Somebody's Darling is one of 10 new bands added to the lineup of the inaugural Dallas Music District Festival, taking place May 16 and 17 on the Trinity River Greenbelt.
Courtesy of Somebody's Darling
The new Dallas Music District Festival, taking place May 16-17 on the Trinity River Greenbelt, had already made a splash with its initial announcement. But this inaugural fest just got more interesting with the addition of more bands.
Among the new entries are blues rock group Somebody’s Darling, folk rock trio Leopold and His Fiction, Fort Worth songstress Gollay, up-and-comer Jessie Frye, psychedelic rockers Un Chien, garage rock trio Dome Dwellers, electronic-pop duo NITE, Marc Swafford, Mean Motor Scooter, and LEV.
Those 10 acts join previously announced performers like Jonathan Tyler, Aaron Behrons & the Midnight Stroll, ISHI, MOTHXR (featuring Penn Badgley of CW’s Gossip Girl), Donald Cumming of The Virgins, Mainland, Dreamers, and Exit 380 — bringing the total number to 19 for now.
It’s an eclectic lineup that offers a little something for every musical taste — especially those who pride themselves on following the local music scene. The bands will play on two stages over the course of two days. The first day starts at 2 pm, concurrent with the free Trinity River Wind Festival taking place nearby.
Tickets are now on sale, with prices ranging from $25 for a one-day pass to $50-$149 for a two-day pass.
The career of actor Chris Hemsworth is a curious one, as it feels like he’s a huge star (mostly from playing Thor in Marvel movies) and not at the same time, with most of the non-MCU movies featuring him in a lead role failing to become big successes. But he still has a certain presence about him, which is why he’s being given another chance to prove his star power in the new thriller, Crime 101.
Hemsworth plays Davis, a talented thief who knows how to get what he wants without resorting to violence. When a job early in the movie turns slightly sideways, it makes him think twice about working with his handler (Nick Nolte), who seems to prefer someone with a stronger touch, like the up-and-coming Ormon (Barry Keoghan).
Davis is the main character, but two others who come into his orbit get their own subplots. Lou (Mark Ruffalo) is a slightly schlubby LAPD detective who’s convinced he knows the pattern of an unknown thief that likes to hit places close to Highway 101. Sharon (Halle Berry) works for a high-end insurance agency known for working with ultra-wealthy clients, the types who might be a great target for a thief like Davis.
Written and directed by Bart Layton, the film has a decent propulsion to it that comes with most crime thrillers. Davis and Ormon represent the yin and the yang of criminal approaches, and and it’s interesting to see the juxtaposition between the two as their simmering rivalry heats up over the course of the film. When the film commits to actually showing its crimes, it has an excitement that’s worth watching.
Unfortunately, Layton displays a real lack of focus, taking the audience into subplots with each of the three main characters that prove unnecessarily distracting. Lou’s marriage problems may explain his disheveled appearance, but there’s no need to see him deal with them with wife Angie (Jennifer Jason Leigh). Sharon’s troubles with her male-dominated company prove slightly pivotal, but still don’t merit the time put into exploring them.
The most baffling subplot is Davis pursuing a relationship with Maya (Monica Barbaro), a woman he randomly meets. At different points in the movie, including many of his interactions with Maya, Davis seems like the most uncomfortable, antisocial person in the world. And yet he somehow morphs into a suave smooth-talker who’s able to convince anyone to do what he wants at other key points, making it unclear exactly what kind of person he really is.
Hemsworth does relatively well in the lead role, but he’s still missing that certain something to make his character, and therefore the movie, truly compelling. The rest of the cast is fine, too, but each of them seem to be putting in just the minimal amount of effort to make the film watchable. Ruffalo and Barbaro come off the best, but with the talent in the cast (11 Oscar nominations and one win), they could have been used better.
Crime 101 has most of the ingredients to be another great entry in the genre, and it succeeds when it actually decides to deliver on its promise. But too much of the film is spent on things that have no real bearing on plot or character development, leaving the movie in the middle of the pack.
