Weekend Event Planner

These are the 8 best things to do in Dallas this weekend

The list of new events in and around Dallas this weekend may be shorter than usual, but they pack a collective punch. Choices include a powerhouse classical music concert, four theater productions (including a Tony Award winner), the continuation of the stay of a great dance troupe, the final days of a notable art exhibit, and a Japanese new year tradition.

Below are the best ways to spend your free time this weekend. Want more options? Lucky for you, we have a much longer list of the city's best events.

Thursday, January 9

Dallas Symphony Orchestra presents Fabio Luisi Conducts Scheherazade
At this concert, audiences can travel to the world of the 1001 Arabian Nights in Rimsky-Korsakov’s Scheherazade. The concert will also feature the Dallas premiere of Fountain of Youth, a commissioned work by Julia Wolfe. Plus, Lise Lindstrom sings Barber’s rarely performed Andromache’s Farewell. The concert, conducted by Fabio Luisi, will have four performances through Sunday at the Meyerson Symphony Center.

AT&T Performing Arts Center Broadway Series presents The Color Purple
Two years after its first visit to Dallas, the Tony Award-winning The Color Purple returns for a brief stay at Winspear Opera House. The musical features a soul-raising, Grammy-winning score of jazz, gospel, ragtime, and blues, giving an exhilarating new spirit to this Pulitzer Prize-winning story. It is a reimagining of an epic story about a young woman’s journey to love and triumph in the American South. There will be six more performances through Sunday.

Imprint Theatreworks presents Puffs (The Play)
Puffs is a clever and inventive play that gives audience a new look at a familiar adventure from the perspective of three potential heroes just trying to make it through a magic school that proves to be very dangerous for children. Alongside them are the Puffs, a group of well-meaning, loyal outsiders with a thing for badgers. The play will run at Stomping Ground Comedy Theater through January 25.

Friday, January 10

Theatre Arlington presents Ripcord
A sunny room on an upper floor is prime real estate in the Bristol Place Senior Living Facility, so when the cantankerous Abby is forced to share her quarters with new arrival Marilyn, she has no choice but to get rid of the infuriatingly chipper woman by any means necessary. A seemingly harmless bet between the old women quickly escalates into a dangerous game of one-upmanship. The play will run at Theatre Arlington through January 26.

Shakespeare Dallas presents Pride and Prejudice
Shakespeare Dallas will present Pride and Prejudice for its second annual Winter Season performance. The play is a tale about Elizabeth Bennet, whose four sisters and overzealous match-making mother keep the topic of marriage alive and lively. When the independent-minded Elizabeth meets the handsome but enigmatic Mr. Darcy, she is determined not to let her feelings triumph over her own good sense. The production will run through January 19 at Moody Performance Hall.

Saturday, January 11

Shen Yun
After two weeks at Winspear Opera House, Shen Yun travels up Central Expressway to Eisemann Center for the Performing Arts in Richardson for three performances. The dance troupe lets audiences travel back to the magical world of ancient China, experience a lost culture through the breathtaking art of classical Chinese dance, and see legends come to life. There will be two performances on Saturday and one on Sunday.

Sunday, January 12

Dallas Museum of Art Presents Sheila Hicks: "Secret Structures, Looming Presence" closing day
The Dallas Museum of Art's first exhibition of works by pioneering fiber artist, designer, and weaver Sheila Hicks comes to an end on Sunday. The special display illuminates how the 84-year-old contemporary artist’s practice is inspired by the weaving traditions of indigenous artisans from Latin America. "Secret Structures, Looming Presence" pairs works from the museum’s collection of ancient Andean art with a selection of loom-woven, wrapped, twisted, and knotted fiberworks by the artist to offer a fresh examination of textile traditions through time.

Japan-America Society of DFW presents Mochitsuki New Year’s Celebration
Japan-America Society of DFW will celebrate the Year of the Rat with mochi (rice cakes), music and dance performances, and authentic cultural activities. At the event, taking place at Fujitsu Network Communications in Richardson, guests can learn about Japan’s rich New Year’s traditions, connect with the local Japanese community, and see a live demonstration on how mochi is made. It will include a special appearance by Consul General Hideo Fukushima.

The Color Purple will be at Winspear Opera House through January 12.

Photo by Jeremy Daniel

The Color Purple will be at Winspear Opera House through January 12.

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Movie Review

Glen Powell bumps off rich family in How to Make a Killing

Photo courtesy of A24

Glen Powell in How to Make a Killing.

Becoming a star in Hollywood and maintaining that stardom are two very difficult things to achieve, but Glen Powell has been adept at doing so over the past few years. A key supporting role in Top Gun: Maverick led to lead parts in films like Hit Man, Anyone But You, Twisters, and The Running Man. Powell is looking to keep his star power shining in the new dark comedy/thriller, How to Make a Killing.

He plays Beckett, an outcast member of the ultra-wealthy Redfellow clan. Struggling to get by in a menial job in New York City while still living in New Jersey, Beckett’s only smidgen of hope is that he remains an heir to the vast Redfellow fortune. The only trick? Every other remaining family member must die before he’ll see a dime of that money. When even that menial job goes away, Beckett indulges the fantasy of bumping off his familial competition.

Among those standing in his way are cousins Taylor (Raff Law), a finance bro, Noah (Zach Woods), a pretentious artist, and Steven (Topher Grace), a celebrity pastor; Uncle Warren (Bill Camp) and Aunt Cassandra (Bianca Amato); and grandfather Whitelaw (Ed Harris). Complicating matters, however, are an old childhood friend, Julia (Margaret Qualley), who starts asking more of Beckett than he can give; and new flame Ruth (Jessica Henwick), who happens to be dating Noah when he meets her.

Written and directed by John Patton Ford (Emily the Criminal), the film is a tale of two halves. Narrated by Beckett in the form of telling his story to a prison chaplain, the story plays with audience expectations on multiple occasions. As Beckett ramps up to detailing exactly how he got started down the road toward being a serial killer, the film has a fun-if-macabre vibe.

Under normal circumstances Beckett would be someone to despise, but since he’s an underprivileged person who’s taking aim at people who (mostly) don’t seem to appreciate their good luck, it feels okay to cheer for him. This follows a recent trend in “eat the rich” films, one that’s been influenced by a turn against real-life billionaires. Ford plays heavily into the theme and it works for a good portion of the film.

However, things get a little murky in the second half of the movie. A few of the planned killings get less attention than others, making their - pardon the pun - execution less interesting/fun than the others. Also, Ford does a poor job of indicating just how much weight should be put on Beckett’s relationship with Julia, someone with whom he only has occasional interactions for the bulk of the film.

It’s difficult to know the exact right way to showcase Powell, but this film doesn’t seem to be the best fit. Whether it’s the odd hairstyle/wig he’s given, or the varying degrees of confidence his character shows, his performance is up and down. Qualley’s acting style is over-the-top, and she needed to dial it down in this particular role. Henwick and Camp are the grounding forces in the film, keeping the story somewhat tethered to reality while almost everyone else makes a meal of their scenes.

How to Make a Killing is serviceable entertainment that gives viewers a decent number of laughs and thrills. But Ford can’t find a way to make the story work all the way through, and a so-so performance by Powell keeps the film from rising above its mediocre station.

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How to Make a Killing opens in theaters on February 20.

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