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    Trust me, I'm a journalist

    Make easy money on Oscar bets with our foolproof guide to the Academy Awards

    Duncan Carson
    Feb 23, 2013 | 8:30 am

    There is an entire Internet subculture devoted to predicting the Oscars. Like sporting events, it has its own Vegas odds-makers, and several blogs are devoted to handicapping the ceremony. Hard and fast rules don't work, and even renowned statistician Nate Silver wasn't as good at predicting who got little gold men as he was at predicting how the 2012 election would unfold.

    No matter. If you followed my advice last year, you went with a tried-and-true regimen of pre-Oscar indicators, gut instinct and a resolution to not take it so seriously. You also got 18 out of 24 categories correct, which is more than enough to win most office Oscar pools.
    This year should be no different if you follow my foolproof guide to the Oscars. These are the winners wrought by the awards season narrative, and I'll be absolutely sure of each one — until a few of them are wrong on Sunday.
    Argo has made a late-season push to the front of the pack for Best Picture. Hollywood loves itself, so a movie about making movies (sort of) could swoop in and prevent the solid but straightforward Lincoln from Mitt-Romney-ing its way to victory.
    Argo should pick up Editing and Adapted Screenplay awards as well, while Lincoln consoles itself with wins for performances by Daniel Day-Lewis and Tommy Lee Jones and Steven Spielberg's direction. In the other major categories, Jennifer Lawrence wins Best Actress by a nose for Silver Linings Playbook, while Anne Hathaway wins Best Supporting Actress in a landslide (pretty much just for singing the Susan Boyle song from Les Mis, which will also win Sound Mixing for its innovative live-singing production). In a wide-open race, Django Unchained stands poised to take Original Screenplay.
    Life of Pi should take a bunch of technical awards for looking pretty. Skyfall will become only the third Bond movie to win an Oscar, taking home both Sound Effects Editing and Best Original Song for Adele's titular ballad. Anna Karennina easily wins Best Costumes, and The Hobbit wins makeup for dusting off the hobbit feet.
    That leaves Wreck-It Ralph winning Best Animated Feature, Amour (a Best Picture nominee) easily winning Best Foreign Language Film, Searching For Sugar Man taking Best Documentary and, finally, the unpredictable short films. Getting one short film right is a good day: at least Paperman (a partially hand-drawn industry favorite) is a lock for Animated Short. I have gone with Curfew in Live Action Short (it has a cute little kid), and Mondays at Racine (it's about cancer) in Documentary Short.
    Without further ado, here's my comprehensive guide to the Academy Awards. Best of luck! And if I'm way off, I promise all of your money back.

    Picture: Argo
    Director: Steven Spielberg, Lincoln
    Actor: Daniel Day-Lewis, Lincoln
    Actress: Jennifer Lawrence, Silver Linings Playbook
    Supporting Actor: Tommy Lee Jones, Lincoln
    Supporting Actress: Anne Hathaway, Les Miserables
    Original Screenplay: Django Unchained
    Adapted Screenplay: Argo
    Editing: Argo
    Cinematography: Life of Pi
    Score: Life of Pi
    Song: "Skyfall" by Adele from Skyfall
    Art Direction: Life of Pi
    Costumes: Anna Karennina
    Sound Mixing: Les Miserables
    Sound Effects Editing: Skyfall
    Makeup: The Hobbit
    Visual Effects: Life of Pi
    Foreign: Amour
    Animated Feature: Wreck-It Ralph
    Doc Feature: Searching for Sugar Man
    Doc Short: Mondays at Racine
    Animated Short: Paperman
    Live Short: Curfew

    Django Unchained is poised to take Original Screenplay.

    Django Unchained movie
    Photo courtesy of The Weinstein Company
    Django Unchained is poised to take Original Screenplay.
    unspecified
    news/entertainment

    Movie Review

    Faces of Death returns with modern twist on cult horror film

    Alex Bentley
    Apr 10, 2026 | 10:30 am
    Dacre Montgomery in Faces of Death
    Photo courtesy of of IFC Films
    Dacre Montgomery in Faces of Death.

    True horror fans will likely be familiar with the 1978 cult film Faces of Death, which purported to be a documentary showing real-life killings in gory detail. It didn’t, of course, but that didn’t stop rumors from continuing to spread for decades. Now, almost 50 years and multiple sequels later, comes a new version of Faces of Death, an actual movie that pays homage to the original in interesting ways.

    Margot (Barbie Ferreira) works at a YouTube-like company called Kino as a content moderator, flagging videos that violate the company’s policies. This means her job often involves seeing some truly despicable things from all manner of depraved people. One day, though, she comes across a video that seems a little too real, and after seeing more similar videos, she starts to believe they’re genuine murders.

    Going against her company NDA, she starts to investigate the videos on her own, which puts her on the radar of Arthur (Dacre Montgomery), who is actually kidnapping people and killing them on camera through methods seen in the original Faces of Death film. It’s not long before Arthur tracks her down, with a plan to make her one of his next victims.

    Written and directed by Daniel Goldhaber (How to Blow Up a Pipeline) and co-written by Isa Mazzei, the film is not so much scary as it is creepy, with the occasional gross-out sequence. The idea of having someone emulate the killings in the cult film is a good idea, and pairing it with the modern-day attention economy - in which content creators go to increasing lengths for clicks - is a clever twist on a concept that other films have done.

    The film as a whole is a commentary on how social media and video sharing sites have often decided to prioritize profits over the well-being of their users. Margot is shown allowing videos involving violence and sexual assault to stay on the site while nixing ones depicting how to use Narcan or demonstrating putting on a condom on a banana. Josh (Jermaine Fowler), Margot’s boss, is even explicit in the company mandate that outrageous videos drive views.

    While Arthur has the makings of a good villain, there are few attempts to make him seem truly diabolical. His kidnappings often seem more spur-of-the-moment than calculated, and even though he has a well thought-out dungeon at home, the house’s location in the suburbs seems to make him vulnerable to easy discovery. Goldhaber and Mazzei leave more than a few unanswered questions along the way that take away from the intensity of the story.

    Ferreira is yet another actor from Euphoria who’s capitalizing on her exposure from that show. She plays Margot’s increasing anxiety well, and when the action ratchets up in the final act, she meets the moment in a satisfying way. Montgomery returns to the vibe he had while playing the evil Billy on Stranger Things, and even though his character doesn’t fully live up to his potential, Montgomery sells his evil for all it’s worth.

    The new Faces of Death may not be what some are expecting given the reputation of the previous films, but it’s a solid horror/thriller that uses the brand as a launching pad into something different. It doesn’t make much of a dent in the scare department, but it does give its violence and gore a degree of relevance in today’s often desensitized world.

    ---

    Faces of Death is now playing in theaters.

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