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    Greatest Hits

    David Cross film takes radical pay-what-you-want tour through Dallas

    Teresa Gubbins
    Feb 3, 2015 | 2:26 pm

    Dallas will be part of an experimental film tour by comedian David Cross, whose first feature film, Hits, will screen for one day at Texas Theatre. The unusual part is the payment structure: You pay whatever you want.

    It's the first feature film to be released on BitTorrent, with pay-what-you-want theatrical screenings in 50 cities across the U.S. and Canada — including Houston, Dallas and Austin — on February 12. The film also has Texas ties in producers Ryan Brooks, who's from Houston, and Jessica Latham, who's from Amarillo.

    Hits, a dark comedy exploring the nature of fame, debuted at Sundance in 2014. It stars an ensemble cast, including Michael Cera, Matt Walsh, David Koechner, Meredith Hagner, Jason Ritter, Amy Sedaris, Wyatt Cenac, James Adomian, Amy Carlson, Kurt Braunohler, Erinn Hayes, Jessie Ennis and Jake Cherry.

    Cross says that the atypical release of the film is an experiment to see if filmmaking can become more "sustainable." He's also simultaneously releasing Hits as a BitTorrent bundle, a publishing project that connects artists directly with fans.

    Cross says he was inspired by similar ventures executed by musician Thom Yorke, Radiohead and comedian Louis CK. Radiohead was first to try pay-what-you-want with their 2007 release In Rainbows, and Thom Yorke sold his 2014 album Tomorrow's Modern Boxes on BitTorrent. Louis CK has sold comedy specials directly to customers, including his successful January 2015 release Live at the Comedy Store.

    The pay-what-you-want model is popular in the theater world, says Dallas Theater Center's patron services manager DR Hanson. "It's a great opportunity to reach different aspects of community who may not come to the theater because of ticket pricing," he says. "When we do pay-what-you-can shows, we get everything from $1 to $30 a ticket."

    For Cross' film, it serves more as an advertising campaign, says Texas Theatre spokesman Barak Epstein.

    "I think it's one of the ways they're getting the word out about the film," he says. "It's a little easier to get publicity when you're allowing patrons to pay whatever they want to pay, and the one-day theatrical release is a way to promote the film's download sales."

    Texas Theatre was the obvious choice because it has no corporate entity to clear what will be an unusual method of payment that includes collecting cash of all denominations at the door. "They want us to use their signage, and there's some sort of bucket involved," he says.

    There are also pre-sales, and so far, no one's taking advantage. "We have 17 people who've RSVP'd for a combined $100 so far," he says. "So the average person is paying $5.88."

    Comedian and filmmaker David Cross (right) is trying a nontraditional route to distribute his film.

    Hits movie by David Cross
    Photo courtesy of Hits Film, LLC
    Comedian and filmmaker David Cross (right) is trying a nontraditional route to distribute his film.
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    Movie Review

    Eye-popping I Love Boosters takes aim at fashion and social issues

    Alex Bentley
    May 22, 2026 | 3:00 pm
    Naomi Ackie, Keke Palmer, Poppy Liu, and Taylour Paige in I Love Boosters
    Photo courtesy of Neon
    Naomi Ackie, Keke Palmer, Poppy Liu, and Taylour Paige in I Love Boosters.

    Boots Riley’s first feature film, 2018’s Sorry to Bother You, was an auspicious and audacious debut that challenged viewers both with its subject matter and the visuals it contained. Even though it took eight years for him to put out his second film, Riley hasn’t lost his knack for outrageousness in the almost inexplicable I Love Boosters.

    At its core, the movie is about three women - Corvette (Keke Palmer), Mariah (Taylour Paige), and Sade (Naomi Ackie) - who survive in the world by boosting (aka stealing) high-end fashion and reselling it for more affordable prices. In the surreal world in which the film takes place, their primary target is Metro Designers, a shop that deals in monochromatic clothes and is led by the eccentric CEO Christie Smith (Demi Moore).

    The women’s felonious-but-low-stakes mission is up-ended by the appearance of Jianhu (Poppy Liu), who possesses a machine that shoplifts much better than they ever could. The only difference is that Jianhu is looking to expose the shoddy working conditions in the Chinese factories where Metro Designers’ clothes are made. Inspired, the women join forces on a quest that is as bizarre as it is righteous.

    Riley, who both wrote and directed the film, loves his over-the-top visuals. There are eye-popping elements in almost every scene of the film, from the clothes in the Metro Designers stores to the oddly-slanted floors of Smith’s office to the bold masks worn by the group during one heist. Every weird thing on screen serves a purpose, though, even the transformation of Pinky Ring Guy (LaKeith Stanfield) from an object of Corvette’s desire into a soul-sucker with an unusual method.

    While not quite as pointed as Sorry to Bother You, which had Black characters affecting “white” voices to be more appealing to the general public, the film does take aim at a variety of different social issues. The idea of wealth inequality is front-and-center, with Corvette and her friends forced to squat in an abandoned restaurant. The treatment of Chinese factory workers, fashion industry practices and excesses, and more crop up over the course of the film.

    The latter half of the film gets crazier, if that’s even possible. Jianhu’s machine introduces sci-fi elements into the story, with the same circular contraption able to transport, disintegrate, and transform objects or people. Combined with the visuals and storyline, the film becomes something that is both wildly entertaining and also somewhat incomprehensible.

    While the movie has a large cast, Palmer is inarguably the star. With her effervescent acting style and an overall inviting demeanor, she sells every bonkers turn the film takes. Each of the supporting actors gets a moment to shine, but Paige, Ackie, and Moore have the most impact. Stanfield is memorable in a creepy kind of way, but he’s been better in other films.

    I Love Boosters is one of the more outlandish and interesting films to come out in 2026, a long-awaited return from Riley that demonstrates his strong storytelling and filmmaking voice. Even if it’s not clear exactly what’s happening at every turn, the acting and the audacity of the visuals keeps the film extremely watchable.

    ---

    I Love Boosters is now playing in theaters.

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