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    DIFF Insight

    Mud director reveals why he chose Matthew McConaughey for leading role

    Dallas International Film Festival
    Apr 4, 2013 | 1:15 pm
    Dallas International Film Festival, Mudplay icon
    Mud is one of the few films playing only once during the Dallas International Film Festival, on April 5 at Angelika Film Center Dallas.
    Photo courtesy of Dallas International Film Festival

    Set on the banks of the Mississippi River, Mud (playing at Angelika Film Center Dallas on Friday, April 5) tells the story of Ellis and Neckbone, two best friends on the cusp of adolescence who come across a charismatic outlaw who needs their help. Known simply as “Mud,” the mysterious man (played by a well-cast Matthew McConaughey) recruits the boys in his plan to be reunited with his true love, Juniper (Reese Witherspoon).

    While Neckbone remains skeptical, Ellis is quickly drawn in by Mud’s story, and the boys agree to help them run away together. But when a team of bounty hunters descends upon the town, the boys start to find themselves in too deep.

    Below, director Jeff Nichols explains how he knew Austin's McConaughey was ideal for the role, how the film is a realistic look at the power and consequences of love, and what is in the name “Mud.”

    DIFF: How do you feel McConaughey was able to capture the essence of a down-and-out, lovelorn fugitive? Had you always imagined him playing Mud?

    Jeff Nichols: Yes, I wrote this part for Matthew, even though I didn’t know him at the time I was writing it. I could just picture him on an island saying these lines. He brought things to the role that made it even better. Mud is a very determined man that has invented a personal philosophy for himself. Matthew is really similar in this regard; he seems to always be refining his place in the world.

    “I wrote this part for Matthew, even though I didn’t know him at the time I was writing it,” says director Jeff Nichols.

    An essential part of Mud’s character is that his many speeches to the boys, about his past and about Juniper, sound like dreams and not just memories. Early on, Matthew recognized this crucial difference, and I think it helped make his character so captivating.

    DIFF: Did Mud choose this name for himself? What does the name “Mud” say about him?

    JN: I was listening to a lot of Townes Van Zandt when I was conceiving of this story, and the song “Mr. Mudd and Mr. Gold” was definitely playing in my head. There’s also the “your name is Mudd” connotation as well. But the name really just felt right given the location.

    Mississippi mud is a very real substance. We were caked in it during the entire shoot, so there is that. Also, for a film about the murky subjects of love and adolescence, “Mud” just seemed like an appropriate word to anchor the film to.

    DIFF: Could you describe the connection that Ellis forms with Mud? What is it in Ellis that he wants to believe Mud’s story so quickly while Neckbone doesn’t?

    JN: Simply put, Ellis needs to find an example of love that works, and he believes he’s found that example in Mud. Ellis needs this for two reasons. First, he’s becoming a young man, starting to have strong feelings for girls, and so he is beginning to explore the idea of love for himself.

    Second, if love is possible, then it’s possible that Ellis’ parents, who are on the verge of splitting up, could stay together. Neckbone represents the rational, arguably adult side of ourselves. He’s the one that calls “bullshit.” Reality is always just behind us, telling us how complicated life and love really are.

    DIFF: Love and its loss is a recurring theme throughout the film. How does love guide the characters in Mud, for better or for worse?

    JN: This whole film is about love. I chose to consider the subject through a male point of view. A lot of times stories look at love, especially romantic love, through the eyes of women. I wanted to flip that.

    This is a male film about romantic love. As far as what it says about love, ultimately I’ll leave that up to the audience. For me, and this applies to all of my films, love and pain are forever interconnected. You can’t love without risking the possibility of real pain. Some might see this as a downer, but I actually think it’s kind of a beautiful thought. I certainly subscribe to it.

    DIFF: Teenage actors Tye Sheridan and Jacob Lofland give outstanding and authentic performances as Ellis and Neckbone. What would you say they brought to the roles?

    JN: The most important thing to note about Jacob and Tye is that they gave actual performances in this film. What I mean is, a lot of films remove dialogue from kids in order to capture more honest, truthful moments. I actually can agree with this approach and like to see it executed well. However, our film required these boys to not only learn lines, but ingest them and deliver them in a way that felt honest and truthful to this part of America and this stage in adolescence.

    I think Tye and Jacob accomplished this, which is a feat adult actors have trouble pulling off, and they took what was on the page and brought it to life. A big part of this is because they seem so close in real life to these characters. I knew going in I had young men that were truly from this area, so I never had to worry about accent or even teaching them how to ride a dirt bike or run a boat. I think they’re both stars.

    Mud is one of the few films playing only once during the Dallas International Film Festival, on April 5 at Angelika Film Center Dallas.

    Dallas International Film Festival, Mud
    Photo courtesy of Dallas International Film Festival
    Mud is one of the few films playing only once during the Dallas International Film Festival, on April 5 at Angelika Film Center Dallas.
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    Movie Review

    Reminders of Him blends trauma and romance in slight but effective story

    Alex Bentley
    Mar 12, 2026 | 11:30 am
    Maika Monroe and Tyriq Withers in Reminders of HIm
    Photo by Michelle Faye / Universal Pictures
    Maika Monroe and Tyriq Withers in Reminders of HIm.

    Texas author Colleen Hoover has gone from being a popular writer to a full-on celebrity in the 2020s, with the new film Reminders of Him marking the third adaptation of her books in just 19 months (a fourth, Verity, is scheduled for release in October 2026). All of her books that have been adapted so far - most notably It Ends With Us - are female-led stories that feature elements of romance and trauma, catnip for studios looking to appeal to the underserved demographic of women.

    Leading the way in this film is Kenna Rowan (Maika Monroe), who returns to her hometown of Laramie, Wyoming after spending years in prison for killing her boyfriend, Scotty (Rudy Pankow), in a car accident. That relationship resulted in a daughter, Diem (Zoe Kosovic), whom Kenna gave birth to while imprisoned and is now being raised by her grandparents, Patrick (Bradley Whitford) and Grace (Lauren Graham).

    Yearning to be a part of Diem’s life, Kenna tries to reconnect with Patrick and Grace, only to be rebuffed by Scotty’s best friend, Ledger (Tyriq Withers), a former NFL player who now owns a local bar. In running interference, Ledger starts to become closer to Kenna, discovering that her tragic mistake shouldn’t be the only thing that defines her.

    Directed by Vanessa Caswill and written by Lauren Levine, the film features mostly surface level examinations of its themes and average performances, yet it winds up being effective thanks to a willingness not to rush through its storytelling beats. The filmmakers take the slow and steady approach toward the coupling of Kenna and Ledger, setting up their bond through a series of heart-to-heart conversations that makes any romance feel earned.

    The majority of the focus is on Kenna reclaiming her place in the world, and on Ledger coming to terms with the fact that the person who killed his best friend is not inherently a bad person. The film definitely could have gone deeper in its explorations of grief and anger, but the sheer amount of time it takes in addressing the characters’ doubts and fears turns out to be sufficient for a film that’s not aiming to be considered a dramatic masterpiece.

    It also helps that Caswill and Levine do a solid job of establishing the variety of characters that inhabit the film. Kenna and Ledger don’t always feel like fully-formed people, but they become so through their interactions with each other and the other townspeople. Lady Diana (Monika Myers), a girl with Down syndrome who lives in Kenna’s apartment complex, and Roman (Nicholas Duvernay), Ledger’s co-worker at his bar, help to broaden the appeal of the two leads.

    Monroe has, to this point, been best known for starring roles in horror films like It Follows and Longlegs. While she does somewhat well in this role, her delivery is often more flat than you’d expect for a character going through what she does. Withers thankfully doesn’t remind viewers of his recent bomb Him, demonstrating a crossover appeal that should serve him well in the future. Whitford and Graham don’t get to do much, but their combined experience gives their roles exactly what is needed.

    It may sound like damning with faint praise, but Reminders of Him is a competently made film that knows how to serve its core audience without insulting anyone who may not automatically be all-in for such a story. The filmmakers don’t try to force any of the key moments down the audience’s throat, and that stands out in a genre that’s not always known for its subtlety.

    ---

    Reminders of Him opens in theaters on March 13.

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