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Links We Love

Magnificent Mardi Gras food, Boston snow feuds and more links we love right now

Jonathan Rienstra
Feb 17, 2015 | 2:17 pm

Editor's note: There's so much that's beautiful, funny, smart and informative on the Internet. Problem is, there's also a bunch of garbage. Here's the best of the web right now:

1. It's Fat Tuesday, so some of you may be nursing a hangover tomorrow morning. Help soak up that booze tonight with 17 fatty Fat Tuesday recipes — from po' boys and beignets to bread pudding and paczkis.

2. Saturday Night Live just celebrated its 40th anniversary. Here are 14 behind-the-scenes photos of the show from over the years. Patrick Swayze, you were great in Road House, but Farley outdanced you, sir.

3. A guy in Boston shoveled out a parking spot only to have the spot taken by someone else. So he covered that car in snow and posted the whole thing to Craigslist. The Northeast is like three days away from a full on battle royale if it doesn't stop snowing.

4. Now, for some rage reading, here's a first-hand account on what it's like to be a swatter. And if you don't know what a swatter is, well, they obtain people's information off the Internet and use it to get SWAT teams to raid their houses. Because it's funny. Your eye is going to twitch by the end.

5. And in happier news, Charles Manson's wedding is back on! There was some concern that Manson and his 27-year-old fiancée were calling the thing off after she said she planned to put his corpse on display in a glass case and charge admission for people to see it. Luckily, he's the kind of guy who can let the little things slide.

Eat it all and follow it up with a po' boy. It's Fat Tuesday.

Kings Cake
Photo by Eric Wagner Flickr
Eat it all and follow it up with a po' boy. It's Fat Tuesday.
unspecified
news/entertainment
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Movie Review

Survival takes on new meaning in intense but hokey Whalefall

Alex Bentley
Oct 16, 2026 | 11:35 am
Austin Abrams in Whalefall
Photo courtesy of 20th Century Studios
Austin Abrams in Whalefall.

Austin Abrams has been a professional actor for 15 years, but the 30-year-old seems to just now be getting his due. After years of mostly supporting roles in films like Paper Towns, Brad’s Status, and Weapons, he has been charged with leading two films in 2026 where he’s largely acting by himself: First Resident Evil and now Whalefall.

Abrams plays Jay Gardiner, who has returned home to California a year after the death of his hard-ass father, Mitt (Josh Brolin). The two had a tempestuous relationship, and while his mom (Elisabeth Shue) and sisters (Jane Levy and Emily Rudd) reminisce fondly about him, Jay finds it difficult to come up with good memories. The two did share a connection with the ocean, and Jay decides to honor him by going scuba diving.

Ignoring warnings of whale activity in the area, Jay makes his way out into a notoriously dangerous part of the ocean near their home. Soon after he starts swimming, he encounters a sperm whale chasing after a giant squid. Jay inadvertently gets sucked into the enormous creature’s mouth and, ultimately, inside its body. Faced with a seemingly inescapable situation, Jay’s only hope lies in the lessons his father taught him.

Directed by Brian Duffield and adapted by Duffield and Daniel Kraus from Kraus’ book of the same name, the film is at its best when it depicts Jay struggling to survive within the whale. The claustrophobic nature of the setting and the various obstacles (multiple contracting chambers, the squid, and more) he faces make every scene inside the whale feel as intense and cover-your-eyes scary as any great horror movie.

Naturally, the entire movie can’t be about his survival efforts, and so the filmmakers toggle back and forth between Jay’s ordeal in the whale to memories of times with his father. Not so coincidentally, these remembrances come with subtle or overt wisdom from Mitt that would serve Jay well in his current situation. More often than not, these flashback scenes are so on-the-nose that they come off as cheesy instead of inspirational.

It’s also difficult to derive any big emotions from the story other than revulsion at the way Jay’s body is brutalized while he’s inside the whale. None of the characters in the film receive a notable introduction to the audience before big events start happening. It’s next-to-impossible to be invested in their stories when their personalities are being revealed in bits and pieces throughout the movie.

Abrams does well enough in bringing out the terror Jay feels in the whale and the sullenness/anger he has toward his father in other scenes. But whether it’s because his lines in the whale are hard to understand (he’s often talking around a scuba mouthpiece) or the disconnect the character has with father, there’s just something missing in his performance. Brolin’s performance is one-note, and Shue, Levy, Rudd, and John Ortiz don’t appear enough to make a big impact.

With Kraus onboard as the co-writer of the film, it may be the case that Duffield was not given leeway to change the story of Whalefall too much. What might have worked in the book doesn’t seem to translate equally to the film, and while Jay’s nightmare in the whale is effective, the rest of his story doesn’t come across as successfully.

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Whalefall is now playing in theaters.

austin abrams book to film scuba diving survival theaters whalefall movie review
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