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    RIP Trey

    Beloved Dallas musician and music label co-founder Trey Johnson dies

    Teresa Gubbins
    Feb 1, 2022 | 9:14 am
    Trey Johnson
    RIP Trey.
    Photo courtesy of Jason Janik

    Beloved Dallas musician Trey Johnson, who was a founding member of rock band Sorta, died on January 31; he was 53.

    Born Lewis Harlan Johnson III, Trey was a Dallas native, graduate of Greenhill School and the University of North Texas, and co-founder of State Fair Records, a Dallas music label that released albums by acclaimed artists such as Joshua Ray Walker, Kristy Kruger, and Eleven Hundred Springs.

    Sorta was an Americana rock band that released four full-length records and garnered national attention when their songs were picked up for several television series. In 2007, the band parted ways after the untimely death of band member Carter Albrecht.

    But Johnson continued to sing and record, including two solo albums Mount Pelée and Where The East Ends on Idol Records, and most recently an EP released on Christmas Day 2021 on State Fair Records called Home Again, Home Again, under the name Lewis III.

    He worked as a commercial production director for 97.1 The EAGLE, and also taught music for several years at local music school Zounds Sounds.

    In 2019, he and his wife Jen opened YAM Dallas, a space for yoga and the arts.

    According to a family friend, Johnson had experienced heart problems within the past year that included a blocked artery.

    Johnson was universally beloved, and the Dallas creative community came out in force to mark his passing with tributes on Facebook.

    Radio industry veteran Billy MacLeod called him "North Texas' own confidante and friend to so very many," stating that "his music kept coming, but it was really his quiet conversations and the encouragement that he gave to others that will endure."

    Music photographer Jessica Waffles called him "a pillar in the community, a kind supportive soul, and a real happy guy. ... So many people have been able to make it so far with your help. Thank you for everything you did. What a rockstar."

    Musician Marcus Striplin recalled a point where he was feeling down and called Johnson. "Trey took my call on a late spring day and just listened to me. At the time I didn’t realize how much I needed for someone to listen to me and either say 'you're crazy and take this event as a sign to hang it up' or something else. Trey told me the something else. He encouraged me to focus and to not stray from it. He was a believer in my art and he was such a kind and gentle human."

    Singer Becky Middleton said that "working in the studio with someone of his caliber and musicianship is always an honor. But to call him friend was the gift. He was the kindest person and leaves a beautiful legacy with his family and the Dallas music scene."

    Musician and bar owner Reid Robinson described Johnson as a "friend, father, and total class act," calling him "one of the kindest, talented, and most earnest people around. Loved his big hearty laugh, and positive outlook no matter the circumstances. He reminded me of a gentle lion, caring and in control."

    Musician and Eleven Hundred Springs founder Matt Hillyer said that Johnson was "one of those people who you just immediately felt like a kindred spirit with. He championed us and countless others. He always made us feel like the most talented important people in the room. In fact, his own talent as a musician was world class. I always breathed easier knowing he was on our side. Aside from business, he was fun to hang out with and talk to. The loss to the North Texas music world can’t be overstated on this one. This is really heartbreaking."

    Courtney Wright Wells, operations manager for State Fair Records, said, "I never imagined having a partner like Trey, or working with someone that has such a genuine heart for musicians (and all artists), the industry, and selflessly, positively impacting this scene."

    Musician Mike Daane recalled meeting Trey when they were students at North Texas State University. "Thus began a long friendship where we would cross paths on a regular basis in and around the Dallas music scene. Trey always had something cooking musically and formed many bands, exploring and learning, forging his own unique style in the process. It was a treat when our bands would share a bill and I could see what he was up to. Always engaged and in the moment, always a positive thing to say, always a big hello and a hug, always a 'I love you Mike Daane' when we parted. I love you too, Trey. You are going to be sorely missed by everyone."

    Radio personality Josh Venable said that "today we lost one of the nicest imaginable. Trey Johnson was not just incredibly talented. Everyone who heard him play knew that. He was also genuine and sincere and gracious."

    Vandoliers singer-guitarist Joshua Fleming said that Johnson "changed my life, gave me the chance to pursue my dream and believed in me. I wasn’t the only person or only band. He put in so work, so much faith in to all of us. I’m going to miss my friend so much. We all owe you so much. Thank you for giving us a home, thank you for taking care of us."

    He's survived by his mother Betty Dicken, his wife Jen, his daughter Dylan and son Will, his sister Ginna, and his brothers James and Scott.

    UPDATE 2-3-2022: Services will be held on Sunday, February 6 at 2 pm at Sparkman Hillcrest, 7405 W. Northwest Hwy. The in-person service is reserved for family and friends. For all others who wish to pay their respects, join the service via livestream at vimeo.com/672931736.

    In lieu of flowers, donations can be made to The Trey Johnson Scholarship Endowment at the UNT College of Music, so that Trey's legacy may live on through generations of music students in perpetuity. You may make a gift to this fund in two ways:

    • Online. Visit one.unt.edu/giving/college-of-music. Choose "other" from the "Area of Support" drop-down menu. Type "Trey Johnson Endowment" in the "other" box.
    • Check. Make a check out to "University of North Texas" with "Trey Johnson Endowment: in the memo line, and send to: University of North Texas; University Advancement, Gift Administration at 1155 Union Circle #311250 Denton, TX 76203
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    Movie Review

    Five Nights at Freddy’s 2 is better than the first but not by much

    Alex Bentley
    Dec 4, 2025 | 1:24 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films likeM3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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