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    Director Interview

    David Gordon Green on Prince Avalanche and throwing actors curveballs

    Alex Bentley
    Apr 28, 2013 | 11:47 am
    David Gordon Green on Prince Avalanche and throwing actors curveballs
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    UPDATE: Prince Avalanche opens in Dallas on August 16 at the Landmark Magnolia Theatre in Uptown Dallas.

    -------------

    David Gordon Green's Prince Avalanche was the headliner for the opening night of the USA Film Festival in Dallas, which wraps up April 28 at Angelika Film Center. The festival honored Green, who grew up in Richardson, with a compilation of his films prior to April 24's screening of Prince Avalanche.

    Below is a short review of the film followed by some insight from writer/director Green, who returned to Dallas for the festival.

    Prince Avalanche mini-review

    Those who don’t follow David Gordon Green’s career closely may be surprised by his latest, Prince Avalanche. The man who helmed such comedies as Pineapple Express, Your Highness and The Sitter got his start directing insightful dramas.

    Prince Avalanche is a hybrid of the two, following two men (Paul Rudd and Emile Hirsch) tasked with painting lines on a back road in an area recently devastated by wildfires. The film touches on a variety of emotions — humor often being the least of them.

    Rudd and Hirsch spend virtually the entire film by themselves, bantering and bickering and not really getting much work done. Green intercuts their scenes with moody atmospheric shots showing the effects fire has had on the area, shots that hit home even more knowing the film was shot in Bastrop County, Texas, which suffered through wildfires in 2011.

    The film can be challenging at times, but its rewards vastly outnumber its difficulties.

    David Gordon Green interview

    The idea behind Prince Avalanche was a serendipitous circumstance, as Green wanted to make a movie about two guys driving around in a forest. A friend suggested he remake a little-known Icelandic movie called Either Way, which mirrored Green's idea in many ways.

    That film served as more than just inspiration, as Green says he would sometimes plagiarize subtitles from the original to use in his film, which accounts for the stilted nature of lines like, “It took a great length of time to change the tire.”

    “It’s just such an unnecessary way to word that that it makes me laugh,” Green says.

    If you're wondering why Green cast Paul Rudd, best known for his comedic roles, that was by design.

    “I look at certain actors that I really respect and admire, and I like to be the guy that takes them on a little different journey or a little different trajectory,” Green says. “I have really wanted to do something that had a little bit more dramatic resonance with him. ... Throwing curveballs to the expectation of an actor is one thing I’d really like to be known for when I die.”

    Filming on location in Bastrop State Park also proved a stroke of luck.

    “This seemed like a place that took advantage of the melancholy backdrop, and used the backdrop to challenge the comedy,” Green says. “Every time you’d find yourself comfortable in a laugh, there’s something that doesn’t allow that to settle in too comfortably. I find that great because it’s challenging the audience in a way a typical comedy doesn’t.”

    Green wanted to impart a sort of randomness with the atmospheric shots he sprinkled throughout the film.

    “People use the word ‘improvisation’ to specifically talk about music or dialogue, but I think there’s a really fun way to use that with camera and visuals as well,” he says.

    Emile Hirsch and Paul Rudd in David Gordon Green's Prince Avalanche.

    Emile Hirsch and Paul Rudd in David Gordon Green's Prince Avalanche
    Photo courtesy of Magnolia Pictures
    Emile Hirsch and Paul Rudd in David Gordon Green's Prince Avalanche.
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    Movie Review

    Chris Hemsworth tries to steal diamonds and hearts in Crime 101

    Alex Bentley
    Feb 13, 2026 | 1:15 pm
    Chris Hemsworth in Crime 101
    Photo courtesy of Amazon Content Services
    Chris Hemsworth in Crime 101.

    The career of actor Chris Hemsworth is a curious one, as it feels like he’s a huge star (mostly from playing Thor in Marvel movies) and not at the same time, with most of the non-MCU movies featuring him in a lead role failing to become big successes. But he still has a certain presence about him, which is why he’s being given another chance to prove his star power in the new thriller, Crime 101.

    Hemsworth plays Davis, a talented thief who knows how to get what he wants without resorting to violence. When a job early in the movie turns slightly sideways, it makes him think twice about working with his handler (Nick Nolte), who seems to prefer someone with a stronger touch, like the up-and-coming Ormon (Barry Keoghan).

    Davis is the main character, but two others who come into his orbit get their own subplots. Lou (Mark Ruffalo) is a slightly schlubby LAPD detective who’s convinced he knows the pattern of an unknown thief that likes to hit places close to Highway 101. Sharon (Halle Berry) works for a high-end insurance agency known for working with ultra-wealthy clients, the types who might be a great target for a thief like Davis.

    Written and directed by Bart Layton, the film has a decent propulsion to it that comes with most crime thrillers. Davis and Ormon represent the yin and the yang of criminal approaches, and and it’s interesting to see the juxtaposition between the two as their simmering rivalry heats up over the course of the film. When the film commits to actually showing its crimes, it has an excitement that’s worth watching.

    Unfortunately, Layton displays a real lack of focus, taking the audience into subplots with each of the three main characters that prove unnecessarily distracting. Lou’s marriage problems may explain his disheveled appearance, but there’s no need to see him deal with them with wife Angie (Jennifer Jason Leigh). Sharon’s troubles with her male-dominated company prove slightly pivotal, but still don’t merit the time put into exploring them.

    The most baffling subplot is Davis pursuing a relationship with Maya (Monica Barbaro), a woman he randomly meets. At different points in the movie, including many of his interactions with Maya, Davis seems like the most uncomfortable, antisocial person in the world. And yet he somehow morphs into a suave smooth-talker who’s able to convince anyone to do what he wants at other key points, making it unclear exactly what kind of person he really is.

    Hemsworth does relatively well in the lead role, but he’s still missing that certain something to make his character, and therefore the movie, truly compelling. The rest of the cast is fine, too, but each of them seem to be putting in just the minimal amount of effort to make the film watchable. Ruffalo and Barbaro come off the best, but with the talent in the cast (11 Oscar nominations and one win), they could have been used better.

    Crime 101 has most of the ingredients to be another great entry in the genre, and it succeeds when it actually decides to deliver on its promise. But too much of the film is spent on things that have no real bearing on plot or character development, leaving the movie in the middle of the pack.

    ---

    Crime 101 is now playing in the theaters.

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