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    Movie Review

    Netflix's Senior Year cements Rebel Wilson as a comedic force

    Alex Bentley
    May 13, 2022 | 9:09 am
    Netflix's Senior Year cements Rebel Wilson as a comedic force
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    Ever since Rebel Wilson had her breakout in 2011’s Bridesmaids, her comedic persona has been built on her quick wit, her natural Australian accent, and her physicality due to her body size being larger than her co-stars. But Wilson made a choice in 2020 to lose a good amount of weight, and her new Netflix film Senior Year is her first chance to show that she’s funny at any size.

    Wilson plays Stephanie, a 37-year-old woman who comes out of a 20-year coma after a high school cheerleading accident. Obsessed with being popular when she was younger, she convinces her best friend Martha (Mary Holland), who’s now the principal at their high school, to let her complete her senior year.

    She’s soon confronted by the fact that the world, and specifically high school life, has changed mightily during her absence. Smartphones and social media now dominate the landscape, and popularity is dependent on things like the number of Instagram followers someone has rather than, say, being the captain of the cheerleading squad. But Stephanie is no wallflower, and she sets out to bring as much of 2002 to 2022 as she can.

    Directed by Alex Hardcastle and written by Andrew Knauer, Arthur Pielli, and Brandon Scott Jones, the film is notable for how well it plays with the tropes of high school movies while subverting them at the same time.

    Stephanie becomes quick friends with Janet (Avantika), an Indian girl; Yaz (Joshua Colley), a gay boy; and Neil (Jeremy Ray Taylor), a slightly chubby boy, an oddball group that would normally be played for laughs because of their outsider status. But it soon becomes clear that they have forged their own path and are completely comfortable with their spots in the social structure of their school.

    Likewise, Stephanie’s new nemesis, Brie (Jade Bender), is the daughter of her old nemesis, Tiffany (Zoë Chao), but the film presents her as a multi-dimensional person. She still wields her popularity like a queen with a scepter, but she also believes in protecting the environment and has a boyfriend, Lance (Michael Cimino), who’s unafraid to play with gender norms in his clothing.

    The filmmakers also do a great job making jokes about obvious things and then quickly moving on. Much could be made about how Stephanie is unfamiliar with technological advances, but after a series of small jokes, she’s using them just like anyone else. They also don’t dwell much on her being older than everyone else; her interactions with old classmates is enough to drive home the point, and so they just let her act like a normal student while at school.

    One of the best decisions the filmmakers make is allowing time to set up the story properly. The film begins with the story of the younger Stephanie (Angourie Rice), and they spend a good 15 minutes detailing every aspect of her life. They lay the groundwork for many of the jokes that come later in the film here, and those jokes wouldn’t work nearly as well had the opening sequence been just a few minutes. It also allows for the filmmakers to continually compare and contrast life in the early 2000s to life in 2022, jokes that land nearly every time they bring them out.

    Wilson has always been a very confident actor, and she controls the action in every scene that she’s in. While her newly svelte body plays a factor in how the character is portrayed, it’s her charisma and fearlessness that make her extremely funny. The long list of supporting actors complement her fantastically, with special notice going to Chris Parnell as her dad, Chao, Bender, Colley, and Avantika.

    Senior Year could have been just another high school comedy that uses the stereotypical jokes we all recognize. But it rises way above that level thanks to some stellar writing and a lead performance by Wilson that cements her as one of the best comedic actors of her generation.

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    Senior Year debuts on Netflix on May 13.

    Jeremy Ray Taylor, Rebel Wilson, Avantika, and Joshua Colley in Senior Year.

    Jeremy Ray Taylor, Rebel Wilson, Avantika, and Joshua Colley in Senior Year
    Photo by Boris Martin/Netflix
    Jeremy Ray Taylor, Rebel Wilson, Avantika, and Joshua Colley in Senior Year.
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    Movie Review

    Chris Hemsworth tries to steal diamonds and hearts in Crime 101

    Alex Bentley
    Feb 13, 2026 | 1:15 pm
    Chris Hemsworth in Crime 101
    Photo courtesy of Amazon Content Services
    Chris Hemsworth in Crime 101.

    The career of actor Chris Hemsworth is a curious one, as it feels like he’s a huge star (mostly from playing Thor in Marvel movies) and not at the same time, with most of the non-MCU movies featuring him in a lead role failing to become big successes. But he still has a certain presence about him, which is why he’s being given another chance to prove his star power in the new thriller, Crime 101.

    Hemsworth plays Davis, a talented thief who knows how to get what he wants without resorting to violence. When a job early in the movie turns slightly sideways, it makes him think twice about working with his handler (Nick Nolte), who seems to prefer someone with a stronger touch, like the up-and-coming Ormon (Barry Keoghan).

    Davis is the main character, but two others who come into his orbit get their own subplots. Lou (Mark Ruffalo) is a slightly schlubby LAPD detective who’s convinced he knows the pattern of an unknown thief that likes to hit places close to Highway 101. Sharon (Halle Berry) works for a high-end insurance agency known for working with ultra-wealthy clients, the types who might be a great target for a thief like Davis.

    Written and directed by Bart Layton, the film has a decent propulsion to it that comes with most crime thrillers. Davis and Ormon represent the yin and the yang of criminal approaches, and and it’s interesting to see the juxtaposition between the two as their simmering rivalry heats up over the course of the film. When the film commits to actually showing its crimes, it has an excitement that’s worth watching.

    Unfortunately, Layton displays a real lack of focus, taking the audience into subplots with each of the three main characters that prove unnecessarily distracting. Lou’s marriage problems may explain his disheveled appearance, but there’s no need to see him deal with them with wife Angie (Jennifer Jason Leigh). Sharon’s troubles with her male-dominated company prove slightly pivotal, but still don’t merit the time put into exploring them.

    The most baffling subplot is Davis pursuing a relationship with Maya (Monica Barbaro), a woman he randomly meets. At different points in the movie, including many of his interactions with Maya, Davis seems like the most uncomfortable, antisocial person in the world. And yet he somehow morphs into a suave smooth-talker who’s able to convince anyone to do what he wants at other key points, making it unclear exactly what kind of person he really is.

    Hemsworth does relatively well in the lead role, but he’s still missing that certain something to make his character, and therefore the movie, truly compelling. The rest of the cast is fine, too, but each of them seem to be putting in just the minimal amount of effort to make the film watchable. Ruffalo and Barbaro come off the best, but with the talent in the cast (11 Oscar nominations and one win), they could have been used better.

    Crime 101 has most of the ingredients to be another great entry in the genre, and it succeeds when it actually decides to deliver on its promise. But too much of the film is spent on things that have no real bearing on plot or character development, leaving the movie in the middle of the pack.

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    Crime 101 is now playing in the theaters.

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