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    Movie Review

    The monster in The Cursed has more bite than the film itself

    Alex Bentley
    Feb 17, 2022 | 1:33 pm
    Alistair Petrie in The Cursed.play icon
    Alistair Petrie in The Cursed.
    Photo courtesy of LD Entertainment

    When it comes to successful horror films, the number one factor is mood. If filmmakers hope to engage their viewers and have them on the edge of their seats throughout, they need to set the mood early. Without that crucial element, a horror film becomes much less compelling and, consequently, less watchable.

    That’s the fate that befalls The Cursed, a type of werewolf movie that spends too much time on setting one kind of mood when it should have been focused on another. Set in the late 19th century, it centers on an aristocratic family who, after gypsies lay claim to their land, violently eject the group off their property. However, just before being attacked, two of the gypsies conjure a curse involving attaching liquid silver to a skull’s jaw.

    The aristocrats, who do unspeakable things to those two gypsies, are soon cursed by those silver teeth, with everyone in the general vicinity dreaming about them. Soon, someone is transformed into a kind of hairless, slimy werewolf by the teeth, with nearly everyone in the area in danger of being attacked as well.

    Written and directed by Sean Ellis, the film has difficulty establishing any kind of suspense. Ellis cares way too much about setting up the bona fides of the aristocracy in the film than about making sure the threat that’s about to take a lot of them out is credible. Nearly every attack is telegraphed so much that any dread about impending violence is rendered null and void.

    Ellis also doesn’t do a great job getting the audience invested in his characters. Early on, he jumps from character to character so quickly that it’s difficult to know who the main protagonist is, something he never actually settles on. Boyd Holbrook plays John McBride, a pathologist who comes to help the family, but how exactly he can help isn’t clear until the plot has progressed too far for anyone to care.

    Then there are the smaller details that a better filmmaker would have nailed down. For example, if you go to the film’s IMDb page, it will tell you it’s set in rural 19th century France. However, everyone in the film speaks with posh British accents, and with names like Charlotte, Edward, and John, you’d be forgiven if you thought you were anywhere but England.

    The actors do their level best, although the way the film is staged, it doesn’t really matter who’s playing what role. Holbrook, Kelly Reilly, and perennial bad guy Alistair Petrie are the biggest names in the cast, and they play their scenes effectively. But they and the other actors are not showcased all that well, and so their performances wind up mattering little.

    The best that can be said about The Cursed is that at least Ellis chose to show his monster instead of keeping it hidden away. Overall, though, the film is very moody with little payoff, a story that — unlike its monster — has little bite.

    ---

    The Cursed opens in theaters on February 18.

    Alistair Petrie in The Cursed.

    Alistair Petrie in The Cursed
    Photo courtesy of LD Entertainment
    Alistair Petrie in The Cursed.
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    Movie Review

    Hugh Jackman channels Neil Diamond in biopic Song Sung Blue

    Alex Bentley
    Dec 24, 2025 | 1:05 pm
    Hugh Jackman and Kate Hudson in Song Sung Blue
    Photo courtesy of Focus Features
    Hugh Jackman and Kate Hudson in Song Sung Blue.

    Neil Diamond - a member of both the Songwriters and Rock and Roll Halls of Fame with 10 No. 1 songs and over 56 million albums sold - is such a music legend that it would be easy to do a straight-up biopic of him. Instead, the new Song Sung Blue - named after Diamond’s 1972 hit song - serves as a shadow Diamond biopic, with his songs showcased through a real-life husband-and-wife tribute act known as Lightning & Thunder.

    Based on the 2008 documentary of the same name, the film focuses on Mike Sardina (Hugh Jackman), who comes up with the idea for a Diamond-centric act when he meets Claire (Kate Hudson). The duo soon grows in popularity locally in Milwaukee, headlining not just restaurants and bars but also some larger venues. As their legend spreads, they even start to get the attention of the media and bigger names outside of Wisconsin.

    Of course, it wouldn’t be a good biopic without a little turbulence, and — without spoiling things — Mike and Claire learn that good times never seemed so good when they face more than their fair share of troubles. The couple endures their ups and downs with the help of their combined family, including children Rachel (Ella Anderson) Angelina (King Princess), and Dana (Hudson Henley), as well as a community of fellow tribute acts.

    Written and directed by Craig Brewer (Dolemite is My Name), the film’s appeal lies mainly in the irrepressible enthusiasm of Mike, a man born to entertain if ever there was one. Neither his long-dormant alcoholism nor health problems nor location in the Upper Midwest can stop Mike from demonstrating his showmanship skills. Of course, it helps that he’s portrayed by Jackman, who - despite getting a little long in the tooth - gives every performance his all.

    What the story can never quite answer, though, is why this particular couple is worth an entire feature film. Sure, they have a somewhat interesting arc, especially when it coincides with a certain early ‘90s grunge band, but otherwise there’s little that separates them from other tribute acts toiling around the country. Brewer struggles to define them outside of their singing lives, and when things get really bad for them, the emotional connection is at a minimum.

    Then there’s the aspect of incorporating Diamond’s music, some of which has endured across the decades more than others. Naturally, “Sweet Caroline” gets a notable showcase, but whither “America” or “Heartlight?” The title song is featured the most often, as Mike uses it to celebrate his yearly “sober birthday,” but it’s not a barnburner. Mike also has an obsession with the relatively obscure "Soolaimón," an odd choice both for him and for the movie to include so much.

    Jackman and Hudson have good chemistry together, and when the film puts them together in singing scenes, their bond becomes infectious. Each of them has naturally melodic voices as well, lending an extra boost to that part of the film. Supporting actors like Anderson, King Princess, Michael Imperioli, and Fisher Stevens complement them well, but Jim Belushi, playing their promoter, gives a hammy performance that seems to be in a completely different movie.

    While it’s unclear who the audience for Song Sung Blue might be other than hardcore Diamond fans, it has just enough crowd-pleasing moments to make for a solid watch. The entertainment factor of the film comes and goes, but Jackman using every ounce of his abilities mostly makes up for any deficiencies.

    ---

    Song Sung Blue opens in theaters on December 25.

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