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Movie Review

The Little Things a solid if imperfect entry in the crime drama genre

Alex Bentley
Jan 27, 2021 | 10:54 am
The Little Things a solid if imperfect entry in the crime drama genre
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At their best, crime dramas can be an intense experience as police and criminals engage in a cat-and-mouse game. The films are usually on the side of the cops, but showing the frailties of those supposedly on the right side of the law has become a popular aspect of many modern movies in the ever-expanding genre.

In The Little Things, it’s the capability of the ones doing the investigating that’s put under a microscope. Joe Deacon (Denzel Washington) works for the Kern County Sheriff’s Department, but he is confronted with his past when he’s sent on an errand to his old stomping ground with the Los Angeles County Sheriff’s Department. It’s clear from his chilly reception that things did not end well there, although he doesn’t let that stop him from inserting himself into a new investigation.

A series of women either have been murdered or gone missing, and the similarities to a case Joe handled when he was with the department are striking. He gloms on to Detective Jim Baxter (Rami Malek) to track the new case, and the two immediately find common ground in their dedicated-to-a-fault mentalities. As they hone in on their prime suspect, Albert Sparma (Jared Leto), their dogged personalities prove to be both a help and hinderance to the pursuit.

Written and directed by John Lee Hancock, the film maintains a nice rhythm throughout. Although both Joe and Det. Baxter appear to have what it takes to be good cops, Hancock includes just enough scenes to plant doubt into the viewers’ minds. He doles out meager information about Sparma, with what is shown being more than enough to view him as supremely creepy, although whether that qualifies him to be a killer is called into question.

The tropes of the genre keep the film going even when the story falters a bit. Hancock includes more than a few narrative leaps in logic, and it’s only because of similar films that have come before and talent of the cast that the missteps don’t stop the story’s momentum. The downtrodden cop looking for redemption is a cliché almost as old as film itself, but the movie features plenty of moments that help Joe and the story itself overcome that familiarity.

At 66, Washington can no longer move like he once could, but he still has the presence that few others can offer. The way he narrows his eyes and seems to consider every word before saying it are just two of the many ways he elevates his role. Malek is an acquired taste. His type of acting doesn’t seem to fit well here, as he doesn’t have the gravitas or life experience to be completely believable. Leto, on the other hand, has a long history of being disturbing in different roles, and he makes the most of his limited screentime.

The Little Things, the first of Warner Bros’ 2021 slate to go directly to HBO Max, is a solid if imperfect entry in the crime drama genre. It offers little that fans haven’t seen before, but some fine filmmaking and great acting make it a worthwhile experience.

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The Little Things will debut in theaters and on HBO Max on January 29.

Denzel Washington in The Little Things.

Denzel Washington in The Little Things
Photo courtesy of Warner Bros. Pictures
Denzel Washington in The Little Things.
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Movie Review

Revived Coyote vs. Acme shows Looney Tunes’ enduring appeal

Alex Bentley
Aug 28, 2026 | 12:00 pm
Wile E. Coyote in Coyote vs. Acme
Photo courtesy of Ketchup Entertainment
Wile E. Coyote in Coyote vs. Acme.

No movie studio has gone through more ups and downs in the past few years than Warner Bros. In 2022, they oddly shelved two mostly-completed movies, Batgirl and Scoob! Holiday Haunt. But the next few years brought major movies like Barbie, Dune Part Two, Sinners, Superman, Weapons, and One Battle After Another, giving them a huge boost. Strangely, that led directly into a proposed sale to Paramount that is now going through legal battles.

Another previously-shelved Warner Bros. movie, Coyote vs. Acme, is now seeing the light of day thanks to a deal with a small company called Ketchup Entertainment. Taking its cue from the classic Looney Tunes cartoons, the film creates a world in which Wile E. Coyote - sick of constantly being thwarted in his pursuit of Road Runner by faulty Acme products - decides to sue the company.

To do so, he approaches the law firm of Avery, Jones & Maltese, led by Kevin Avery (Will Forte). The firm typically takes on small cases that are easy to settle, but - with a little subterfuge from Wile E. Coyote - they are soon presenting Acme and its lead attorney, Buddy Crane (John Cena), with a lawsuit that could be worth millions of dollars. Naturally, the big corporation won’t give in without a fight, leading to all sorts of shenanigans on both sides.

Directed by Dave Green and written by Samy Burch from a story by Burch, James Gunn, and Jeremy Slater, the film is a fun mixture of nostalgia and clever storytelling. Most of Looney Tunes’ classic characters make an appearance in the film, including Bugs Bunny, Daffy Duck, Porky Pig, Elmer Fudd, and Sylvester. The two, other than Wile E. Coyote and Road Runner, who get the most play are Tweety, who appears in some of the movie’s funniest scenes, and Foghorn Leghorn, reimagined as the CEO of Acme.

The blend of live action and animation is not quite on the level of something like Who Framed Roger Rabbit, but it is still effective. It also affords the film plenty of opportunities to employ Looney Tunes’ signature brand of cartoon violence that doesn’t actually leave lasting damage. The gags are very familiar for those who grew up on the studio’s short films, but combined with the inventive ways in which they’re used and the pointed jabs at corporate culture, they become somewhat fresh again.

Naturally, there are plenty of references in the film, starting with the name of the law firm, which pays homage to legendary directors Chuck Avery and Chuck Jones, as well as writer/animator Michael Maltese. Sly jokes that could turn the film from PG to PG-13 sneak their way in, although they steer clear of elements that haven’t aged well (documented in a recent viral comedy clip). But the film is at its best when it leans into the well-earned traits of its favorite characters and just lets them cook.

Forte is a great scene partner for Wile E. Coyote, as he can turn even minor slights into comedy gold. His deadpan reactions are the ideal way to counter the insanity going on around him. Cena has proven in other films that he has great comic timing, and he demonstrates that skill well here, too, especially in a fantastic scene opposite Tweety. The voice talent does a good job with the iconic characters, although the legendary Mel Blanc remains the gold standard.

Coyote vs. Acme is not a world-changing movie by any means, but it is a fun twist on the characters many know and love that deserved to be seen by moviegoers. Wile E. Coyote may never actually catch Road Runner, but this movie shows that his unceasing attempts remain entertaining after all these years.

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Coyote vs. Acme is now playing in theaters.

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