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    Best & Worst Oscar Moments

    Oscars 2014: Best and worst moments, including Matthew McConaughey's victory dance

    Joe Leydon
    Mar 3, 2014 | 7:40 am

    After devoting most of the last six months handicapping the Oscar race, movie bloggers likely will spend most of the next 36 hours trashing Sunday’s evening’s Academy Awards telecast. Why? Perhaps they can’t help themselves.

    As writer-historian Mark Harris suggested in an insightful Tweet, dissing the Oscarcast is “the Silkwood shower we take to scrub off the self-hatred.”

    But here’s the thing: As Oscarcasts go, the one that aired Sunday was a modestly amusing and generally well-paced affair. Capably if not excitingly hosted by a game and ingratiating Ellen DeGeneres, the program proved to be relatively painless as made-for-TV spectacle and largely satisfying as a doling out of just desserts to the truly deserving.

    Co-star Jared Leto gave an eloquent enough speech while accepting his Oscar. But Matthew McConaughey was the one firing on all cylinders.

    And if that sounds like I’m damning with faint praise — I am. But if anyone tries to tell you this is the worst Oscarcast he or she has ever seen, you need to ask just how many Oscarcasts this complainer has ever watched.

    Speaking as a cineaste, I was pleased when the brutally gripping 12 Years a Slave was named Best Picture — even though, deep in my heart, I was hoping for an upset by Nebraska — and when co-star Lupita Nyong’o grabbed the gold as Best Supporting Actress. But, then again, I was just as happy that the relentlessly thrilling Gravity took home seven Oscars overall, including Best Director for Alfonso Cuarón.

    No, I was not surprised that Cate Blancett got the Best Actress award for Blue Jasmine and that her path to victory wasn’t blocked by any sort of backlash against writer-director Woody Allen. (Blanchett had this sucker nailed down as early as last summer.) Yes, I was delighted the Aussie took time during her acceptance speech to take a spirited swipe at Hollywood studio chiefs who continue to believe “films with women at the center are niche experiences.”

    And I freely confess: I whooped and hollered with unabashed glee when Texas boy Matthew McConaughey got the Oscar as Best Actor for his richly detailed and deeply moving portrayal of hustler-turned-AIDS activist Ron Woodruff in Dallas Buyers Club.

    Co-star Jared Leto gave an eloquent enough speech while accepting his Oscar as Best Supporting Actor. But McConaughey was the one firing on all cylinders, thanking everyone from God Almighty to director Jean-Marc Vallée to a dad swilling Miller Lite somewhere in heaven while clutching the gold, beaming brightly and, briefly, dancing an expression of happy gratitude. Awright, awright, awright!

    Some other random observations about the Oscarcast:

    Best Remark From a Winner to a Fawning Audience
    Cate Blanchett: “Sit down, you’re too old to be standing!”

    Same Time, Next Year ... Maybe
    Jim Carrey made but a fleeting appearance, to intro a film-clip montage, but he scored big laughs — yes, even with his borderline-lame LSD joke — and his uncannily accurate imitation of Bruce Dern was downright hilarious. (So hilarious, it had Dern himself roaring with laughter.) Why not give him a chance to liven up the whole freakin’ show?

    Just Wondering
    Am I the only one who expected Ellen to wind up asking Meryl Streep to just get up and take that group photo?

    Go Ahead, Admit It
    Sure, Lupita Nyong'o won the Best Supporting Actress award for her excruciatingly powerful performance in 12 Years a Slave. And, God bless her, she richly deserved it. But c’mon: Julie Squibb of Nebraska had the best film clip in this category.

    Come to think of it, she had the best film clip of anybody nominated in any category all evening, right?

    Best Presenter-to-Presenter Banter
    Bill Murray to Amy Adams: “Baby, you look like $146 million domestic.” (Props also to Murray’s evidently impromptu shout-out to the late Harold Ramis “for Caddyshack, Ghostbusters and Groundhog Day.”)

    Fallen Stars
    The people who put together the annual “In Memoriam” tribute usually catch heat for neglecting to include this aged celebrity or that industry insider, and the segment as a whole often is mocked as, well, take your pick: too lachrymose, too ponderous, too, well, sad.

    But this year’s tribute to film folks no longer with us struck me as much classier and more subdued than usual this year. For one thing, everyone from gone-too-soon Paul Walker to veteran producer A.C. Lyles to master animator Ray Harryhausen got pretty much the same time on screen. (A personal observation: Very, very glad to see my friend Roger Ebert made the, ahem, final cut.)

    The decision to use Roger Williams’ ineffably haunting theme from Somewhere in Time to underscore the presentation was a masterstroke. And yes, Bette Midler brought it all home with an effective and affecting rendition of her signature tune, “Wind Beneath My Wings.”

    It’s a shame that they couldn’t, or wouldn’t, include Sarah Jones in the lineup, despite the much-publicized campaign to honor the young camera assistant who was killed February 20 during the location filming of Midnight Rider. But, yes, that was her name you saw flashing on the screen before the commercial break, on a plug for the longer “In Memoriam” tribute that appears on Oscar.com.

    Unmentionable, Unforgettable
    It would be needlessly unkind to remark about the appearance of two female presenters who likely have grounds to sue their plastic surgeons. Both reminded me, alas, of the old joke about the woman who had her face lifted — and then dropped.

    And I just can’t bring myself to say anything about — well, no, that’s a lie. I can bring myself to say I have the utmost respect and admiration for Sidney Poitier. It’s just that I felt very melancholy while seeing him looking so frail — even while coming off so effortlessly elegant and dignified — while serving as a Best Director presenter.

    I’m even more grateful than I might normally be that Poitier also appeared during one of the evening’s “Celebrating Heroes” montages (or whatever the hell they were called), looking fine and in his prime in Norman Jewison’s In the Heat of the Night. Yes, even after all these years, it’s always a terrific rush to hear: “They call me Mister Tibbs!”

    Good Sport of the Evening
    Brad Pitt, hands down. Not only was he a nifty presenter and a supportive partner — note the way he proudly applauded Angelina Jolie’s win of an honorary Oscar — but he was also one of the first celebs to get out of his seat and join the fun when Ellen called for folks to join her in that group shot.

    And when Ellen started handing out pizza — well, I’ll be damned if he wasn’t the dude first dude to start handing out paper plates and napkins before he chowed down. Don’t know about you, but I want him to drop by for my next party.

    And Speaking of Pizza
    Gee, do you think this place will enjoy an uptick in business after tonight?

    unspecified
    news/entertainment

    Movie Review

    The Dink aces pickleball with funny, star-filled comedy

    Alex Bentley
    Jul 24, 2026 | 11:30 am
    Mary Steenburgen and Jake Johnson in The Dink
    Photo courtesy of Apple TV+
    Mary Steenburgen and Jake Johnson in The Dink.

    While the sport of pickleball was invented way back in the 1960s, it has exploded in popularity in the 2020s. It was only a matter of time before someone figured out a way to make a movie about the craze, and a comedy like the new Apple TV+ film The Dink provides the best way to honor and make fun of the divisive sport at the same time.

    Dusty Boyd (Jake Johnson), aka The Hammer, is a former tennis phenom who’s now working as an instructor at a club owned by his dad, Chuck (Ed Harris). While the two don’t always see eye-to-eye, they have a mutual hatred for pickleball, which they have begrudgingly allowed on the property by giving it the worst court.

    Dusty is hoping to stop all future pickleball expansion by winning a one-on-one grudge match, but when he injures his wrist, he’s given a prescription of pickleball as a form of rehab. Older women like Candace (Mary Steenburgen) are the only people he can find to play with, and despite his disdain for the sport, he soon falls prey to its low-key charms.

    Directed by Josh Greenbaum (Will & Harper) and written by Sean Clements, the film is probably the best advertisement pickleball will ever have. Dusty’s introduction to the sport serves as a lighthearted tutorial for the uninitiated while still getting in some nice digs at its expense. The other players - Candace, Gail (Cleo King), and Judy (Lynn Marie Stewart) - are equally welcoming and critical of Dusty, who initially has trouble adjusting to the game’s different rules.

    The film’s approach to the story is silly but never stupid. Dusty is a blowhard, but he’s also able to admit when he’s wrong, especially when Candace introduces him to multiple things he had never considered before. A long-standing feud between Dusty and Andy Roddick provides more than just a goofy cameo for the real-life tennis star. The film also pushes right to the edge of being over-the-top before pulling back, allowing it to keep a semblance of reality to it.

    Clements’ story follows a tried-and-true formula, making the film very predictable but enjoyably so. Where it earns its comedy credentials is in its finer details, like Dusty’s love for his 1999 Buick LeSabre with under 200,000 miles on it, his trunk full of old VHS tapes, or his interactions with his assistant PJ (Aaron Chen), who manages to be the comic relief in an already funny film.

    Johnson, probably best known for starring in the sitcom New Girl in the 2010s, has the right amount of smarm and niceness to pull off the role, letting viewers laugh at and root for him at the same time. The film is full of comedy all-stars in small roles like Oswalt, Chris Parnell, and Ben Stiller, but Harris steals everyone’s thunder. The line readings by the four-time Oscar nominee give an extra punch to his character’s jokes, especially one that hints at the sordid history of the tennis club.

    It’s a shame that The Dink is only playing on a streaming service as there’s a dearth of good comedies like this in movie theaters. With a solid joke-telling approach, a respect for its subject matter, and a cast who all play off each other well, this is a film that deserves to be seen by more than just those with an Apple TV+ subscription.

    ---

    The Dink is now streaming on Apple TV+.

    moviessportspickleballfilm
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