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    RIP Trey

    Beloved Dallas musician and music label co-founder Trey Johnson dies

    Teresa Gubbins
    Feb 1, 2022 | 9:14 am
    Trey Johnson
    RIP Trey.
    Photo courtesy of Jason Janik

    Beloved Dallas musician Trey Johnson, who was a founding member of rock band Sorta, died on January 31; he was 53.

    Born Lewis Harlan Johnson III, Trey was a Dallas native, graduate of Greenhill School and the University of North Texas, and co-founder of State Fair Records, a Dallas music label that released albums by acclaimed artists such as Joshua Ray Walker, Kristy Kruger, and Eleven Hundred Springs.

    Sorta was an Americana rock band that released four full-length records and garnered national attention when their songs were picked up for several television series. In 2007, the band parted ways after the untimely death of band member Carter Albrecht.

    But Johnson continued to sing and record, including two solo albums Mount Pelée and Where The East Ends on Idol Records, and most recently an EP released on Christmas Day 2021 on State Fair Records called Home Again, Home Again, under the name Lewis III.

    He worked as a commercial production director for 97.1 The EAGLE, and also taught music for several years at local music school Zounds Sounds.

    In 2019, he and his wife Jen opened YAM Dallas, a space for yoga and the arts.

    According to a family friend, Johnson had experienced heart problems within the past year that included a blocked artery.

    Johnson was universally beloved, and the Dallas creative community came out in force to mark his passing with tributes on Facebook.

    Radio industry veteran Billy MacLeod called him "North Texas' own confidante and friend to so very many," stating that "his music kept coming, but it was really his quiet conversations and the encouragement that he gave to others that will endure."

    Music photographer Jessica Waffles called him "a pillar in the community, a kind supportive soul, and a real happy guy. ... So many people have been able to make it so far with your help. Thank you for everything you did. What a rockstar."

    Musician Marcus Striplin recalled a point where he was feeling down and called Johnson. "Trey took my call on a late spring day and just listened to me. At the time I didn’t realize how much I needed for someone to listen to me and either say 'you're crazy and take this event as a sign to hang it up' or something else. Trey told me the something else. He encouraged me to focus and to not stray from it. He was a believer in my art and he was such a kind and gentle human."

    Singer Becky Middleton said that "working in the studio with someone of his caliber and musicianship is always an honor. But to call him friend was the gift. He was the kindest person and leaves a beautiful legacy with his family and the Dallas music scene."

    Musician and bar owner Reid Robinson described Johnson as a "friend, father, and total class act," calling him "one of the kindest, talented, and most earnest people around. Loved his big hearty laugh, and positive outlook no matter the circumstances. He reminded me of a gentle lion, caring and in control."

    Musician and Eleven Hundred Springs founder Matt Hillyer said that Johnson was "one of those people who you just immediately felt like a kindred spirit with. He championed us and countless others. He always made us feel like the most talented important people in the room. In fact, his own talent as a musician was world class. I always breathed easier knowing he was on our side. Aside from business, he was fun to hang out with and talk to. The loss to the North Texas music world can’t be overstated on this one. This is really heartbreaking."

    Courtney Wright Wells, operations manager for State Fair Records, said, "I never imagined having a partner like Trey, or working with someone that has such a genuine heart for musicians (and all artists), the industry, and selflessly, positively impacting this scene."

    Musician Mike Daane recalled meeting Trey when they were students at North Texas State University. "Thus began a long friendship where we would cross paths on a regular basis in and around the Dallas music scene. Trey always had something cooking musically and formed many bands, exploring and learning, forging his own unique style in the process. It was a treat when our bands would share a bill and I could see what he was up to. Always engaged and in the moment, always a positive thing to say, always a big hello and a hug, always a 'I love you Mike Daane' when we parted. I love you too, Trey. You are going to be sorely missed by everyone."

    Radio personality Josh Venable said that "today we lost one of the nicest imaginable. Trey Johnson was not just incredibly talented. Everyone who heard him play knew that. He was also genuine and sincere and gracious."

    Vandoliers singer-guitarist Joshua Fleming said that Johnson "changed my life, gave me the chance to pursue my dream and believed in me. I wasn’t the only person or only band. He put in so work, so much faith in to all of us. I’m going to miss my friend so much. We all owe you so much. Thank you for giving us a home, thank you for taking care of us."

    He's survived by his mother Betty Dicken, his wife Jen, his daughter Dylan and son Will, his sister Ginna, and his brothers James and Scott.

    UPDATE 2-3-2022: Services will be held on Sunday, February 6 at 2 pm at Sparkman Hillcrest, 7405 W. Northwest Hwy. The in-person service is reserved for family and friends. For all others who wish to pay their respects, join the service via livestream at vimeo.com/672931736.

    In lieu of flowers, donations can be made to The Trey Johnson Scholarship Endowment at the UNT College of Music, so that Trey's legacy may live on through generations of music students in perpetuity. You may make a gift to this fund in two ways:

    • Online. Visit one.unt.edu/giving/college-of-music. Choose "other" from the "Area of Support" drop-down menu. Type "Trey Johnson Endowment" in the "other" box.
    • Check. Make a check out to "University of North Texas" with "Trey Johnson Endowment: in the memo line, and send to: University of North Texas; University Advancement, Gift Administration at 1155 Union Circle #311250 Denton, TX 76203
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    Movie Review

    Humans are scarier than zombies in 28 Years Later: The Bone Temple

    Alex Bentley
    Jan 15, 2026 | 1:51 pm
    Ralph Fiennes in 28 Years Later: The Bone Temple
    Photo by Miya Mizuno
    Ralph Fiennes in 28 Years Later: The Bone Temple.

    It’s not often that a return to a franchise after years of no activity results in an actual good movie, but 2025’s 28 Years Later proved successful by reuniting director Danny Boyle and writer Alex Garland, who made the original 28 Days Later. Another sequel, The Bone Temple, was filmed back-to-back with last year’s film, with Nia DaCosta taking over for Boyle in the directing chair.

    The movie picks up soon after the end of the first film, with the young Spike (Alfie Williams) now an unwilling member of a group called the Jimmies, which are led by a man who calls himself Sir Jimmy Crystal (Jack O’Connell). Unlike the main group in the first film that was just looking to survive the zombie apocalypse, the Jimmies are a bloodthirsty bunch who gleefully attack any zombies they find and brutalize other survivors they come across.

    The story also returns to Dr. Kelson (Ralph Fiennes), whose solitary time at his self-built bone temple is interrupted by a massive zombie he has dubbed Samson (Chi Lewis-Parry). Against the odds - and with the help of some morphine - Kelson is able to bond with Samson, giving Kelson some strange but welcome companionship. But with the Jimmies lurking nearby, any peace he’s found may soon be shattered.

    DaCosta, working from a script by Garland, ably steps into Boyle’s shoes, putting the emphasis on the story rather than trying for lots of stylistic flourishes. That’s not to say that she doesn’t do great work, however. The creepiness and sadistic nature of the Jimmies comes through loud and clear under her direction, and she brings out the campy comedy that comes from the unexpected pairing of Kelson and Samson.

    Like the first 28 Years Later, the story is somewhat of a slow burn. The film doesn’t have many plot developments over its 109 minutes, and so DaCosta must get by on mood rather than action for the most part. But when things do get ramped up, they can get very uncomfortable as the film does not shy away from extreme gore. The damage inflicted by Samson and other zombies is one thing, but when it’s sentient humans going savage, it becomes even more difficult to look at the screen.

    The juxtaposition between the chaos of the Jimmies and the quiet existence of Dr. Kelson works well for the film. Their separation for the bulk of the story gives them plenty of time to have the characters come into their own. Sir Jimmy Crystal is the ringleader, but Jimmy Ink (Erin Kellyman) gets her own showcase. Samson was already a (literally) big presence from the first film, but this film gives him a degree of humanity that gives the story more depth.

    O’Connell made a big impression as the lead vampire in Sinners, and he’s just as interesting/intimidating here. Fiennes plays a character where being over-the-top is the natural reaction, and yet he keeps Kelson grounded in a number of ways that make him much more than one-note. Lewis-Parry was likely cast for his physique, but he brings out more from a zombie than you’d ever expect. Williams fades into the background a bit after his starring role in the first film, but he’s still strong.

    Releasing The Bone Temple in January was not a great sign given the month’s reputation as a dumping ground for bad movies, but it actually proves to be a great choice. With most other releases being Oscar hopefuls or truly awful films, it stands out for being another compelling entry for the franchise, one that will make anticipation high for whenever the third film in the 28 Years Later series comes out.

    ---

    28 Years Later: The Bone Temple opens in theaters on January 16.

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