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    Deep Ellum Arts Festival

    Deep Ellum Arts Festival responds to big changes in the neighborhood

    Teresa Gubbins
    Feb 15, 2016 | 2:25 pm
    Deep Ellum Arts Festival 2014
    Deep Ellum Arts Festival is back, with a new location.
    Photo by Mark Thompson

    The Deep Ellum Arts Festival is back, but with a shift to the right. For 2016, the multiday art and music extravaganza is moving three blocks east.

    The location change is a reflection of the vitality of Deep Ellum, says festival founder Stephen Millard.

    "When we first started this event, there wasn't one business open on Main Street," he says. "In the last several years, the area between Good Latimer and Malcolm X has exploded. We never want to block the entrance of a business, and as a result, we've lost a lot of real estate for our vendors.

    "So we've been working with all of the businesses trying to find a solution. Moving it seemed like a natural resolution, to put it in area that's not competing."

    The Deep Ellum Arts Festival first debuted in 1995 as a one-block street party and has since become a mega-event with visual and performing artists. Where it used to reside on Main between Good Latimer and Hall, now it will occupy six blocks between Malcolm X and Sons of Hermann Hall.

    Millard is especially excited about a "village" area set up on the lot on the corner of Main and Malcolm X, with food vendors and artists making art onsite.

    "It starts at Malcolm X, which becomes the gateway and allows us to use this giant parking lot that connects Elm and Main streets together as the Deep Ellum Village," he says. "In the evening, it'll be the main performing stage area. So instead of closing Malcolm X, we'll close Hall Street."

    There'll be more than 100 performances, including bands and solo musicians representing a variety of genres, on four outdoor stages and two new indoor stages at the Sons of Hermann Hall.

    Among the more than 130 bands already announced include Brave Combo, Rivethead, and Rebel Jazz Alliance.

    Fitting into the April Fools' Day theme, entertainment will include street performers, jugglers, and other whimsical characters, plus a Poetry Slam open mic and a speakers corner, where registered speakers can wax a topic of their choice.

    The festival opens on Friday, April 1, at 11 am, with a special lunchtime preview for downtown office workers. Sunday at noon sees the return of the annual Deep Ellum Pet Parade, which joined the festival in 2015. Registration begins at 11 am at the dog park on Trunk and Commerce.

    "We hope to keeps the synergy going in Deep Ellum," Millard says. "Still bring in thousands of people. We're hoping that businesses will continue running special activities.

    "The festival brings in thousands of people, who stay about three hours, then walk down to see the rest of Deep Ellum."

    deep-ellumfestivals
    news/entertainment

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    Movie Review

    Rose Byrne fights for her life and car in new movie 'Tow'

    Alex Bentley
    Mar 20, 2026 | 10:45 am
    Rose Byrne in Tow
    Photo courtesy of Roadside Attractions
    Rose Byrne in Tow.

    Actor Rose Byrne had a banner year in 2025, getting her first Oscar nomination for her starring role in If I Had Legs, I’d Kick You. Although she came up short in that race, she’s getting another chance to prove her acting bona fides in the new film, Tow.

    In the “inspired by a true story” movie, Byrne plays Amanda, a down-on-her-luck woman who lives in her car and can’t find a job. Living in Seattle, she tries to stay in touch with her daughter, Avery (Elsie Fisher), who lives with her dad in another city, but circumstances sometimes limit their communications, especially when her car is stolen.

    The good news is that her car is found relatively quickly. The bad news is that the tow company is charging her to get her car back, money she can’t afford. Now truly homeless, she does everything in her power to right the wrong, even taking the company to court. Without much luck, she has to start staying in a women’s shelter run by Barbara (Octavia Spencer), where she makes friends with Nova (Demi Lovato) and Denise (Ariana DeBose), among others.

    Directed by Stephanie Laing and written by Jonathan Keasey and Brent Boivin, the film has relatively low stakes going for it and never really tries to make the story feel deeper than it is. The situation Amanda finds herself in is clearly a tough one, and any empathetic person would feel for her and want her to overcome her plight. But the filmmakers keep things light and never try to up the drama in any significant way.

    The issue Amanda is dealing with, being price gouged by a predatory towing company, is one with which many people can relate. But aside from helpfully underscoring Amanda’s frustration by showing the increasing number of days she is without a car, they never establish why they felt this particular story was one worth telling. Her personal issues, including a growing estrangement with her daughter, fail to conjure any big emotions.

    The filmmakers are very loose with their storytelling, especially when it comes to side characters. The presence of the women she meets at the shelter, and Kevin (Dominic Sessa), the young lawyer who offers to help her, never makes full sense other than a need for her to have other people with whom to interact. A tighter focus on what Amanda was going through would’ve helped both her and people around her feel more important.

    Byrne is a dynamic performer who’s shown great skill at both drama and comedy, but there’s nothing special about her performance here. Hampered a bit by a blonde wig and false teeth, she feels out of sorts for much of the film. The unusually high-powered supporting cast - both Spencer and DeBose are Oscar winners - makes things interesting on first blush, but none of them outside of Sessa is given much to do, so they’re mostly wasted.

    Tow will be a disappointment for anyone hoping to see more great stuff from Byrne. While she remains a fine actor, her performance and the story as a whole are nowhere near the level shown in her previous film. The real life predicament shown in the film also never rises to the level of being of something worth showing to the masses.

    ---

    Tow is now showing in theaters.

    moviesfilm
    news/entertainment
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