The Palladium Ballroom is getting a moniker makeover. On July 2, the venue, considered one of the best for live music, will be renamed the South Side Ballroom as part of a new deal with Live Nation.
The new name is meant to highlight the South Side area of Dallas that has seen particular growth that includes the SODA Bar at NYLO South Side as well as well-known watering holes like Poor David’s Pub and Cedars Social.
Live Nation will take over booking, marketing and promotion of concerts at the venue.
“We look forward to continuing to bring the newest and hottest shows to the South Side Ballroom,” senior vice president of Live Nation Dallas Danny Eaton said in a statement. “As part of the largest live entertainment company in the world, we have tremendous resources available and we will bring those to bear to continually enhance and upgrade the experience at South Side Ballroom.”
Opened in 2007 as part of the Gilley’s complex, the 27,000 square-foot space has been the center of a number of controversies, including Ghostland Observatory concert where Highland Park High School student Ryan Romo met up with a co-ed who would later accuse him of rape.
Live Nation Entertainment includes Ticketmaster.com as well as Live Nation Concerts, which produces more than 22,000 shows per year.
The Palladium will change its name to the South Side Ballroom as part of an agreement with Live Nation Entertainment.
The Palladium Ballroom Facebook
The Palladium will change its name to the South Side Ballroom as part of an agreement with Live Nation Entertainment.
Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films likeM3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.
Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).
A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.
Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.
Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.
It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.
Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.
Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.
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Five Nights at Freddy's 2 opens in theaters on December 5.