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John Wayne Experience

New exhibit tips its cowboy hat to Western film icon in Fort Worth Stockyards

Celestina Blok
May 21, 2021 | 12:21 pm

Ethan Wayne was just 17 years old when he lost his father, the iconic American actor and filmmaker John Wayne. Now at age 59, he has spearheaded an extraordinary exhibit that lets his father’s fans tip their hat to memories of the legendary “Duke” — and it’s in the Fort Worth Stockyards.

Called "John Wayne: An American Experience," the 10,000-square-foot exhibit goes inside the life of Marion Mitchell Morrison, known worldwide to his fans as classic Western movie star John Wayne.

Opened in December at 2501 Rodeo Plaza, the museum displays never-before-seen family photos, iconic film props (like his cowboy hat collection), letters from presidents and celebrities, and even his dark green 1976 Grand Safari. (Fun fact: Wayne had the roof raised on the vehicle so he wouldn’t have to take off his cowboy hat upon entry.)

Wayne says he never realized how much memorabilia his father had amassed until he accessed the collection after his oldest half-brother, who previously ran the family business, died in 2003.

“I thought, ‘My gosh, we have a lot of really significant memorabilia here,” he says. “I don’t think the rest of the family really knew. From that moment we started thinking about how we were going to find a home for it.”

An idea sparked when Wayne met Craig Cavileer, executive vice president of Majestic Realty Co. (which developed the Stockyards' Mule Alley complex and Hotel Drover) at the National Finals Rodeo in Las Vegas two years ago. Ethan had set up a pop-up museum there with a small sampling of his father’s memorabilia — just to gauge interest, he says.

Cavileer convinced Wayne to visit Fort Worth and consider the Stockyards as a permanent home for the John Wayne Experience. It wouldn't be the Wayne family's first connection to Fort Worth. Ethan Wayne's mother Pilar, the widow of John Wayne, owned a café called Pilar’s on Bryan Irvin Road back in 2006.

"Now that the Stockyards redevelopment is happening and coming to life, we’re really happy because it’s the perfect spot for John Wayne,” he says.

A look inside
In the extensive gallery called “Life on Screen,” guests are taken on a tour through John Wayne’s lengthy career. Notable pieces on display include both the screenplay and Wayne’s Academy Award for Best Actor for the 1969 movie True Grit, as well as many personal letters and telegrams from the likes of Carol Burnett and Jerry Lewis.

But it’s in the “America, Why I Love Her” gallery where guests get a glimpse of Wayne’s personal life and patriotism. On display is his Medal of Freedom from President Jimmy Carter, his Congressional Gold Medal, and his Grammy-nominated original poems.

One of Wayne’s most successful business ventures outside of acting was ranching, which provided him an escape from Hollywood. He lobbied both Presidents Nixon and Ford on behalf of U.S. cattle ranchers, and also helped develop more humane ways to feed and handle livestock. His ranching lifestyle helped define Wayne as a real Westerner.

Ethan Wayne says upon studying the many artifacts and mementos from his father’s life, it was most “eye-opening” for him to learn how much time he gave to other people, be they friends, family, or strangers.

“He was a great listener. He had very strong opinions, but that didn’t mean he didn’t want to hear yours if you had a different opinion,” he says.

John Wayne Day
John Wayne’s birthday is on May 26 and in Texas, the day is officially known as “John Wayne Day” thanks to a proclamation declared in 2015 by Gov. Greg Abbott. The Wayne family will be in Fort Worth to celebrate with a dedication of the museum, and the public is invited.

From 12-6 pm, the Stockyards will host a John Wayne birthday party outside the exhibit, complete with live music, food, a Western gunfight re-enactment, children’s book-reading by John Wayne’s granddaughter, roping practice for kiddos, and more. The party will start at 12 pm with a proclamation of John Wayne Day by Fort Worth city officials.

The John Wayne itself exhibit is open daily from 9 am-6 pm. Admission is $20.95 for adults and $16.95 for kids ages 6 to 12. Children 5 and under are free. Admission is not required for the exhibit’s retail store, which is stocked with limited-edition apparel, books (including children’s books), fine Western art, leather goods, drinkware, and Western accessories.

“If you’re curious (about his life), it’ll be a terrific place,” Ethan Wayne says. “If you don’t know anything about him, it’ll still be a terrific place because he’s an inspirational person.”

"John Wayne: An American Experience" is a 10,000-square-foot exhibit filled with memorabilia.

John Wayne Museum
Photo by Celestina Blok
"John Wayne: An American Experience" is a 10,000-square-foot exhibit filled with memorabilia.
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news/entertainment

Movie Review

Nordic film Fjord challenges cultural and linguistic biases

Alex Bentley
Oct 23, 2026 | 11:20 am
Sebastian Stan in Fjord
Photo courtesy of Neon
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In modern society, where fear of “the other” has made many people into insular creatures, it has become easy to get locked into one point of view. The new film Fjord will be a challenging one for many viewers, as it puts forth a situation that confronts narrow-minded thinking and forces even those who think they’re open-minded to re-evaluate their own biases.

Mihai (Sebastian Stan) and Lisbet (Renate Reinsve) are a married couple who have just moved back to Lisbet’s home country of Norway. They have five children, all of whom were born in Romania, Mihai’s home country. The family, which is part of an unspecified Evangelical Christian sect, runs into issues almost right away when their oldest daughter, Elia (Vanessa Ceban), shows up to school with bruises on her body.

A well-intentioned but perhaps overzealous Child Protective Services system gets put into motion, resulting in the children being removed from the home while Mihai and Lisbet are being investigated. The parents, while acknowledging some minor physical punishment, deny doing anything that would cause bruising, and the possible failings of the system mostly get ignored despite a lack of hard evidence.

Written and directed by Cristian Mungiu, the film is an infuriating watch due to its depiction of a system that seems to be oblivious to its own faults. But it’s also illuminating, as the cultural and linguistic divide that exists between the characters in the film could just as easily be applied to those viewing it. Misunderstandings arise as people switch between Norwegian, English, and Romanian, and interpretations of different words or phrases play a crucial role in how people and actions are perceived.

But the film is about much more than just language mix-ups. Mungiu is purposefully vague about Mihai and Lisbet’s religion, but it’s clear that it leans conservative. This puts them at odds with a liberal society in Norway, and more than one character voices their disapproval of the family’s beliefs. The film is framed in such a way, though, that it’s those who are seemingly most progressive who can’t get over their own prejudices, with Mihai and Lisbet rarely being able to object to how they’re being treated.

The cold and forbidding landscape adds to the drama of the film, especially when Mungiu includes side stories from Mihai and Lisbet’s neighbors about, for example, a rebellious neighbor daughter or their ailing father. While those elements don’t impact the plot much, they add complexity to the film as a whole and demonstrate that some characters are more than who they seem to be on the surface.

Stan, who’s had notable roles in recent years in A Different Man and The Apprentice, puts in another solid performance that is less showy. With a bald head and stoic-but-firm demeanor, he brings depth to a potentially unlikable character. Reinsve, coming off the success of Backrooms, is the emotional center of the film and demonstrates chemistry with Stan after co-starring in A Different Man. The supporting cast is all solid, especially the actors portraying lawyers, who bring to life a system that seems much different from that in the U.S.

Fjord does not play out like a typical American film would if it were depicting a similar situation, and by holding back where western storytellers wouldn’t, it allows viewers to make up their own minds on who is right or wrong. Many things go unspoken in the film, and the debate on what should happen with Mihai, Lisbet, and their family continues even after the film ends.

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Fjord is now playing in select theaters.

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