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    Weekend Event Planner

    These are the 10 best things to do in Dallas this weekend

    Alex Bentley
    Jan 27, 2021 | 5:21 pm

    While many events in and around Dallas have either been postponed or canceled during the coronavirus pandemic, organizations have pivoted to virtual or socially distanced events to continue offering the masses some entertainment while we need it the most.

    Below are the best ways to spend your free time this weekend. While not every event is out of the house, they all promise to provide a nice distraction from the everyday life.

    Thursday, January 28

    Denton Black Film Festival
    The annual Denton Black Film Festival is going all-virtual for 2021. The festival will feature over 140 films and other programs over the course of five days. Viewers can choose from a variety of options, from a three-block package, which gives viewers a choice of three film blocks, to the Gold VIP Virtual Experience Pass, giving viewers access to everything at the festival. The festival goes on through Monday.

    Cry Havoc Theater Company presents Once Upon A Moon
    Once Upon a Moon examines some of the darker and lesser-known fairy tales by the Grimm brothers and others. Directed by Artistic Director Mara Richards Bim and devised by Bim, the production features an all-female teen cast and was filmed live at the Pavilion at Dallas Heritage Village. The production, created for audiences ages 7 and up, will be available to stream at any time through February 28.

    Second Thought Theatre presents Second Thought Emerging Playwrights
    Second Thought Theatre's inaugural new playwriting series, which lets audiences experience a behind-the-scenes look in creating a play from the ground up, continues with audiences attending a live full working rehearsal. Guests will experience a virtual rehearsal in real time and learn more about the collaboration process of creating new plays through the eyes of the director, cast and playwright.

    Cirque Italia presents Paranormal Cirque
    Following its debut in Mesquite, Paranormal Cirque moves to Stonebriar Centre in Frisco. Under the black and red big top tent of Paranormal Cirque exists a crazy yet fun fusion between circus, theater, and cabaret in perfect harmony with the evolution of a show that brings audiences back to when they dream ... and when they had nightmares and fantasies. The show, continuing through February 15, is only for teenagers and above; no kids under 13 will be admitted.

    Texas Theatre presents Sundance Film Festival Satellite Screenings
    The Sundance Film Festival will come to Texas courtesy of satellite screenings at Texas Theatre. The theater will present 13 screenings over six days through Tuesday, including the anticipated Judas and the Black Messiah starring Daniel Kaluuya and LaKeith Stanfield. All but the opening night and closing night screenings will be indoors and socially distanced; the other two will be drive-in screenings outside the theater.

    Friday, January 29

    Eisemann Center for the Performing Arts presents Jaston Williams: I Saw the Lights
    Jaston Williams of Greater Tuna fame is back with I Saw the Lights, a new darkly funny solo performance. When mysterious lights appeared over Lubbock, Texas in 1951, people wondered aloud whether they were part of some government plot, an invasion by the Russians or just seeing space aliens out to abduct Francine Whitharrel’s Persian cat. The virtual performance will stream for one night only.

    Uptown Players presents Application Pending
    In Application Pending, B.J. Cleveland stars as Chris Evans, a kindergarten assistant at Edgely Prep. On the day applications are due, Edgely’s Head of Admissions is ousted in a scandal, and Chris is unexpectedly thrust into the job. With phones ringing off the hook, Chris must balance beleaguered applicants, venal administrators, and an army of parents who will stop at nothing to get their kids into this exclusive school. Cleveland plays all 44 characters in the production, which will be available to stream at any time through February 7.

    Improv Arlington presents Shawn Wayans
    The Wayans family is filled with talented members, so there is no surprise that the second youngest brother, Shawn, continues to have success. He has starred in such films as I'm Gonna Get You Sucka and Don't Be a Menace to South Central While Drinking Your Juice in The Hood, as well as in the cast of In Living Color. He'll perform five times through Saturday at Improv Arlington.

    Saturday, January 30

    Crow Museum of Asian Art exhibition openings
    The Crow Museum of Asian Art will open three new exhibitions: Kana Harada: "Divine Spark" features new works created by Dallas-based artist Kana Harada during this time of a global pandemic, embodying the artist’s wishes for a peaceful and bright future for all; "Born of Fire: Contemporary Japanese Women Ceramic Artists" draws from the collection of Carol and Jeffrey Horvitz, who have amassed an important encyclopedic collection of major Japanese modern and contemporary ceramics; and "Vishnu: Across Time and Space" features a selection of works of art from the museum’s collection that invite visitors to contemplate the multiple facets of this deity. "Divine Spark" will be on view through September 5, while the other two exhibitions are on view indefinitely.

    The Allman Betts Band in concert
    The Allman Betts Band, featuring Devon Allman & Duane Betts on guitars and vocals, puts on a show that includes original music from their two albums, songs from their solo projects, and classic songs by The Allman Brothers Band, the legendary group founded by Devon and Duane’s fathers, Gregg Allman & Dickey Betts. They'll play three times at The Kessler through Sunday in support of their second album, Bless Your Heart. There is limited capacity for each show due to social distancing requirements.

    Uptown Players presents Application Pending, which will be available to stream at any time, January 29-February 7.

    B.J. Cleveland in Application Pending
    Photo courtesy of Uptown Players
    Uptown Players presents Application Pending, which will be available to stream at any time, January 29-February 7.
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    Movie Review

    Faces of Death returns with modern twist on cult horror film

    Alex Bentley
    Apr 10, 2026 | 10:30 am
    Dacre Montgomery in Faces of Death
    Photo courtesy of of IFC Films
    Dacre Montgomery in Faces of Death.

    True horror fans will likely be familiar with the 1978 cult film Faces of Death, which purported to be a documentary showing real-life killings in gory detail. It didn’t, of course, but that didn’t stop rumors from continuing to spread for decades. Now, almost 50 years and multiple sequels later, comes a new version of Faces of Death, an actual movie that pays homage to the original in interesting ways.

    Margot (Barbie Ferreira) works at a YouTube-like company called Kino as a content moderator, flagging videos that violate the company’s policies. This means her job often involves seeing some truly despicable things from all manner of depraved people. One day, though, she comes across a video that seems a little too real, and after seeing more similar videos, she starts to believe they’re genuine murders.

    Going against her company NDA, she starts to investigate the videos on her own, which puts her on the radar of Arthur (Dacre Montgomery), who is actually kidnapping people and killing them on camera through methods seen in the original Faces of Death film. It’s not long before Arthur tracks her down, with a plan to make her one of his next victims.

    Written and directed by Daniel Goldhaber (How to Blow Up a Pipeline) and co-written by Isa Mazzei, the film is not so much scary as it is creepy, with the occasional gross-out sequence. The idea of having someone emulate the killings in the cult film is a good idea, and pairing it with the modern-day attention economy - in which content creators go to increasing lengths for clicks - is a clever twist on a concept that other films have done.

    The film as a whole is a commentary on how social media and video sharing sites have often decided to prioritize profits over the well-being of their users. Margot is shown allowing videos involving violence and sexual assault to stay on the site while nixing ones depicting how to use Narcan or demonstrating putting on a condom on a banana. Josh (Jermaine Fowler), Margot’s boss, is even explicit in the company mandate that outrageous videos drive views.

    While Arthur has the makings of a good villain, there are few attempts to make him seem truly diabolical. His kidnappings often seem more spur-of-the-moment than calculated, and even though he has a well thought-out dungeon at home, the house’s location in the suburbs seems to make him vulnerable to easy discovery. Goldhaber and Mazzei leave more than a few unanswered questions along the way that take away from the intensity of the story.

    Ferreira is yet another actor from Euphoria who’s capitalizing on her exposure from that show. She plays Margot’s increasing anxiety well, and when the action ratchets up in the final act, she meets the moment in a satisfying way. Montgomery returns to the vibe he had while playing the evil Billy on Stranger Things, and even though his character doesn’t fully live up to his potential, Montgomery sells his evil for all it’s worth.

    The new Faces of Death may not be what some are expecting given the reputation of the previous films, but it’s a solid horror/thriller that uses the brand as a launching pad into something different. It doesn’t make much of a dent in the scare department, but it does give its violence and gore a degree of relevance in today’s often desensitized world.

    ---

    Faces of Death is now playing in theaters.

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