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    DIFF Insight

    Mud director reveals why he chose Matthew McConaughey for leading role

    Dallas International Film Festival
    Apr 4, 2013 | 1:15 pm
    Dallas International Film Festival, Mudplay icon
    Mud is one of the few films playing only once during the Dallas International Film Festival, on April 5 at Angelika Film Center Dallas.
    Photo courtesy of Dallas International Film Festival

    Set on the banks of the Mississippi River, Mud (playing at Angelika Film Center Dallas on Friday, April 5) tells the story of Ellis and Neckbone, two best friends on the cusp of adolescence who come across a charismatic outlaw who needs their help. Known simply as “Mud,” the mysterious man (played by a well-cast Matthew McConaughey) recruits the boys in his plan to be reunited with his true love, Juniper (Reese Witherspoon).

    While Neckbone remains skeptical, Ellis is quickly drawn in by Mud’s story, and the boys agree to help them run away together. But when a team of bounty hunters descends upon the town, the boys start to find themselves in too deep.

    Below, director Jeff Nichols explains how he knew Austin's McConaughey was ideal for the role, how the film is a realistic look at the power and consequences of love, and what is in the name “Mud.”

    DIFF: How do you feel McConaughey was able to capture the essence of a down-and-out, lovelorn fugitive? Had you always imagined him playing Mud?

    Jeff Nichols: Yes, I wrote this part for Matthew, even though I didn’t know him at the time I was writing it. I could just picture him on an island saying these lines. He brought things to the role that made it even better. Mud is a very determined man that has invented a personal philosophy for himself. Matthew is really similar in this regard; he seems to always be refining his place in the world.

    “I wrote this part for Matthew, even though I didn’t know him at the time I was writing it,” says director Jeff Nichols.

    An essential part of Mud’s character is that his many speeches to the boys, about his past and about Juniper, sound like dreams and not just memories. Early on, Matthew recognized this crucial difference, and I think it helped make his character so captivating.

    DIFF: Did Mud choose this name for himself? What does the name “Mud” say about him?

    JN: I was listening to a lot of Townes Van Zandt when I was conceiving of this story, and the song “Mr. Mudd and Mr. Gold” was definitely playing in my head. There’s also the “your name is Mudd” connotation as well. But the name really just felt right given the location.

    Mississippi mud is a very real substance. We were caked in it during the entire shoot, so there is that. Also, for a film about the murky subjects of love and adolescence, “Mud” just seemed like an appropriate word to anchor the film to.

    DIFF: Could you describe the connection that Ellis forms with Mud? What is it in Ellis that he wants to believe Mud’s story so quickly while Neckbone doesn’t?

    JN: Simply put, Ellis needs to find an example of love that works, and he believes he’s found that example in Mud. Ellis needs this for two reasons. First, he’s becoming a young man, starting to have strong feelings for girls, and so he is beginning to explore the idea of love for himself.

    Second, if love is possible, then it’s possible that Ellis’ parents, who are on the verge of splitting up, could stay together. Neckbone represents the rational, arguably adult side of ourselves. He’s the one that calls “bullshit.” Reality is always just behind us, telling us how complicated life and love really are.

    DIFF: Love and its loss is a recurring theme throughout the film. How does love guide the characters in Mud, for better or for worse?

    JN: This whole film is about love. I chose to consider the subject through a male point of view. A lot of times stories look at love, especially romantic love, through the eyes of women. I wanted to flip that.

    This is a male film about romantic love. As far as what it says about love, ultimately I’ll leave that up to the audience. For me, and this applies to all of my films, love and pain are forever interconnected. You can’t love without risking the possibility of real pain. Some might see this as a downer, but I actually think it’s kind of a beautiful thought. I certainly subscribe to it.

    DIFF: Teenage actors Tye Sheridan and Jacob Lofland give outstanding and authentic performances as Ellis and Neckbone. What would you say they brought to the roles?

    JN: The most important thing to note about Jacob and Tye is that they gave actual performances in this film. What I mean is, a lot of films remove dialogue from kids in order to capture more honest, truthful moments. I actually can agree with this approach and like to see it executed well. However, our film required these boys to not only learn lines, but ingest them and deliver them in a way that felt honest and truthful to this part of America and this stage in adolescence.

    I think Tye and Jacob accomplished this, which is a feat adult actors have trouble pulling off, and they took what was on the page and brought it to life. A big part of this is because they seem so close in real life to these characters. I knew going in I had young men that were truly from this area, so I never had to worry about accent or even teaching them how to ride a dirt bike or run a boat. I think they’re both stars.

    Mud is one of the few films playing only once during the Dallas International Film Festival, on April 5 at Angelika Film Center Dallas.

    Dallas International Film Festival, Mud
    Photo courtesy of Dallas International Film Festival
    Mud is one of the few films playing only once during the Dallas International Film Festival, on April 5 at Angelika Film Center Dallas.
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    news/entertainment

    Movie Review

    Film sequel Avatar: Fire and Ash is a technical and visual feast

    Alex Bentley
    Dec 18, 2025 | 3:15 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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