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    Cold in July Sizzler

    Sundance shoot 'em up: Dexter and Miami Vice stars have a blast in new Texas thriller

    Clifford Pugh
    Jan 25, 2014 | 3:14 pm

    After eight seasons of playing a likable serial killer in Dexter, Michael C. Hall knew it was time to do something different. So when he was approached to portray the owner of a picture-framing store in a small Texas town whose life gets turned upside down when an intruder breaks into his house, Hall jumped at the opportunity.

    "I liked that my character wasn't inherently remarkable, yet all these amazing things were happening around him," Hall told a recent standing-room-only audience at a screening of Cold in July at the Sundance Film Festival. "Dexter was winding down at the time, and I really wanted to play a guy who only 'accidentally' kills people."

    Based on a novel by Texas writer Joe R. Lansdale, Cold in July is a rock 'em, sock 'em pulp fiction thriller that starts like a house afire — the first 30 minutes will have you on the edge of your seat — before morphing into a buddy comedy with a dark twist and a bloody ending.

    "Dexter was winding down at the time, and I really wanted to play a guy who only 'accidentally' kills people." — Michael C. Hall on Cold in July.

    Life is pretty routine in an East Texas town until Richard Dane (Hall) shoots and kills a masked man in his living room in the middle of the night. Turns out the burglar is a convicted felon whose father (Sam Shepard) just got released from Huntsville prison and is out for revenge.

    I don't want to reveal much more about the movie — it's been purchased by IFC Films for release later this year — because it's much more satisfying to have no idea what happens next. The movie takes a lot of interesting and sometimes implausible twists before its violent conclusion.

    After the screening in Utah, the audience had a lot of questions for Hall, director Jim Mickle, Don Johnson (who practically steals the movie as a wily Houston investigator) and Lansdale, the only one on stage with an authentic Texas accent. Lansdale lives in Nacogdoches and is writer-in-residence at Stephen F. Austin State University.

    It took Mickle and co-screenwriter Nick Damici, who plays a shady sheriff in the movie, eight years to adapt Lansdale's book and get it on screen. Though it's set in East Texas in the 1980s, the movie was filmed in upstate New York with tax incentives.

    "When I heard they were shooting in New York I said, "OOOOH HELL!," Lansdale said. "Then [Mickle] sent two photographs, one of upstate New York and one of East Texas, and I couldn't tell the difference except they had a mountain up there, but we didn't shoot the mountain."

    The movie is chock full of 1980s technology and appliances; a cellphone the size of a brick gets a lot of laughs. "They came over to my house and found it all," joked Johnson, who was one of the biggest stars of the decade in the hit '80s television series Miami Vice.

    "We had a great art department," Mickle added. "They even made some stuff with photographs on contact paper just applied to wood." And Hall's hair is a modified mullet — the ultimate '80s hairstyle.

    Asked how he learned to portray a Texas character, Johnson said, "I went out with a lot of Texas girls," as the audience erupted in laughter. "My daughter Dakota was born in Austin," he added. (Dakota Johnson has snared the lead in the movie version of Fifty Shades of Grey, currently being filmed in Canada.)

    "I was born in North Carolina ... not exactly Texas," Hall said. "I watched lots of films set in Texas and drew from those, and Joe was on the set to help. I also got inspiration from that mullet hairstyle I was sporting."

    A man with a mullet (and a gun): Michael C. Hall stars in Cold in July.

    Michael C. Hall in Cold in July Sundance Film Festival
    Photo by Ryan Samul Courtesy of Sundance Institute
    A man with a mullet (and a gun): Michael C. Hall stars in Cold in July.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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    news/entertainment

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