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Movie Review

The Little Things a solid if imperfect entry in the crime drama genre

Alex Bentley
Jan 27, 2021 | 10:54 am
The Little Things a solid if imperfect entry in the crime drama genre
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At their best, crime dramas can be an intense experience as police and criminals engage in a cat-and-mouse game. The films are usually on the side of the cops, but showing the frailties of those supposedly on the right side of the law has become a popular aspect of many modern movies in the ever-expanding genre.

In The Little Things, it’s the capability of the ones doing the investigating that’s put under a microscope. Joe Deacon (Denzel Washington) works for the Kern County Sheriff’s Department, but he is confronted with his past when he’s sent on an errand to his old stomping ground with the Los Angeles County Sheriff’s Department. It’s clear from his chilly reception that things did not end well there, although he doesn’t let that stop him from inserting himself into a new investigation.

A series of women either have been murdered or gone missing, and the similarities to a case Joe handled when he was with the department are striking. He gloms on to Detective Jim Baxter (Rami Malek) to track the new case, and the two immediately find common ground in their dedicated-to-a-fault mentalities. As they hone in on their prime suspect, Albert Sparma (Jared Leto), their dogged personalities prove to be both a help and hinderance to the pursuit.

Written and directed by John Lee Hancock, the film maintains a nice rhythm throughout. Although both Joe and Det. Baxter appear to have what it takes to be good cops, Hancock includes just enough scenes to plant doubt into the viewers’ minds. He doles out meager information about Sparma, with what is shown being more than enough to view him as supremely creepy, although whether that qualifies him to be a killer is called into question.

The tropes of the genre keep the film going even when the story falters a bit. Hancock includes more than a few narrative leaps in logic, and it’s only because of similar films that have come before and talent of the cast that the missteps don’t stop the story’s momentum. The downtrodden cop looking for redemption is a cliché almost as old as film itself, but the movie features plenty of moments that help Joe and the story itself overcome that familiarity.

At 66, Washington can no longer move like he once could, but he still has the presence that few others can offer. The way he narrows his eyes and seems to consider every word before saying it are just two of the many ways he elevates his role. Malek is an acquired taste. His type of acting doesn’t seem to fit well here, as he doesn’t have the gravitas or life experience to be completely believable. Leto, on the other hand, has a long history of being disturbing in different roles, and he makes the most of his limited screentime.

The Little Things, the first of Warner Bros’ 2021 slate to go directly to HBO Max, is a solid if imperfect entry in the crime drama genre. It offers little that fans haven’t seen before, but some fine filmmaking and great acting make it a worthwhile experience.

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The Little Things will debut in theaters and on HBO Max on January 29.

Denzel Washington in The Little Things.

Denzel Washington in The Little Things
Photo courtesy of Warner Bros. Pictures
Denzel Washington in The Little Things.
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Movie Review

New biopic 'Jimmy' salutes Jimmy Stewart's service in World War II

Alex Bentley
Nov 6, 2026 | 11:41 am
KJ Apa in Jimmy
Photo courtesy of Papaian Studios
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Actor Jimmy Stewart, thanks to movies such as Mr. Smith Goes to Washington, The Shop Around the Corner, and The Philadelphia Story, had the reputation early in his career as the everyman in Hollywood, someone to whom most audiences could relate. That became even more true when Stewart entered the military during World War II, a period that is explored in the new biopic, Jimmy.

Stewart (KJ Apa) was riding high in 1941, coming off his first (and only) Oscar win for The Philadelphia Story. As depicted in the film, his life is upended when he receives a military draft notice as the U.S. prepares for war. He’s determined to serve, but people like studio head Louis B. Mayer (Jason Alexander) try to talk him out of it. Already an experienced pilot, he eventually joins the war in Europe, flying the B-24 bomber.

Despite his celebrity status, Stewart requests to be treated the same as any other soldier, which means flying multiple missions over enemy territory. He moves up the ranks, becoming a leader tasked with, among other things, reporting the deaths of service members to their families. He also starts a friendship that develops into a romance with Lady Julia (Kara Killmer), giving him a distraction from the horrors of war.

Directed by Aaron Burns and written by Justin Strawhand, the film has the clear goal of being a hagiography for Stewart, showing all of his good qualities and few of his bad ones. In fact, the character of Stewart is harder on himself than the actual movie is, chastising himself over the deaths of fellow soldiers that he likely could not have prevented. The filmmakers go to great lengths to show how good and well-respected Stewart was, something that may well be true, but doesn’t make for great drama.

The bulk of the film features Stewart at war, following him and others as they fly multiple missions and commiserate over the price of combat. The sequences are fine, but the film’s budget does not appear to be high, and so the CGI needed to recreate the scenes is noticeably subpar. Because Burns and Strawhand usually keep to surface-level storytelling and don’t go deep on any character besides Stewart, his time at war is engaging but slight.

The film is bookended by Stewart and Frank Capra (Max Casella) making It’s a Wonderful Life, Stewart’s first film after coming back from war. It’s here where the movie becomes most interesting as Stewart, still affected by his war experience, struggles to bring the character of George Bailey to life. The behind-the-scenes look at the film-within-the-film and the recreations of its iconic scenes are catnip for anyone who knows/loves the Christmas classic.

Apa, best known for starring as Archie on the TV show Riverdale, does extremely well as Stewart. He nails Stewart’s quavering voice and the way he ambles about plays right into the actor’s established persona. Casella and Killmer get the most play in supporting roles, and each does solid work as characters trying to understand Stewart. Alexander, Sarah Drew as Hedda Hopper, and Rob Riggle as a colonel each go a little too big in their respective parts.

Jimmy is probably best watched as an approximation of the man Stewart was in the 1940s, not as something that’s completely true to life. The film elides or stretches the truth on multiple occasions, which is par for the course in biopics. It could have used some stronger storytelling to make Stewart feel like a real person, not merely a replica of the famous actor.

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Jimmy is now playing in theaters.

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