Weekend Event Planner

These are the 8 best things to do in Dallas this weekend

The list of new events in and around Dallas this weekend may be shorter than usual, but they pack a collective punch. Choices include a powerhouse classical music concert, four theater productions (including a Tony Award winner), the continuation of the stay of a great dance troupe, the final days of a notable art exhibit, and a Japanese new year tradition.

Below are the best ways to spend your free time this weekend. Want more options? Lucky for you, we have a much longer list of the city's best events.

Thursday, January 9

Dallas Symphony Orchestra presents Fabio Luisi Conducts Scheherazade
At this concert, audiences can travel to the world of the 1001 Arabian Nights in Rimsky-Korsakov’s Scheherazade. The concert will also feature the Dallas premiere of Fountain of Youth, a commissioned work by Julia Wolfe. Plus, Lise Lindstrom sings Barber’s rarely performed Andromache’s Farewell. The concert, conducted by Fabio Luisi, will have four performances through Sunday at the Meyerson Symphony Center.

AT&T Performing Arts Center Broadway Series presents The Color Purple
Two years after its first visit to Dallas, the Tony Award-winning The Color Purple returns for a brief stay at Winspear Opera House. The musical features a soul-raising, Grammy-winning score of jazz, gospel, ragtime, and blues, giving an exhilarating new spirit to this Pulitzer Prize-winning story. It is a reimagining of an epic story about a young woman’s journey to love and triumph in the American South. There will be six more performances through Sunday.

Imprint Theatreworks presents Puffs (The Play)
Puffs is a clever and inventive play that gives audience a new look at a familiar adventure from the perspective of three potential heroes just trying to make it through a magic school that proves to be very dangerous for children. Alongside them are the Puffs, a group of well-meaning, loyal outsiders with a thing for badgers. The play will run at Stomping Ground Comedy Theater through January 25.

Friday, January 10

Theatre Arlington presents Ripcord
A sunny room on an upper floor is prime real estate in the Bristol Place Senior Living Facility, so when the cantankerous Abby is forced to share her quarters with new arrival Marilyn, she has no choice but to get rid of the infuriatingly chipper woman by any means necessary. A seemingly harmless bet between the old women quickly escalates into a dangerous game of one-upmanship. The play will run at Theatre Arlington through January 26.

Shakespeare Dallas presents Pride and Prejudice
Shakespeare Dallas will present Pride and Prejudice for its second annual Winter Season performance. The play is a tale about Elizabeth Bennet, whose four sisters and overzealous match-making mother keep the topic of marriage alive and lively. When the independent-minded Elizabeth meets the handsome but enigmatic Mr. Darcy, she is determined not to let her feelings triumph over her own good sense. The production will run through January 19 at Moody Performance Hall.

Saturday, January 11

Shen Yun
After two weeks at Winspear Opera House, Shen Yun travels up Central Expressway to Eisemann Center for the Performing Arts in Richardson for three performances. The dance troupe lets audiences travel back to the magical world of ancient China, experience a lost culture through the breathtaking art of classical Chinese dance, and see legends come to life. There will be two performances on Saturday and one on Sunday.

Sunday, January 12

Dallas Museum of Art Presents Sheila Hicks: "Secret Structures, Looming Presence" closing day
The Dallas Museum of Art's first exhibition of works by pioneering fiber artist, designer, and weaver Sheila Hicks comes to an end on Sunday. The special display illuminates how the 84-year-old contemporary artist’s practice is inspired by the weaving traditions of indigenous artisans from Latin America. "Secret Structures, Looming Presence" pairs works from the museum’s collection of ancient Andean art with a selection of loom-woven, wrapped, twisted, and knotted fiberworks by the artist to offer a fresh examination of textile traditions through time.

Japan-America Society of DFW presents Mochitsuki New Year’s Celebration
Japan-America Society of DFW will celebrate the Year of the Rat with mochi (rice cakes), music and dance performances, and authentic cultural activities. At the event, taking place at Fujitsu Network Communications in Richardson, guests can learn about Japan’s rich New Year’s traditions, connect with the local Japanese community, and see a live demonstration on how mochi is made. It will include a special appearance by Consul General Hideo Fukushima.

The Color Purple will be at Winspear Opera House through January 12.

Photo by Jeremy Daniel

The Color Purple will be at Winspear Opera House through January 12.

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Movie Review

Long-awaited Wicked movie adaptation lives up to the hype

Photo courtesy of Universal Pictures

Cynthia Erivo and Ariana Grande-Butera in Wicked.

The musical Wicked is indisputably the biggest Broadway smash of the 21st century, having grossed more $1.6 billion in New York alone and achieving the rare feat of running for over 20 years. All of which is to say that the long-awaited movie adaptation of The Wizard of Oz prequel will most likely be a massive success whether it lives up to what longtime fans envisioned or not.

Part one — yes, this 2 hour and 40 minute film is merely the first act of the musical; part two arrives a year from now — introduces Elphaba (Cynthia Erivo), the green-skinned witch who goes on to become Dorothy’s nemesis, and G(a)linda (Ariana Grande-Butera), the pink-garbed “good” witch, as they meet at Shiz University in Oz. Glinda is the ultra-popular one with sycophantic hangers-on, while Elphaba is shunned by almost everyone, sometimes including her disabled sister Nessarose (Marissa Bode), who’s desperate to make her own space away from Elphaba.

Her mistreatment by others leads Elphaba to get angry, which manifests itself in uncontrollable magic. Madame Morrible (Michelle Yeoh) notices this and takes a personal interest in her, giving her one-on-one instruction in hopes of harnessing her power. In the meantime, Elphaba and Glinda attempt to go from forced roommates to actual friends, although Glinda’s entitled personality is more of an obstacle than anything else they encounter.

Directed by Jon M. Chu and written by original book writer Winnie Holzman and Dana Fox, the film does a great job of distinguishing itself from the stage version while still remaining true to what made it so beloved. As Chu showed in his last film, In the Heights, he has an innate feel for how to tap into the essence of the source material while expanding it into something befitting the scope of a blockbuster movie.

In this case, he finds a way to give even greater emphasis to the bigotry that Elphaba faces simply because of her green skin; the fact that she is being played by a Black woman drives home the point even more. The story remains light and fluffy for the most part, but the ostracization/otherness that Elphaba feels is delivered in a powerful way, as is her empathy for talking animals like Dr. Dillamond (voiced by Peter Dinklage), who are facing their own persecution.

Of course, the highlight of the film is Stephen Schwartz’s music, and while not all of the songs are equal in impact, they still make for a cohesive whole. The number of songs and order they appear in the first act is identical to the stage musical, with the standouts remaining “The Wizard and I,” “Popular,” and “Defying Gravity.” While there is some superfluous action and cutaways added to certain numbers, it’s not enough to distract from what makes the songs effective.

Oddly, the progression of the friendship between Elphaba and Glinda works better on stage when the timeline is accelerated, but Erivo and Grande-Butera make up for this slight lack with their fantastic performances. The emotion each brings to their characters fits them almost perfectly, and there’s simply no denying the strength of each of their voices. Bode, Jonathan Bailey as Fiyero, Ethan Slater as Boq, and more make for a solid supporting cast.

The well-known ending of the first act of Wicked is a huge high point that is so good that it almost makes up for the fact that audiences won’t see the second film for a long time. But if part one is any indication, part two should turn out to be another great musical theater adaptation in a decade that has already seen its fair share.

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Wicked opens in theaters on November 22.

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