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    Film Insight

    Fearless documentary Brave Miss World gives rape victims a voice

    Dallas International Film Festival
    Apr 10, 2013 | 9:04 am
    Dallas International Film Festival, Brave Miss Worldplay icon
    Brave Miss World plays April 10 and 12 as part of the Dallas International Film Festival.
    Photo courtesy of Dallas International Film Festival

    In a world too often plagued by anguish and pain, true beauty can be hard to find. Linor Abargil is proof, however, that such beauty exists. And that’s not simply in reference to her looks, but also to her beautiful and infallible spirit.

    With Cecilia Peck’s powerful documentary, Brave Miss World (playing at Magnolia Theatre April 10 and Angelika Film Center Dallas April 12), viewers are brought on Linor’s journey from city to city, country to country, as she helps women cope with an issue that’s unfortunately very near to her own heart: rape.

    Less than two months before she was crowned Miss World in 1998, Abargil was raped while modeling in Italy. In spite of the trauma she’s experienced, her heart remains full of love, and her warm personality shines brightly throughout the film.

    “We found Linor [Abargil]’s lack of shame in talking about rape to be extremely compelling,” says director Cecilia Peck.

    “We both found Linor’s lack of shame in talking about rape, and her belief that telling her story could help other women to seek help, to be extremely compelling,” director Cecilia Peck says of the first time that she and producer Inbal Lessner met Abargil in 2008. “Little did we know that it would be an almost five-year odyssey and harder, but hopefully more important, than anything else we’d ever undertaken.”

    One of the many challenges in creating this documentary, Peck says, was handling the everyday stresses of filmmaking while simultaneously dealing with such tough subject matter.

    “When you’re on a micro budget and have a tight schedule — with travel, hiring and managing crews, technical issues, production problems, sleep deprivation, etc. — it can be hard to make sure you are also remaining very respectful of the delicate emotional lives of the people you’re working with,” Peck says.

    Abargil faced challenges of her own throughout the filming process, often sacrificing her own well-being for the good of her cause. Brave Miss World doesn’t define her by one tragic event, but rather focuses on the incredible woman she has become and paves the way for other women to take back control of their own lives.

    However, women are not the only ones capable of connecting to the film, as rape is an issue affecting men as well. The film fearlessly confronts a difficult subject with both an elegant grace and an extreme fierceness, giving victims not only a voice, but also hope for a better future.

    Brave Miss World plays April 10 and 12 as part of the Dallas International Film Festival.

    Dallas International Film Festival, Brave Miss World
    Photo courtesy of Dallas International Film Festival
    Brave Miss World plays April 10 and 12 as part of the Dallas International Film Festival.
    unspecified
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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