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    Movie Review

    The Kid Who Would Be King burnishes King Arthur legend with fun

    Alex Bentley
    Jan 24, 2019 | 2:40 pm
    The Kid Who Would Be King burnishes King Arthur legend with fun
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    Most children use their imaginations to conjure all sorts of fun situations to entertain themselves. While all movies are, in one way or another, someone’s imagination come to life, that sentiment has rarely been more apropos than with The Kid Who Would Be King, a film that brings one boy’s fantasy to life in ways he could never expect.

    Alex (Louis Ashbourne Serkis) is a normal British kid dealing with problems like bullies and the absence of a father figure. One day, while avoiding said bullies, he stumbles across a sword stuck in the remains of an abandoned construction site. He removes it easily, an action that soon brings into his life a weird older boy who calls himself Mertin (Angus Imrie) and a whole lot of other chaos.

    Mertin turns out to be Merlin from King Arthur’s court, and he convinces Alex and his best friend Bedders (Dean Chaumoo) to embark on a quest to save all of England from the growing underground threat of Morgana (Rebecca Ferguson), King Arthur’s banished sister. Doing so requires bravery Alex might not have, as well as the help of bullies-turned-allies, Lance (Tom Taylor) and Kaye (Rhianna Dorris).

    Written and directed by Joe Cornish, the film has a lot of fun with its concept, using the basics of the King Arthur legend to push the story in interesting directions. Instead of trying to retell the Arthur’s tale, Cornish lets Alex and his gang forge their own way, often resulting in hilarious situations.

    Alex, in both stature and demeanor, is an unlikely person to be a leader, but Cornish uses subtle methods to turn him into just that. Once he accepts his role, the story really takes off. Alex’s relationship with his mom (Denise Gough) and new discoveries also resurrect conflicting feelings about his dad. The emotional aspect this brings up deepens the rest of the film.

    Serkis (son of Andy Serkis, BTW) makes Alex into someone for whom it’s easy to root, and he’s aided immensely by the comic relief of Chaumoo. But Imrie is the MVP of the film, jumping off the screen from the moment he enters the story. And when Merlin turns into a certain other well-known actor, the character becomes even more endearing.

    The Kid Who Would Be King is a welcome break from the movies that take the King Arthur legend too seriously. Through wit, emotion, and imagination, the film makes the story fun again, especially for anyone wanting to escape from real life for a while.

    Louis Ashbourne Serkis in The Kid Who Would Be King.

    Louis Ashbourne Serkis in The Kid Who Would Be King
    Photo by Kerry Brown
    Louis Ashbourne Serkis in The Kid Who Would Be King.
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    Movie Review

    Amanda Seyfried and Sydney Sweeney go off in trashy film The Housemaid

    Alex Bentley
    Dec 19, 2025 | 12:24 pm
    Amanda Seyfried and Sydney Sweeney in The Housemaid
    Photo courtesy of Lionsgate
    Amanda Seyfried and Sydney Sweeney in The Housemaid.

    Both Amanda Seyfried (the upcoming The Testament of Ann Lee) and Sydney Sweeney (Christy) are starring in movies with Oscar ambitions this year. By sheer coincidence, the two actors are also co-starring in The Housemaid, a thriller coming out within weeks of their more ambitious works, one that is likely to be seen by many more people than those prestige plays.

    Sweeney is given top billing as Millie, a down-on-her-luck ex-convict looking to land any type of job so as not to break her parole. She finds a too-good-to-be-true lifeboat with Nina (Seyfried), who hires her to be a housemaid for her large house on Long Island, where she lives with her husband, Andrew (Brandon Sklenar), and daughter, Cecilia (Indiana Elle).

    After a warm interview, Nina almost immediately becomes highly erratic, whipping back-and-forth between happy-go-lucky and rageful. It seems clear that Nina is suffering from mental health issues, as she’ll often accuse Millie of misplacing or stealing items that she didn’t take. Andrew, apparently used to Nina’s tirades, tries to protect Millie from the worst, something that grows increasingly difficult as Nina ups the ante.

    Directed by Paul Feig (A Simple Favor) and adapted by Rebecca Sonnenshine from the bestselling book by Freida McFadden, the film is likely the trashiest mainstream movie to come out in 2025. The first half of the movie relies not on story but on moments as Nina embodies the word “hysterical” to an unbelievable extent. The resigned acceptance of the abuse by Millie, as well as the saintly patience of Andrew, make almost every scene laughable, as nobody seems to be acting anywhere close to how a person would normally react to such extreme situations.

    The scenes and the performance of Seyfried are so over-the-top, in fact, that it’s clear that the filmmakers are in on the joke. It’s next to impossible not to have a little bit of fun while watching the actors react to outrageous incidents as if nothing is out of the ordinary. The worse Nina acts, the more Millie and Andrew retreat into their chosen roles, and the funnier the film becomes.

    Fans of the book will know that the story changes course, eventually turning into a more stereotypical thriller that also has some relatively gnarly visuals to offer. But the trashiness continues, with Sweeney’s, um, assets repeatedly on display in both clothed and unclothed ways. The sex appeal of the R-rated movie makes it an outlier, as recent studio films have shied away from asking their big stars to disrobe completely.

    Both Seyfried and Sweeney are far from their Oscar hopeful roles here. Seyfried is given free rein to act as brazenly as she pleases, and she takes full advantage of that ability. Sweeney seems to have been told to be much more reserved, and unfortunately that results in too many wooden line readings. Sklenar continues his breakout streak (It Ends with Us, Drop) with a role that allows him to show more range than either Seyfried or Sweeney.

    The Housemaid is an unusual type of movie to be released at a time of year when most films are either those aiming for awards or more family-friendly fare. Despite its many flaws, it’s still an enjoyable watch that features a variety of crazy scenarios not typically seen in movies nowadays.

    ---

    The Housemaid is now playing in theaters.

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