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    Weekend Event Planner

    These are the 5 best things to do in Dallas this weekend

    Alex Bentley
    Jan 14, 2021 | 6:00 am

    While many events in and around Dallas have either been postponed or canceled during the coronavirus pandemic, organizations have pivoted to virtual or socially distanced events to continue offering the masses some entertainment while we need it the most.

     

    Below are the best ways to spend your free time this weekend. While not every event is out of the house, they all promise to provide a nice distraction from the everyday life.

     

     Thursday, January 14

     

     The Cube: An Interactive Experience For The Socially Distanced Era
     The Cube is an immersive experience for the socially distanced era, featuring projections, audio, and lights. The Cube, taking place at Latino Cultural Center through January 30, will ask audiences to redefine what community and loneliness mean to them. The lines will be blurred between the socially distanced virtual art we have all become accustomed to since March 2020, and the more traditional live theatrical performance we have loved for centuries.

     

     Soul Rep Theatre Company presents Do No Harm
    Soul Rep Theatre Company, in partnership with SMU’s Perkins School of Theology, will present the world premiere of co-founder Anyika McMillan-Herod’s newest play, Do No Harm. The production, filmed in November in a slave cabin at Dallas Heritage Village, explores the story of three enslaved women — Anarcha, Betsey, and Lucy — who were experimented on without anesthesia by Dr. J. Marion Sims, credited as “The Father of Modern Gynecology.” The production can be viewed at any time through January 31.

     

     Undermain Theatre presents Things Missing/Missed
    Undermain Theatre will present a streaming-only version of Things Missing/Missed, a virtual co-production with the Danielle Georgiou Dance Group. A woman finds her reality less tangible than she thought, her mate slowly erasing her agency. The pain of her strained affection is augmented by the slow and steady disappearance of household items. The culprit? A hermit — who may or may not exist. The production can be viewed at any time through January 31.

     

     Dallas Symphony Orchestra presents "Mozart 40 and More"
    The latest concert from the Dallas Symphony Orchestra, taking place at Meyerson Symphony Center through Saturday, features conductor Nicholas McGegan and pianist Helene Grimaud. It will include three Mozart selections: Symphony No. 27, Piano Concerto No. 20, and Symphony No. 40. The concert on Saturday night will be recorded and will be available virtually starting January 29.

     

     Saturday, January 16

     

     Six Flags Over Texas presents Fire & Ice Winter Festival
    Six Flags Over Texas will present the Fire & Ice Winter Festival to kick off the park’s 60th anniversary season in 2021. Open weekends and holidays in January and February, this all-new event features a high-energy ice carving show, an extended run of The Frosty Snowhill, plus a fiery finale each Saturday night with fireworks. The festival includes the Fire & Ice Marketplace, four live performance stages, and more. As a nod to the park’s 60th anniversary, guests can purchase one-day admission for just $19.61 at sixflags.com/overtexas throughout the duration of the festival.

    Six Flags Over Texas presents Fire & Ice Winter Festival, open weekends and holidays through February 28.

    Fire and Ice Winter Festival
      
    Photo courtesy of Six Flags of Texas
    Six Flags Over Texas presents Fire & Ice Winter Festival, open weekends and holidays through February 28.
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    Movie review

    Early days of pandemic become a powder keg in tense movie Eddington

    Alex Bentley
    Jul 18, 2025 | 12:47 pm
    Joaquin Phoenix and Pedro Pascal in Eddington
    Photo courtesy of A24
    Joaquin Phoenix and Pedro Pascal in Eddington.

    The coronavirus pandemic had a profound impact on the entire world, one that has been shown in various ways by movies and TV shows. However, even though a number of productions have attempted to show what life was like during the early days of the pandemic, few have tried to truly reckon with the way lockdowns and restrictions changed people.

    Filmmaker provocateur Ari Aster does just that in Eddington, set in a fictional small town in New Mexico in early 2020 that proves to be a microcosm of the debates taking place worldwide at that time. Sheriff Joe Cross (Joaquin Phoenix) is not a fan of mask mandates or other restrictions imposed by the government, while mayor Ted Garcia (Pedro Pascal) tries to lead by example in an effort to keep his community safe.

    The men butt heads not just on how to deal with the pandemic, but also over a personal history involving Joe’s wife, Louise (Emma Stone). When news of the murder of George Floyd in Minnesota makes its way to town, it starts a slow simmer among the town’s youth population, putting even more stress on Joe and his small department. Conspiracy theories, white guilt, partisan politics, cults, and more combine to make the community into a powder keg that threatens to explode at the slightest provocation.

    Aster (Midsommar, Beau is Afraid) takes aim at all sides in a film that’s part satire and part thriller. No matter how each viewer reacted to the pandemic, the film offers at least a character or two that will come close to representing their viewpoint. Although opinions may differ, it seems clear that Aster is not portraying one side as “right” or more righteous than the other. What he is doing is demonstrating just how much was happening in a short period of time, and how those things could negatively affect anyone.

    On the flip side, the film also challenges viewers with viewpoints that may not match their own, which can make for an uncomfortable experience at times. The reactions various characters have to certain events range from rational to wholly unexpected, and Aster seems to delight in keeping the audience on their toes the entire time. This is especially true when violence rears its ugly head, resulting in some intense and upsetting scenes.

    Not everything in the film lands, though. A subplot involving Louise and Vernon (Austin Butler), a cult leader who preys on her fears, feels tacked on, with no relation to the film as a whole. In fact, the character of Louise is a misfire in general, one whose purpose makes little sense. Aster also lets (asks?) some actors speak in almost inaudible tones at various points in the film, a frustrating experience in a film as dialogue-heavy as this one.

    Phoenix loves to dig into off-kilter characters, and this one ranks high on that scale. Even if you don’t enjoy what his character does, it’s hard to fault the performance that brings him to life. Most of Pascal’s scenes are with Phoenix, and while he matches Phoenix’s energy, the lower key nature of his character leaves him overshadowed. The nature of the film means few others make an impact, although Deidre O’Connell as Joe’s passive-aggressive mother-in-law and William Belleau as Officer Jiminiz Butterfly stand out in their scenes.

    Few of us would volunteer to go back to the baffling days of early 2020, but Eddington does a great job of examining what was happening at the time and how events united some and divided others. It’s not a feel-good film, but it is one that will make viewers re-examine their reactions at the time and how those influenced the current reality.

    ---

    Eddington is now playing in theaters.

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