership at Dallas Theater Center, including founding artistic director Paul Baker, Adrian Hall, Ken Bryant, Richard Hamburger, and Moriarty, who served as artistic director from 2007-2022.

    “We are extremely pleased with a successful national search that brings Jaime to Dallas Theater Center,” says DTC board member Chris Luna. “His energy is contagious and he understands Texas and Dallas. We look forward to collaborating with Jaime as he continues his innovative approach to regional theater.”

    Castañeda was selected for the role following a national search led by Management Consultants for the Arts. The search committee was co-chaired by Luna and Richardson, and included Moriarty, Norton, Jennifer Altabef, Diane Brierley, Lauren Embrey, Sam Holland (Dean, SMU Meadows School of the Arts), Sharron Hunt, Randy Kender, Julie Kosnik, Deborah McMurray, Sam Megally, Liz Mikel (DTC Brierley Resident Acting Company member), Andy Smith, Lily Weiss (executive director, Dallas Arts District) and Donna Wilhelm.

    “Growing up in Texas, Dallas Theater Center was one of the first places where I saw what professional theater and excellence looked like,” Castañeda says. “I’m thrilled to come back and build on the history of artists and leaders who have been a part of this organization. I’m eager to join Kevin, the board, and our staff to create lasting theatrical experiences for our audiences.”

    Dallas Theater Center's current production of A Christmas Carol runs through December 27 at the Wyly Theatre.

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