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    Be a Superhero

    Marvel Experience offers tons of superhero fun despite iffy technology

    Alex Bentley
    Jan 16, 2015 | 1:09 pm

    Although Marvel Comics have been around in one form or another for 75 years, it wasn't until 2000, when the first X-Men movie was released, that they began their ascent toward dominating pop cultural consciousness. That seemingly unstoppable growth continues with the Marvel Experience, an interactive event taking place at Fair Park through January 31.

    Dubbed "The World's First Hyper-Reality Tour," it consists of seven separate areas — eight if you count the overpriced gift shop — in which visitors find themselves thrust into the world of S.H.I.E.L.D. as new recruits, ready to help out superheroes like Spider-Man, Wolverine, Iron Man, Captain America, Hulk and Black Widow.

    The optimal age for peak enjoyment of the Marvel Experience is 8-18, but there are parts to appreciate even if you don't fall into that age range.

    After being fitted with a wristband and registering, new recruits go through a multistage training process in a series of domes, starting with intro videos featuring Iron Man, Nick Fury and others.

    The fourth stop on the tour is the most intensive. Told that there's a new threat called the Super Adaptoid that can take on the powers of any superhero it encounters, recruits can go from station to station in the huge training center to learn how to fight back. This includes finding out how to fight like Hulk, fly like Iron Man, climb like Spider-Man, use agility like Black Widow and more.

    The two most popular training areas will likely be the Avengers Encounter, in which you can virtually summon a variety of heroes, and the Holo-Blaster Training Simulator, in which 24 people can practice their shooting and web-slinging skills at the same time with special sensor guns.

    Once you've had your fill of training — which, depending on the number of people at the event, could take a long time — you're free to move on to the final three areas, which include a 360-degree 3D movie and a motion ride that simulates a climactic battle aboard the S.H.I.E.L.D. Helicarrier as you help fight the Super Adaptoid and other villains.

    People whose Marvel knowledge only extends to what they see in the movies will enjoy the experience, but much of the event seems aimed at the hardcore Marvel fans who devour each and every comic book. The inclusion of The Vision, She-Hulk and Iron Fist speak to this goal, as they are characters that have yet to be included in the Marvel films — although at least one will soon make that leap.

    The wristbands are outfitted with RFID tabs that, in theory, allow visitors to track their progress through the event to make it more personal. However, the wristbands did not work as expected at the tour's preview spot in Phoenix, so that aspect has been disabled for the time being. The wristbands still allow for interaction with various activities, but there is no personalization; organizers hope to have that part up and running for the second week in Dallas.

    Some may miss that aspect of the event, but there is a lot of fun to be had without it. The activities in the Recruit Training Center involve people using their bodies to some degree, so you may work up a sweat while you train. The interactive nature is hit-and-miss, with noticeable lags in movement at the Hulk and Holo-Blaster stations, but the enthusiasm of the workers makes up for the glitches.

    The finale of the tour, the motion ride, is an exciting ending, with rows of seats bucking and tilting in relation to the movement on screen. Although the story set up throughout is relatively simplistic to appeal to all ages, the top-notch animation allows you to fully give yourself over to the experience.

    The optimal age for peak enjoyment of the Marvel Experience is 8-18, but there are parts to appreciate even if you don't fall into that age range. Anyone bringing younger kids should know that no one under 40 inches is allowed on the motion ride.

    Information on the event's exact location has been spotty at best. Initially thought to take place inside Cotton Bowl Stadium — which is where Ticketmaster still says it is — the location is actually in the parking lot of the Fair Park Coliseum at the very south end of Fair Park. Parking is available just outside that area; visitors arriving via DART can use a free shuttle service to get to the event.

    The Marvel Experience, taking place at Fair Park through February 1, lets visitors join forces with a variety of Marvel superheroes.

    The Marvel Experience
    Photo courtesy of Marvel Experience
    The Marvel Experience, taking place at Fair Park through February 1, lets visitors join forces with a variety of Marvel superheroes.
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    Movie Review

    Legendary filmmaker makes tepid return with meandering film Ella McCay

    Alex Bentley
    Dec 12, 2025 | 11:38 am
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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