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    Fruitcake News

    Corsicana goes Hollywood with new Will Ferrell film on fruitcake scandal

    Teresa Gubbins
    Feb 26, 2020 | 5:09 pm
    Anchorman_will ferrell
    Will Ferrell will play an accountant who swindled the company out of $17 million.
    Courtesy photo

    There's a movie in the works about a scandal at a beloved Texas fruitcake company, set to star Will Ferrell and Julianne Moore.

    Called Fruitcake, it's based on the true story of Sandy and Kay Jenkins, who embezzled more than $17 million from world-famous fruitcake company Collin Street Bakery in Corsicana.

    The money was stolen by Sandy, who worked as an accountant at the company for a decade. According to government records, he and his wife blew it on trips on private jets, shopping sprees, and purchases of 38 vehicles, including a Lexus, Mercedes Benz, Bentley, and Porsche. The release says that the couple "purchased a new automobile every time they needed an oil change."

    They almost single-handedly kept the NorthPark location of Neiman Marcus in business, spending $1.2 million, and earning themselves the nicknames "Fruitcake" and "Cupcake."

    The release says that "the Jenkins stopped shopping at Neiman Marcus when Neiman's ran out of things to sell them."

    In 2015, Sandy was sentenced to 10 years in prison, and Kay was put on probation and ordered to complete 100 hours of community service. Sandy died in prison in March 2019.

    Authorities recovered 532 luxury items, including 41 bracelets, 15 pairs of cufflinks, 21 pairs of earrings,16 furs, 61 handbags, 45 necklaces, 9 sets of pearls, 55 rings, and 98 watches, valued at $3.5 million; plus $580,754.90 in cash; plus a wine collection valued at $50,000; plus a Steinway electronic piano valued at $58,500.

    A May 2019 story on Deadline was the first to reveal that Ferrell would play Sandy and Kay would be played by Laura Dern.

    But the bakery says that Dern had a scheduling conflict resulting from the filming of the latest Jurassic Park movie.

    Bob McNutt, president and CEO of Collin Street Bakery, who has been given the honorary title of executive producer in recognition of the bakery's cooperation with production, confirmed that Moore has stepped in to take the role.

    "As of now, that is correct," McNutt says.

    Ferrell remains committed to the role of Sandy Jenkins.

    Rumors began to circulate that filming on the movie had begun in Corsicana following a February 14 appearance by Cheer coach Monica Aldama on a podcast, when she stated that Ferrell was in town filming.

    But Corsicana Tourism Director Lauren Bedsole says they were unaware of any filming taking place. "The likelihood is that they won't actually do that much filming in Corsicana itself," Bedsole says.

    The script is by Austin-based writer Trey Selman and Max Winkler, Henry Winkler's son, was attached as director.

    Producers include Jordan Horowitz (La La Land), Jayme Lemons (Antiquities), Adam Kolbrenner (Prisoners), and Red Sanders (Melville).

    Located 50 miles south of Dallas, Collin Street Bakery has been baking fruitcakes since 1896. Their goods include the Deluxe Fruitcake and the Pecan Cake, from recipes brought from Germany, and they ship them all over the world.

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    Movie Review

    Jodie Foster brings depth and wit to French thriller A Private Life

    Alex Bentley
    Jan 30, 2026 | 9:41 am
    Jodie Foster in A Private Life
    Photo by Georges Lechaptois
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    Jodie Foster has been a member of the Hollywood community for almost 60 years, first as a child actor on TV, and then branching out into movies. She earned an Oscar nomination at the tender age of 14 for her role in Taxi Driver, and she’s gone on to be nominated five times, winning twice. Now, at age 63, she’s showing she’s still capable of surprises by fluently speaking another language in the French film, A Private Life.

    Foster plays Lilian Steiner, a psychiatrist who sees patients out of her Parisian apartment. When she learns of the death of one of her patients, Paula (Virginie Efira), she’s sad but otherwise unaffected until a few suspicious things start happening. This includes the robbery of her apartment, in which a recording of Paula’s last session with Lilian goes missing.

    With the help of her ex-husband, Gabriel (Daniel Auteuil), Lilian becomes an amateur private detective, tracking the movements of Paula’s husband, Simon (Mathieu Amalric), whom she increasingly suspects of murder. At the same time, Lilian must navigate a tense relationship with her son, Julien (Vincent Lacoste), along with an unexpected rekindling of romance with Gabriel.

    Written and directed by Rebecca Zlotowski, and co-written by Anne Berest, it is a psychological thriller that at times feels like an Inspector Clouseau movie. With little to go on but her own perhaps misguided suspicions, Lilian digs herself deeper into a situation of her own making. And she further clouds her mind by indulging in a tryst with Gabriel, who’s all too eager to help Lilian pursue her criminal theories. While the film is not a comedy, there are elements of humor that pop in to keep the story light.

    Zlotowski plays with the competing tones of the story well, keeping viewers on Lilian’s side even as she indulges in things that might not be the healthiest for her. Lilian’s various eccentricities - an adherence to recording on old-fashioned mini discs instead of fully digital, keeping an emotional distance from her son and grandson - make her a fascinating character whose vacillating motivations keep viewers guessing as to what she’ll do next.

    In a lot of ways, the film is a study of how Lilian needs to try to find ways to heal herself. The possibility of Paula being murdered wakes Lilian up to the idea that she has not been as attentive a doctor as she should be. The sessions with different patients that Zlotowski shows give the impression that there’s a general level of dissatisfaction with her, with one patient outright breaking up with her.

    Foster is no less compelling speaking mostly in French than she is in English language movies. Her fluency is never in doubt, and she fits in seamlessly with the actual French actors in the film. Auteuil is a fun counterpart for Foster, showing an unexpected chemistry with her that keeps their scenes crackling with energy. Amalric, a Wes Anderson favorite, has a relatively small role but still stands out when he gets a chance.

    A Private Life is not the type of thriller that American audiences might be used to, but its slow, methodical storytelling and subtle humor make it an interesting watch from beginning to end. The film is not up for any awards, but Foster’s performance shows she remains a top-tier actor.

    ---

    A Private Life is now playing in select theaters.

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